NEON GENESIS EVANGELION: S² WORKS

~ Veröffentlichung von 鷺巣詩郎 (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

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Nr.TitelKünstlerBewertungLänge
1チェロ・チューニング
recording engineer:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
assistierende(r) Techniker(in):
NOBUYUKI MICHIZOE (Nobuyuki Michizoe)
Mix:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer)
arranger:
SHIROH SAGISU (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1997, in 1998, in 2020)
鷺巣詩郎30:27
2Suiten für Violoncello solo Nr. 1 G-dur, BWV. 1007 1. Vorspier
recording engineer:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
assistierende(r) Techniker(in):
NOBUYUKI MICHIZOE (Nobuyuki Michizoe)
Mix:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer)
arranger:
SHIROH SAGISU (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1997, in 1998, in 2003, in 2020)
teilweise recording of:
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude)
Teil von:
Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)
Johann Sebastian Bach40:44
3ドヴォルザーク:オリジナル・コンプリート・バージョン
recording engineer:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
assistierende(r) Techniker(in):
NOBUYUKI MICHIZOE (Nobuyuki Michizoe)
Mix:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer)
arranger:
SHIROH SAGISU (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1997, in 1998, in 2020)
teilweise cover recording of:
Cello Concerto in B minor, op. 104: I. Allegro (Konzert für Violoncello und Orchester in h-Moll, Op. 104: I. Allegro)
Komponist(in):
Antonín Dvořák (composer) (von 1894-11-08 bis 1895-02-09)
Teil von:
Cello Concerto in B minor, op. 104
Antonín Dvořák40:33
4ヴァイオリン・チューニング
recording engineer:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
assistierende(r) Techniker(in):
NOBUYUKI MICHIZOE (Nobuyuki Michizoe)
Mix:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer)
arranger:
SHIROH SAGISU (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1997, in 1998, in 2020)
鷺巣詩郎30:23
5Partita III für Violino solo E-dur, BWV. 1006 3. Gavotte in Rondo
recording engineer:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
assistierende(r) Techniker(in):
NOBUYUKI MICHIZOE (Nobuyuki Michizoe)
Mix:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer)
arranger:
SHIROH SAGISU (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1997, in 1998, in 2020)
teilweise cover recording of:
Violin Partita no. 3 in E major, BWV 1006: III. Gavotte en rondeau (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Violin Partita no. 3 in E major, BWV 1006.1/1006: III. Gavotte en rondeau
Teil von:
Violin Partita no. 3 in E major, BWV 1006 (catch-all for arrangements)
Johann Sebastian Bach40:23
6ヴィオラ・チューニング
recording engineer:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
assistierende(r) Techniker(in):
NOBUYUKI MICHIZOE (Nobuyuki Michizoe)
Mix:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer)
arranger:
SHIROH SAGISU (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1997, in 1998, in 2020)
鷺巣詩郎31:10
7チューニング風景
recording engineer:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
assistierende(r) Techniker(in):
NOBUYUKI MICHIZOE (Nobuyuki Michizoe)
Mix:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer)
arranger:
SHIROH SAGISU (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1997, in 1998, in 2020)
鷺巣詩郎30:18
8Kanon D-dur (ノーマル)
recording engineer:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
assistierende(r) Techniker(in):
NOBUYUKI MICHIZOE (Nobuyuki Michizoe)
Mix:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer)
arranger:
SHIROH SAGISU (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1997, in 1998, in 2003, in 2020)
cover recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel45:08
9Kanon D-dur (Wクインテット)
recording engineer:
鈴木孝一 (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
鈴木孝一 (Kōichi Suzuki, engineer)
arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1998)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements)
Komponist(in):
Johann Pachelbel (composer)
Arrangement von:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Johann Pachelbel45:07
10Kanon D-dur (クインテット)
recording engineer:
鈴木孝一 (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
鈴木孝一 (Kōichi Suzuki, engineer)
arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1998)
cover recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements)
Komponist(in):
Johann Pachelbel (composer)
Arrangement von:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Johann Pachelbel45:01
11Kanon D-dur (クインテット・チェンバロ無)
recording engineer:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
assistierende(r) Techniker(in):
NOBUYUKI MICHIZOE (Nobuyuki Michizoe)
Mix:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer)
arranger:
SHIROH SAGISU (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1997, in 1998, in 2020)
cover recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements)
Komponist(in):
Johann Pachelbel (composer)
Arrangement von:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Johann Pachelbel45:02
12II Air [ORCHESTRAL SUITE No. 3 in D Major, BWV. 1068] (テンポ遅)
recording engineer:
鈴木孝一 (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
鈴木孝一 (Kōichi Suzuki, engineer)
arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1998)
recording of:
II Air [ORCHESTRAL SUITE No. 3 in D Major, BWV. 1068] (arr. Shiro Sagisu)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
instruments arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
Arrangement von:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Teil von:
THE END OF EVANGELION (1997 animated film soundtrack)
Johann Sebastian Bach53:57
13II Air [ORCHESTRAL SUITE No. 3 in D Major, BWV. 1068]
recording engineer:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer)
arranger:
Shiro SAGISU (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1997, in 1998, in 2020)
recording of:
II Air [ORCHESTRAL SUITE No. 3 in D Major, BWV. 1068] (arr. Shiro Sagisu)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
instruments arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
Arrangement von:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Teil von:
THE END OF EVANGELION (1997 animated film soundtrack)
Johann Sebastian Bach53:24
14Jesus bleibet meine Freude [Herz und Mund und Tat und Leben BWV. 147] (ストリングス・テンポ早)
recording engineer:
鈴木孝一 (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
鈴木孝一 (Kōichi Suzuki, engineer)
arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1998)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach53:10
15Jesus bleibet meine Freude [Herz und Mund und Tat und Leben BWV. 147] (ストリングス)
recording engineer:
鈴木孝一 (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
鈴木孝一 (Kōichi Suzuki, engineer)
arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1998)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach53:47
16M-10イントロ無Aタイプ
recording engineer:
鈴木孝一 (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
鈴木孝一 (Kōichi Suzuki, engineer)
arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1998)
recording of:
Komm, süsser Tod (The End of Evangelion)
Texter:
庵野秀明 (Hideaki Anno)
Komponist(in):
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
Übersetzer:
Mike Wyzgowski
basiert auf:
Geistliches Lied, BWV 478 "Komm, süßer Tod"
ARIANNE57:05
17M-10イントロ無Bタイプ
recording engineer:
鈴木孝一 (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
鈴木孝一 (Kōichi Suzuki, engineer)
arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1998)
recording of:
Komm, süsser Tod (The End of Evangelion)
Texter:
庵野秀明 (Hideaki Anno)
Komponist(in):
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
Übersetzer:
Mike Wyzgowski
basiert auf:
Geistliches Lied, BWV 478 "Komm, süßer Tod"
ARIANNE57:05
18M-13テイク1 (未完成)
recording engineer:
鈴木孝一 (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
鈴木孝一 (Kōichi Suzuki, engineer)
arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1998)
recording of:
M-13 (THE END OF EVANGELION)
Texter:
Mike Wyzgowski
Komponist(in):
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
Version von:
BORDERLINE CASE (A-4) (新世紀エヴァンゲリオン)
Teil von:
THE END OF EVANGELION (1997 animated film soundtrack)
鷺巣詩郎46:16
19M-13テイク2 (未完成)
recording engineer:
鈴木孝一 (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
鈴木孝一 (Kōichi Suzuki, engineer)
arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1998)
recording of:
M-13 (THE END OF EVANGELION)
Texter:
Mike Wyzgowski
Komponist(in):
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
Version von:
BORDERLINE CASE (A-4) (新世紀エヴァンゲリオン)
Teil von:
THE END OF EVANGELION (1997 animated film soundtrack)
鷺巣詩郎46:16
20M-14 (未編集)
recording engineer:
鈴木孝一 (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
鈴木孝一 (Kōichi Suzuki, engineer)
arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1998)
recording of:
M-14 (THE END OF EVANGELION)
Komponist(in):
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
Teil von:
THE END OF EVANGELION (1997 animated film soundtrack)
鷺巣詩郎42:16
21M-14後半 (未編集)
recording engineer:
鈴木孝一 (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
鈴木孝一 (Kōichi Suzuki, engineer)
arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1998)
teilweise recording of:
M-14 (THE END OF EVANGELION)
Komponist(in):
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
Teil von:
THE END OF EVANGELION (1997 animated film soundtrack)
鷺巣詩郎40:37
22M-15 (未完成)
recording engineer:
鈴木孝一 (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
鈴木孝一 (Kōichi Suzuki, engineer)
arranger:
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1998)
recording of:
M-15 (THE END OF EVANGELION)
Komponist(in):
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
Teil von:
THE END OF EVANGELION (1997 animated film soundtrack)
鷺巣詩郎34:08
23THANATOS -IF I CAN’T BE YOURS-
recording engineer:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer) und 辻裕行 (Hiroyuki Tsuji, engineer)
Mix:
KOH-ICHI SUZUKI (Kōichi Suzuki, engineer)
Sologesang:
LOREN (PHIX-UP!!, Up All Night, THANATOS)
arranger:
Shiro SAGISU (Shirō Sagisu, anime & film music composer)
phonographisches Urheberrecht (℗) von:
King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1997, in 1998, in 2003, in 2006, in 2007, in 2020)
recording of:
THANATOS -IF I CAN’T BE YOURS-
Texter:
MASH (collaboration between Martin Lascelles and Shirō Sagisu)
Komponist(in):
鷺巣詩郎 (Shirō Sagisu, anime & film music composer)
publisher:
セブンシーズミュージック (Seven Seas Music Co., Ltd., publisher - do not use as release label!) und テレビ東京ミュージック (TV TOKYO Music, Inc.)
Version von:
THANATOS (E-13) (新世紀エヴァンゲリオン)
LOREN & MASH4.354:49

Nennungen

Veröffentlichung

hergestellt in:Japan
gedruckt in:Japan
sonstige Unterstützung:庵野秀明 (Hideaki Anno) (Aufgabe: original BGM titling)
潮方夜詩香 (Yoshika Shiokata) (Aufgabe: release base model production)
吉岡隆志 (Takashi Yoshioka) (Aufgabe: 担当)
leitende(r) Produzent(in):大月俊倫 (Toshimichi Ōtsuki)
mastering:須賀孝男 (Takao Suga)
design:根津典彦 (Norihiko Netsu) (Aufgabe: package design)
長田潔 (Kiyoshi Osada) (Aufgabe: booklet design)
artwork:中村栄司 (Eiji Nakamura, designer) (Aufgabe: artwork management)
根津典彦 (Norihiko Netsu) (Aufgabe: CG artwork)
Verwertungsgesellschaft:JASRAC (Japan rights society; do not use this as a label or work publisher!)
urheberrechtlich geschützt (©) von:テレビ東京 (TV Tokyo)
GAINAX/Project Eva./EVA製作委員会 (GAINAX, Japanese animation studio) (in 1997)
phonographisches Urheberrecht (℗) von:King Record Co., Ltd. (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label) (in 1998)
umgeschriebene/übersetzte Tracklisten:NEON GENESIS EVANGELION S² WORKS (English translation) von Shirō Sagisu (anime & film music composer)
NEON GENESIS EVANGELION S² WORKS (Expanded titles)
ASIN:JP: B00005F629 [Info]
VGMdb:https://vgmdb.net/album/22436 [Info]

Veröffentlichungsgruppe

Teil von:新世紀エヴァンゲリオン (Neon Genesis Evangelion, 1995–1996 animated TV series & 1997 animated films) (Reihenfolge: 15)
Discogs:https://www.discogs.com/master/1058063 [Info]
Wikidata:Q764648 [Info]