Your Hundred Best Tunes: The Nation’s Favourite Classical Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Anmerkung

6-CD set

Anmerkung zuletzt geändert am 2025-06-17 19:51 UTC.

Titelliste

1▶CD: Uplifting Classics
2▶CD: Relaxing Classics
3▶CD: Vocal Classics
4▼CD: Golden Classics
Nr.TitelKünstlerBewertungLänge
1Irish Tune From County Derry (Londonderry Air)
Orchester:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Robert Irving (ballet conductor)
recording of:
Irish Tune from County Derry
Komponist(in):
Percy Grainger (Australian composer 1882–1961)
Version von:
Londonderry Air
recording of:
Irish Tune from County Derry (Londonderry Air)
Komponist(in):
[traditional] (special purpose artist)
arranger:
Percy Grainger (Australian composer 1882–1961)
[traditional]54:29
2The Watermill
Orchester:
Light Music Society Orchestra
conductor:
Sir Vivian Dunn
recording of:
The Watermill
Komponist(in):
Ronald Binge (British composer and arranger of light music)
Ronald Binge4:03
3The Last Rose of Summer
Produzent(in):
John Fraser (UK producer)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Douglas Gamley (film composer)
arranger:
Douglas Gamley (film composer)
Tonmeister(in):
Neville Boyling (engineer)
recording of:
The Last Rose of Summer
Texter:
Thomas Moore (Irish poet)
Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13861)
[traditional]3:32
4Bells Across the Meadow
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
John Lanchbery (conductor)
recording of:
Bells Across the Meadows
Komponist(in):
Albert Ketèlbey (English composer) (in 1921)
Albert Ketèlbey44:53
5Fantasia on ‘Greensleeves’ (Sir John in Love)
Produzent(in):
Victor Olof
Orchester:
Sinfonia of London (original Gordon Walker formed orchestra) und Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
arranger:
Ralph Greaves (in 1934)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Fantasia on “Greensleeves” (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Ralph Vaughan Williams (English composer) (von 1924 bis 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
basiert auf:
Greensleeves (generic entry for traditional and unknown arrangements)
basiert auf:
Lovely Joan (traditional English folk song)
basiert auf:
Sir John in Love
Ralph Vaughan Williams4:41
6Cello Concerto in E minor Op. 85 I. Adagio – Moderato
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Cello:
Jacqueline du Pré (cellist) (am 1965-08-19)
Orchester:
London Symphony Orchestra (am 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-19)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-19)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (am 1965-08-19)
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Edward Elgar8:03
7Jerusalem
Chorgesang:
Royal Choral Society (The Royal Choral Society)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Jerusalem (anthem by Hubert Parry)
Texter:
William Blake (English poet, painter, and printmaker)
Komponist(in):
Hubert Parry (English composer) (in 1916)
basiert auf:
Jerusalem (poem by Blake)
Hubert Parry2:31
8The Nun’s Chorus (Casanova)
Techniker(in):
Douglas Larter
Produzent(in):
Walter Legge (British classical producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Soprangesang:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Casanova: Nuns’ Chorus & Laura’s Song
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
zusätzliche(r) Komponist(in):
Ralph Benatzky
Librettist:
Rudolf Schanzer (Austrian librettist) und Ernst Welisch
Teil von:
Casanova
recording of:
Casanova: Oh Madonna, auf uns sieh
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
Teil von:
Casanova
Johann Strauss4:03
9The Holy City
Tenor-Gesang:
Charles Craig (british operatic tenor)
Orchester:
Michael Collins Orchestra
conductor:
Michael Collins (clarinetist & conductor)
recording of:
The Holy City
Texter:
Frederick Edward Weatherly
Komponist(in):
Stephen Adams (English composer)
Stephen Adams5:40
10Don’t Be Cross (Der Obersteiger)
Soprangesang:
Lesley Garrett (soprano)
Orchester:
BBC Concert Orchestra
conductor:
Peter Robinson (conductor)
recording of:
Der Obersteiger: “Don't Be Cross” (Sei nicht bös')
Komponist(in):
Carl Zeller
übersetzte Version von:
Der Obersteiger: Akt II. "Sei nicht bös" (Martin)
Carl Zeller3:38
11On the Beautiful Blue Danube Waltz, Op. 314 (Extract)
Orchester:
Berlin Philharmonic Orchestra (Berliner Philharmoniker)
conductor:
Herbert von Karajan (conductor)
teilweise recording of:
An der schönen blauen Donau, op. 314
Premiere in:
Wien, Österreich (am 1867-02-15)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 314)
Johann Strauss3:50
12Warsaw Concerto From the Film Dangerous Moonlight (Opening)
Klavier:
Daniel Adni (pianist)
Orchester:
Bournemouth Symphony Orchestra
conductor:
Kenneth Alwyn (conductor)
recording of:
Warsaw Concerto (Warschauer Konzert, Dangerous Moonlight)
Orchestrator(in):
Roy Douglas (British composer, pianist)
Komponist(in):
Richard Addinsell (composer)
Teil von:
Classic 100: Piano (2025) (Nummer: 45)
Teil von:
Dangerous Moonlight (film soundtrack)
Richard Addinsell3:36
13The Marriage of Figaro Overture
Orchester:
Royal Philharmonic Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Le nozze di Figaro: Sinfonia
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Die Hochzeit des Figaro (German translation)
Teil von:
Le nozze di Figaro, K. 492 (Die Hochzeit des Figaro, K 492)
Wolfgang Amadeus Mozart4:21
14Jesu, Joy of Man’s Desiring (Cantata No. 147)
Klavier:
Dame Myra Hess (pianist)
arranger:
Dame Myra Hess (pianist)
recording of:
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Klavier arranger:
Dame Myra Hess (pianist)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:43
15Judex (Mors et vita)
Orchester:
Hallé Orchestra
conductor:
Maurice Handford (hornist/conductor)
recording of:
Mors et Vita: Pars secunda "Judicium": Judex: 4. Sedenti in Throno
Komponist(in):
Charles Gounod (French composer)
Teil von:
Mors et Vita: Pars secunda "Judicium"
Charles Gounod4:43
16Where Corals Lie (Sea Pictures)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: IV. Where Corals Lie (am 1965-08-30)
Texter:
Richard Garnett
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
Edward Elgar4:15
17Piano Concerto No. 5 in E Flat ‘Emperor’ Op. 73 B I. Allegro (Extract)
Klavier:
Emil Gilels (pianist)
Orchester:
Cleveland Orchestra
conductor:
George Szell (conductor, pianist, composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
teilweise recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro
Komponist(in):
Ludwig van Beethoven (German composer) (in 1809)
Teil von:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro
Komponist(in):
Ludwig van Beethoven (German composer) (in 1809)
Teil von:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven6:39
5▶CD: Favourite Classics
6▶CD: Spiritual Classics

Nennungen

Veröffentlichungsgruppe

Teil von:100 Best (EMI Classics) (Reihenfolge: 1)