Johnny Desmond Sings for Dancing (mono)

~ Release by Johnny Desmond (see all versions of this release, 3 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1All of You
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer and conductor) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer and conductor)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
All of You (Silk Stockings musical) (from 1958-01-15 until 1958-01-20)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
?:??
A2The Last Time I Saw Paris
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer and conductor) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer and conductor)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
The Last Time I Saw Paris (from 1958-01-15 until 1958-01-20)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
The 14th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1941 winner)
?:??
A3You'd Be So Nice to Come Home To
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer and conductor) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer and conductor)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
You’d Be So Nice to Come Home To (from 1958-01-15 until 1958-01-20)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
?:??
A4This Can't Be Love
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer and conductor) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer and conductor)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
This Can’t Be Love (from 1958-01-15 until 1958-01-20)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
?:??
A5That Old Devil Moon
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer and conductor) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer and conductor)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
Old Devil Moon (from “Finian’s Rainbow”) (from 1958-01-15 until 1958-01-20)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
?:??
A6There's a Small Hotel
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer and conductor) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer and conductor)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
There’s a Small Hotel (from “On Your Toes”) (from 1958-01-15 until 1958-01-20)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (composer) (in 1936)
part of:
On Your Toes
part of:
Pal Joey
?:??
B1It Ain't Necessarily So
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer and conductor) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer and conductor)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1958-01-15 until 1958-01-20)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
?:??
B2I Can't Get Started With you
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer and conductor) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer and conductor)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
I Can’t Get Started (from 1958-01-15 until 1958-01-20)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
B3My Happy Time
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer and conductor) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer and conductor)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
My Happy Time (from 1958-01-15 until 1958-01-20)
lyricist and composer:
Johnny Desmond
?:??
B4It's the Talk of the Town
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer and conductor) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer and conductor)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
It’s the Talk of the Town (from 1958-01-15 until 1958-01-20)
lyricist:
Al J. Neiburg (lyricist) and Marty Symes (lyricist)
composer:
Jerry Livingston (songwriter)
arranger:
Ib Glindemann
?:??
B5I Got Plenty o' Nuttin'
recording engineer:
Dayton “Bones” Howe (from 1958-01-15 until 1958-01-20)
vocals:
Johnny Desmond (from 1958-01-15 until 1958-01-20)
orchestra:
John Williams Orchestra (from 1958-01-15 until 1958-01-20)
conductor:
John Williams (American score composer and conductor) (from 1958-01-15 until 1958-01-20)
arranger:
John Williams (American score composer and conductor)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-20)
recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (from 1958-01-15 until 1958-01-20)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
?:??