Die Zauberflöte

~ Release by Mozart; Streich, Stader, Haefliger, Fischer‐Dieskau, Greindl, RIAS Symphonie‐Orchester Berlin, Ferenc Fricsay (see all versions of this release, 5 available)

Tracklist

1▶CD: Die Zauberflöte Akt I
2▼CD: Die Zauberflöte Akt II
#TitleArtistRatingLength
1Die Zauberflöte: Marsch der Priester
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:33
2Die Zauberflöte: Dialog "Ihr, in dem Weisheitstempel" (Sarastro, Sprecher, Zweiter Priester)
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro, Sprecher, Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:42
3Die Zauberflöte: O Isis und Osiris
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:16
4Die Zauberflöte: Dialog "Eine schreckliche Nacht"
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:29
5Die Zauberflöte: Bewahret euch vor Weibertücken
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:57
6Die Zauberflöte: Dialog "He, Lichter her!" (Papageno, Tamino)
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog „He, Lichter her!” (Papageno, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:12
7Die Zauberflöte: Wie? Wie? Wie?
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:01
8Die Zauberflöte: Dialog "Tamino! Deine Standhaftigkeit hat gesiegt" (Sprecher, Zweiter Priester, Papageno)
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:33
9Die Zauberflöte: Alles fühlt der Liebe Freuden
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:17
10Die Zauberflöte: Dialog "O Weh! Da ist die Königin der Nacht" (Monostatos, Pamina, Königin der Nacht)
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Zurück! O weh!” (Die Königin der Nacht, Pamina, Monostatos) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:41
11Die Zauberflöte: Der Hölle Rache kocht in meinem Herze
producer:
Wolfgang Lohse
soprano vocals [Die Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1955)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:59
12Die Zauberflöte: Dialog "Morden soll ich?" (Pamina, Monostatos, Sarastro)
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:03
13Die Zauberflöte: In diesen heil'gen Hallen
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:13
14Die Zauberflöte: Dialog "Hier seid ihr beide euch allein überlassen" (Sprecher, 2. Prister, Papageno, Tamino, Weib)
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:40
15Die Zauberflöte: Seid uns zum zweiten Mal willkommen
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:46
16Die Zauberflöte: ialog "Tamino, wollen wir nicht speisen?"
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Tamino, wollen wir nicht speisen?” (Papageno, Pamina, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:07
17Die Zauberflöte: Ach, ich fühl's
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS Kammerchor (German chamber choir) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:04
18Die Zauberflöte: O Isis und Osiris
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:16
19Die Zauberflöte: Tamino, deine Haltung war bisher standhaft (Sarastro, Pamina)
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:48
20Die Zauberflöte: Soll ich dich, Teurer, nicht mehr sehn?
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:38
21Die Zauberflöte: Dialog "Tamino! Willst du mich denn"
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Stimmen, Zweiter Sprecher) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:59
22Die Zauberflöte: Ein Mädchen oder Weibchen
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:45
23Die Zauberflöte: Dialog "Da bin ich schon, mein Engel" (Weib, Papageno, Sprecher)
producer:
Wolfgang Lohse
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Da bin ich schon, mein Engel!” (Altes Weib, Papageno, Zweiter Sprecher) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:07
24Die Zauberflöte: Bald prangt, den Morgen zu verkünden
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritter Knabe]:
Diana Eustrati (mezzo-soprano) (in 1955-06)
soprano vocals [Erster Knabe]:
Margot Guilleaume (German soprano) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
soprano vocals [Zweiter Knabe]:
Maria Reith (soprano) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:26
25Die Zauberflöte: Der, welcher wandelt diese Straße voll Beschwerden
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Kim Borg (operatic bass) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
tenor vocals [Erster geharnischter Mann]:
Howard Vandenburg (tenor) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:41
26Die Zauberflöte: Tamino mein, o welch ein Glück
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:41
27Die Zauberflöte: Papagena! Weibchen! Täubchen!" (Papageno, die drei Knaben)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
mezzo-soprano vocals [Dritter Knabe] and soprano vocals [Dritter Knabe]:
Diana Eustrati (mezzo-soprano) (in 1955-06)
soprano vocals [Erster Knabe]:
Margot Guilleaume (German soprano) (in 1955-06)
soprano vocals [Papagena]:
Lisa Otto (German operatic soprano, 1919–2013) (in 1955-06)
soprano vocals [Zweiter Knabe]:
Maria Reith (soprano) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:13
28Die Zauberflöte: Nur stille, stille, stille
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritte Dame der Königin]:
Margarete Klose (alto) (in 1955-06)
soprano vocals [Erste Dame der Königin]:
Marianne Schech (soprano) (in 1955-06)
soprano vocals [Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
soprano vocals [Zweite Dame der Königin]:
Liselotte Losch (soprano) (in 1955-06)
tenor vocals [Monostatos]:
Martin Vantin (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:34
29Die Zauberflöte: "Die Strahlen der Sonne" - "Heil sei euch"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Josef Greindl (operatic bass) (in 1955-06)
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:48