Änglar

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD: När änglar vaknar
2▼CD: När änglar drömmer
#TitleArtistRatingLength
1Ave verum corpus
engineer:
Gejza Toperczer (in 1991-06)
producer:
Rudolf Hentšel (in 1991-06)
choir vocals:
Košice Teachers’ Choir (from 1991-06-10 until 1991-06-15)
orchestra:
Camerata Cassovia (from 1991-06-10 until 1991-06-15)
conductor:
Johannes Wildner (conductor) (from 1991-06-10 until 1991-06-15)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1991-06-10 until 1991-06-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1991-06-10 until 1991-06-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart2:53
2Kantat nr 147: Jesu bleibet meine Freude
engineer:
Gábor Mocsáry
producer:
Tamás Benedek
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (in 1992-01)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (in 1992-01)
conductor:
Mátyás Antal (conductor) (in 1992-01)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1992-01)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1992-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:27
3Oboekonsert op 9, nr 5: Adagio
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1992-10-11 until 1992-10-12)
producer:
Murray Khouri (clarinettist and producer) and Judy Lieber (producer)
solo oboe:
Anthony Camden (oboist) (from 1992-10-11 until 1992-10-12)
orchestra:
City of London Sinfonia (chamber orchestra) and London Virtuosi (from 1992-10-11 until 1992-10-12)
conductor:
John Georgiadis (from 1992-10-11 until 1992-10-12)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-10-11 until 1992-10-12)
recording of:
Concerto for Oboe in C major, op. 9 no. 5: II. Adagio (non troppo) (from 1992-10-11 until 1992-10-12)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Concerto for Oboe in C major, op. 9 no. 5
Tomaso Giovanni Albinoni2:06
4Trumpetkonsert: Adagio
engineer:
Morten Lindberg
producer:
Edward H. Tarr (trumpet player)
baroque trumpet:
Niklas Eklund (Swedish baroque trumpeter) (from 1995-08-08 until 1995-08-11)
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble) (from 1995-08-08 until 1995-08-11)
conductor:
Nils‐Erik Sparf (Swedish viol(in)ist) (from 1995-08-08 until 1995-08-11)
recorded at:
Petruskyrkan (Petrus Church, Stocksund) in Danderyd municipality, Stockholms län (Stockholm county), Sweden (from 1995-08-08 until 1995-08-11)
recording of:
Trumpet Concerto in D major, TWV 51:D7: I. Adagio (from 1995-08-08 until 1995-08-11)
composer:
Georg Philipp Telemann (composer)
part of:
Trumpet Concerto in D major, TWV 51:D7
Georg Philipp Telemann2:01
5Requiem: Pie Jesu
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
solo soprano vocals:
Lisa Beckley (from 1993-05-17 until 1993-05-18)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:36
6Förklädd gud: Förspel
engineer:
Torbjörn Samuelsson (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
Swedish Chamber Orchestra (from 1995-12-18 until 1995-12-19)
conductor:
Petter Sundkvist (conductor) (from 1995-12-18 until 1995-12-19)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Örebro Konserthus (Örebro Concert Hall) in Örebro Municipality, Örebro (Örebro County), Sweden (from 1995-12-18 until 1995-12-19)
recording of:
Förklädd gud, op. 24: Förspel (from 1995-12-18 until 1995-12-19)
composer:
Lars‐Erik Larsson (Swedish composer) (in 1940)
part of:
Förklädd gud, op. 24
Lars‐Erik Larsson4:16
7Den heliga natten: Sången om stjärnan
choir vocals:
Amadei kammarkör (Amadei Chamber Choir)
orchestra:
Svenska Kammarorkestern (Swedish Chamber Orchestra)
conductor:
Petter Sundkvist (conductor)
recording of:
Den heliga natten: XV. Sången om stjärnan
lyricist:
Hjalmar Gullberg
composer:
Hilding Rosenberg (Swedish modernist composer) (in 1936)
part of:
Den heliga natten
Hilding Rosenberg2:23
8Bist du bei mir
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Camerata Budapest
conductor:
Kovács László (conductor)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Johann Sebastian Bach52:31
9Sonat nr 11, op. 2
producer:
Hubert Geschwandtner (producer/engineer) (in 1989-01) and Karol Kopernický (producer) (in 1989-01)
trumpet:
Miroslav Kejmar (Trumpet player) (in 1989-01)
orchestra:
Capella Istropolitana (in 1989-01)
conductor:
Petr Škvor (Peter Skvor, violinist) (in 1989-01)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1989-01)
recording of:
Recorder Sonata in G minor, op. 2 no. 11: I. Adagio (Sonata no. 11 in G minor: I. Adagio)
composer:
Benedetto Marcello (composer)
part of:
Recorder Sonata in G minor, op. 2 no. 11 (Sonata no. 11 in G minor)
Benedetto Marcello2:26
10Requiem: Lacrimosa dies illa
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
contralto vocals:
Jaroslava Horská (mezzo-soprano) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:24
11Konsert för två violiner: Largo
producer:
Günter Appenheimer (producer/engineer) (from 1989-05 until 1989-06)
violin:
Alexander Jablokov (violinist) (from 1989-05-28 until 1989-06-02) and Takako Nishizaki (violinist) (from 1989-05-28 until 1989-06-02)
orchestra:
Capella Istropolitana (from 1989-05-28 until 1989-06-02)
conductor:
Oliver von Dohnányi (conductor) (from 1989-05-28 until 1989-06-02)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1989-05-28 until 1989-06-02)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (from 1989-05-28 until 1989-06-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:49
12Ave Maria
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Budabest Camerata
conductor:
Kovács László (conductor)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles‐François Gounod52:43
13Requiem: In paradisum
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18) and Schola Cantorum of Oxford (from 1993-05-17 until 1993-05-18)
vocals:
Oxford Camerata (English chamber choir)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:26
14Dans i de saliga ängder
flute:
Nora Shulman (flutist) (from 1997-03-10 until 1997-03-14)
harp:
Judy Loman (harpist) (from 1997-03-10 until 1997-03-14)
arranger:
Judy Loman (harpist)
recorded at:
Saint John Chrysostom Church in Newmarket, Ontario, Canada (from 1997-03-10 until 1997-03-14)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (from 1997-03-10 until 1997-03-14)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck4:49
15Stabat mater: Stabat mater dolorosa
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:31
16Requiem: Agnus Dei
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus)
mezzo-soprano vocals:
Gloria Scalchi (mezzo-soprano)
soprano vocals:
Elena Filipova (soprano)
conductor:
Pier Giorgio Morandi (conductor)
performer:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
recording of:
Messa da requiem: V. Agnus Dei (soprano, mezzo-soprano, coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi5:27
17Konsert för violin och oboe: Adagio
engineer:
János Bohus (Hungarian sound engineer.) (in 1991-11)
producer:
Ibolya Tóth (in 1991-11)
oboe:
Emilia Csanky (oboist) (in 1991-11)
strings:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings) (in 1991-11)
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings) (in 1991-11)
orchestra:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings)
recorded at:
Unitarian Church in Budapest, Hungary (in 1991-11)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: I. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) (in 1991-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1991-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach6:33
18Panis angelicus
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus)
soprano vocals:
Ingrid Kertesi (soprano)
tenor vocals:
Josef Mukk (tenor)
orchestra:
Budapest Camerata
conductor:
Laszlo Hovaks (conductor)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck4:02
19Ave Maria
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Budapest Camerata
conductor:
Kovács László (conductor)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert54:51
3▶CD: När änglar jublar