Motown Gold

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Ain’t No Mountain High Enough (mono version)
recording of:
Ain’t No Mountain High Enough
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) and Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye2:33
2My Girl (single version)
recording of:
My Girl
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations2:56
3I Want You Back
recording of:
I Want You Back
lyricist and composer:
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc. and Jobete Music Co., Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
MJ: The Musical
Jackson 52:53
4I’d Rather Go Blind
Etta James2:37
5Superstition
Moog programming and associate producer:
Malcolm Cecil and Robert Margouleff
engineer:
Malcolm Cecil and Robert Margouleff
producer:
Stevie Wonder
lead vocals:
Stevie Wonder
recording of:
Superstition
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, 大洋音楽 (Taiyō Music), Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
Stevie Wonder4.654:10
6I Can’t Help Myself (Sugar Pie, Honey Bunch) (single version / mono)
Four Tops2:45
7You Can’t Hurry Love (2003 remix)
recording of:
You Can’t Hurry Love
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes2:59
8I’m Coming Out
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1980)
recording of:
I’m Coming Out
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs and Tommy Jymi Inc.
Diana Ross43:56
9I Heard It Through the Grapevine (single version)
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 307)
cover recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:12
10At Last
Etta James3:03
11Signed, Sealed, Delivered (I’m Yours) (single version / mono)
recording of:
Signed, Sealed, Delivered I’m Yours
writer:
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) and Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder2:40
12ABC
recording of:
ABC
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
composer:
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc.
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
part of:
MJ: The Musical
The Jacksons3:11
13My Guy (“16 Big Hits” version)
recording of:
My Guy
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells2:50
14Brick House (single version)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2009)
recording of:
Brick House (original version)
lyricist:
William King (William Atwell King Jr. (member of Commodores)), Walter Orange and Lionel Richie
composer:
Ronald LaPread, Thomas McClary, Lionel Richie and Milan Williams
publisher:
Brenda Richie Publishing, Cambrae Music, Daddy Married a Golddigger, Drop Five, Hanna Music, Jobete Music Co., Inc., Libren Music, Old Fashion Publishing, Reservoir Media Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Commodores3:37
15What’s Going On
Marvin Gaye3:53
16Please Mr. Postman
recording of:
Please Mr. Postman
writer:
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) and Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
The Marvelettes2:31
17Give It to Me Baby (single version)
producer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
Give It To Me Baby
lyricist and composer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. and Stone City Music Co.
Rick James3:53
18Ooo Baby Baby (single version / mono)
recording of:
Ooo Baby Baby
writer:
Warren “Pete” Moore and Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Miracles32:44
19For Once in My Life
producer:
Henry Cosby
lead vocals:
Stevie Wonder (in 1967)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1968)
cover recording of:
For Once in My Life (in 1967)
lyricist:
Ronald Miller (Motown songwriter Ronald Norman Miller)
composer:
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Stevie Wonder4.12:47
20Baby Love (2003 remix)
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
Baby Love
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes2:50
21Baby I Need Your Loving (2003 stereo mix)
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 32) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 390)
recording of:
Baby I Need Your Loving
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Australia, Jobete Music Co., Inc., Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Four Tops4.52:50
22Sir Duke
programming:
Charles Brewer, John Fischbach and Stevie Wonder
producer:
Stevie Wonder
alto saxophone:
Hank Redd
bass guitar:
Nathan Watts
drums (drum set):
Raymond Pounds
guitar:
Ben Bridges and Michael Sembello
percussion, Rhodes piano and lead vocals:
Stevie Wonder
tenor saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
trumpet:
Steve Madaio and Raymond Maldonado
arranger:
Stevie Wonder
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1976) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
recording of:
Sir Duke
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music and Jobete Music Co., Inc.
Stevie Wonder4.43:53
23Truly
recording engineer:
Calvin Harris
engineer:
Jim Cassell
assistant producer:
Brenda Harvey–Richie
producer:
James Anthony Carmichael and Lionel Richie
mixer:
Calvin Harris, Michael Johnson (Motown related), Fred Law and Stephan Smith (US 70s/80s soul/funk engineer)
acoustic guitar:
Tim May (session/jazz guitarist)
bass:
Joe Chemay
cello:
Jesse Ehrlich, Paula Hochhalter, Armand Kaproff and Dennis Karmazyn
double bass:
Árni Egilsson and Buell Neidlinger
drums (drum set):
Paul Leim
flute:
Louise DiTullio
French horn:
Arthur Maebe (US horn player), Richard Perissi and Henry Sigismonti
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
harp:
Gayle Levant (American studio musician, harpist)
Rhodes piano [Fender rhodes]:
William Payne
strings:
Assa Drori, Allan Harshman (violist), Joy Lyle and Paul Shure
viola:
Alan DeVeritch, Allan Harshman (violist), Virginia Majewski (violist) and Gareth Nuttycombe (violist)
violin:
Bonnie Douglas, Assa Drori, Endre Granat (Hungarian violinist), Joy Lyle, Donald Palmer (US violinist and concertmaster), Henry Roth (violinist), Sheldon Sandu (violinist), Jack Shulman, Paul Shure, Mari Tsumura (aka Mari Tsumura‐Botnick) and Charles Veal Jr. (violinist, conductor and arranger)
background vocals:
Lionel Richie
arranger:
James Anthony Carmichael and Gene Page (conductor, composer, arranger and record producer)
vocals arranger:
Lionel Richie
concertmaster:
Harry Bluestone
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Motown / Hitsville U.S.A Recording Studios (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
instrumental versions:
Truly (instrumental) by Lionel Richie
recording of:
Truly
lyricist and composer:
Lionel Richie
Lionel Richie3.353:21
24Got to Be There (single version)
recording of:
Got to Be There
lyricist and composer:
Elliot Willensky
vocals arranger:
Willie Hutch
Michael Jackson3:23
25Stop! In the Name of Love (Juke Box single)
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (from 1965-01-05 until 1965-01-11)
background vocals:
The Andantes (from 1965-01-05 until 1965-01-11), Florence Ballard (from 1965-01-05 until 1965-01-11) and Mary Wilson (from 1965-01-05 until 1965-01-11)
lead vocals:
Diana Ross (from 1965-01-05 until 1965-01-11)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1965-01-05 until 1965-01-11)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 13) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 254)
recording of:
Stop! In the Name of Love (from 1965-01-05 until 1965-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes4.152:51
26Mercy Mercy Me (The Ecology)
producer:
Marvin Gaye
mixer:
Lawrence Miles (, on 1971-05-06)
instruments:
The Funk Brothers (in 1971-03)
mellotron, piano and lead vocals:
Marvin Gaye (in 1971-03)
solo tenor saxophone:
Wild Bill Moore (jazz and R&B saxophonist) (in 1971-03)
background vocals:
The Andantes (in 1971-03) and Marvin Gaye (in 1971-03)
conductor:
David Van dePitte (in 1971-03)
arranger:
David Van dePitte
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1971-03)
recording of:
Mercy Mercy Me (The Ecology) (in 1971-03)
lyricist and composer:
Marvin Gaye
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Marvin Gaye4.253:16
27Three Times a Lady
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1976)
recording of:
Three Times a Lady
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores36:38
28Nowhere to Run
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 359)
recording of:
Nowhere to Run
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
writer:
Holland–Dozier–Holland
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha Reeves and the Vandellas4.653:00
29You Are the Sunshine of My Life
Moog programming and associate producer:
Malcolm Cecil and Robert Margouleff
engineer:
Malcolm Cecil and Robert Margouleff
producer:
Stevie Wonder
bass guitar:
Scott Edwards (bassist) (in 1972)
congas:
Daniel Ben Zebulon (in 1972)
background vocals:
Gloria Barley (in 1972), Jim Gilstrap (in 1972) and Lani Groves (in 1972)
lead vocals:
Stevie Wonder (in 1972)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 83), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 281)
recording of:
You Are the Sunshine of My Life (in 1972)
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
part of:
The Real Book (compilation of jazz standards, volume I)
Stevie Wonder4.22:57
30You’ve Really Got a Hold on Me
recording of:
You’ve Really Got a Hold on Me
lyricist and composer:
Smokey Robinson (in 1962-10)
publisher:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Miracles2:53
31Got to Give It Up (Pt. 1)
producer:
Art Stewart
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recording of:
Got to Give It Up
lyricist and composer:
Marvin Gaye
publisher:
Jobete Music (UK) Ltd. and Jobete Music Publishing
Marvin Gaye3.44:08
32I’ll Be There (edit)The Jacksons53:42
33Being With You (single version)
assistant engineer:
Richie Griffin
engineer:
Howard Lee Wolen and Mark Wolfson
producer:
George Tobin
mixer:
Mike Piccirillo (songwriter and producer) and George Tobin
arranger:
George Tobin
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1981)
recorded at and mixed at:
Studio Sound Recorders in North Hollywood, Los Angeles, California, United States
recording of:
Being With You
lyricist and composer:
Smokey Robinson
publisher:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. and Primary Wave Robinson
Smokey Robinson3.254:07
34The Way You Do the Things You Do
producer:
Smokey Robinson
instruments:
The Funk Brothers (on 1964-01-23)
background vocals:
Melvin Franklin (on 1964-01-23), David Ruffin (soul singer, member of The Temptations) (on 1964-01-23), Otis Williams (US baritone singer, member of The Temptations & The Distants) (on 1964-01-23) and Paul Williams (member of The Temptations) (on 1964-01-23)
lead vocals:
Eddie Kendricks (on 1964-01-23)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1964-01-23)
recording of:
The Way You Do the Things You Do
writer:
Smokey Robinson and Bobby Rogers
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations2.52:42
35Papa’s Got a Brand New Bag (Pt. 1)
James Brown2:06
36It’s the Same Old Song
recording engineer:
Lawrence T. Horn
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
mixer:
Robert L. Gordy (music publishing executive)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor)
bass [1962 Fender Precision Bass]:
James Jamerson
drums (drum set):
Benny Benjamin (US drummer)
guitar [1964 Gibson Firebird III]:
Eddie Willis
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina
guitar [Gibson L-5]:
Robert White (US funk/soul guitarist)
piano:
Earl Van Dyke
strings:
Detroit Symphony Orchestra
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
vibraphone:
Jack Brokensha
background vocals:
Marlene Barrow, Renaldo Benson, Louvain Demps, Abdul “Duke” Fakir, Jackie Hicks and Lawrence Payton
lead vocals:
Levi Stubbs
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States
recording of:
It’s the Same Old Song (on 1965-07-07)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Australia
Four Tops42:47
37Where Did Our Love Go (2003 remix)
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (on 1964-04-08)
bass:
James Jamerson (on 1964-04-08)
drums (drum set):
Richard "Pistol" Allen (on 1964-04-08)
foot stomps [footstomps]:
Michael Valvano (on 1964-04-08)
guitar:
Robert White (US funk/soul guitarist) (on 1964-04-08) and Eddie Willis (on 1964-04-08)
piano:
Earl Van Dyke (on 1964-04-08)
vibraphone:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-04-08)
background vocals:
Florence Ballard (on 1964-04-08) and Mary Wilson (on 1964-04-08)
lead vocals:
Diana Ross (on 1964-04-08)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1964-04-08)
recording of:
Where Did Our Love Go (on 1964-04-08)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
The Supremes2:41
38Respect Yourself
edit of:
Respect Yourself by The Staple Singers
recording of:
Respect Yourself
lyricist and composer:
Luther Ingram and Sir Mack Rice
publisher:
Irving Music (BMI) (in 1988) and Klondike Enterprises (publisher) (in 1988)
The Staple Singers53:31
39Someday We’ll Be Together
producer:
Johnny Bristol
guitar:
Robert White (US funk/soul guitarist)
background vocals:
Merry Clayton, Julia Waters and Maxine Waters
guest vocals:
Johnny Bristol
lead vocals:
Diana Ross
arranger:
Wade Marcus
cover recording of:
Someday We’ll Be Together
lyricist:
Harvey Fuqua
composer:
Jackey Beavers (rhythm and blues and gospel singer and songwriter) and Johnny Bristol
publisher:
Fuqua Pub., Jobete Music Co., Inc., Quazical Music and Stone Agate Music
The Supremes53:26
40Touch Me in the Morning
producer:
Tom Baird (Motown producer) and Michael Masser
arranger:
Tom Baird (Motown producer) and Gene Page (conductor, composer, arranger and record producer)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1973)
recording of:
Touch Me in the Morning
writer:
Michael Masser and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (appears also as: Jobete Msc.) and Jobete Music Co., Inc.
Diana Ross3.353:53
41You’re All I Need to Get ByMarvin Gaye42:48
42I Wish It Would Rain
recording of:
I Wish It Would Rain
lyricist:
Roger Penzabene (songwriter, who worked mainly at Motown) (in 1967)
composer:
Barrett Strong (in 1967) and Norman Whitfield (in 1967)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music and Stone Agate Music Division
The Temptations2:50
43River Deep – Mountain High
engineer:
Larry Levine
producer:
Phil Spector and Ike Turner
lead vocals:
Tina Turner
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1966-03)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 33) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 221)
recording of:
River Deep – Mountain High (in 1966-03)
writer:
Jeff Barry (in 1966), Ellie Greenwich (in 1966) and Phil Spector (in 1966)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Ike & Tina Turner3.53:36
44Higher GroundStevie Wonder4.53:43
45You Beat Me to the Punch
recording of:
You Beat Me to the Punch
writer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music Co., Inc.
Mary Wells2:45
46The Love You Save
recorded in:
Los Angeles, California, United States (in 1970-01)
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1970-01)
drums (drum set):
Gene Pello (in 1970-01)
guitar:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) and David T. Walker (in 1970-01)
keyboard:
Freddie Perren (in 1970-01)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) and Tito Jackson (in 1970-01)
background vocals and lead vocals:
Michael Jackson (“King of Pop”) (in 1970-01)
lead vocals:
Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970)
recorded at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States (in 1970-01)
music videos:
The Love You Save by The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 16)
recording of:
The Love You Save (in 1970-01)
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
publisher:
Jobete Music Co., Inc.
part of:
MJ: The Musical
The Jacksons4.352:59
47Come See About Me
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (on 1964-07-13)
background vocals:
Florence Ballard (on 1964-07-13) and Mary Wilson (on 1964-07-13)
lead vocals:
Diana Ross (on 1964-07-13)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1964-07-13)
recording of:
Come See About Me (on 1964-07-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
The Supremes52:36
48Still (single version)
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
Still
lyricist and composer:
Lionel Richie
publisher:
Commodores Entertainment Publishing Corp. (ended), Brenda Richie Publishing, Jobete Music Co., Inc. and Libren Music
Commodores3.53:43
49Bernadette
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
Bernadette
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Four Tops53:02
50My World Is Empty Without You
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
My World Is Empty Without You
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music Co., Inc. and Stone Agate Music Division
The Supremes52:34
51Since I Lost My Baby
producer:
Smokey Robinson
lead vocals:
David Ruffin (soul singer, member of The Temptations)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 40)
recording of:
Since I Lost My Baby
writer:
Warren Moore and William Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations22:55
52My Whole World Ended (The Moment You Left Me)
producer:
Johnny Bristol and Harvey Fuqua
recording of:
My Whole World Ended (the Moment You Left Me) (on 1968-11-20)
writer:
Johnny Bristol, Harvey Fuqua, Jimmy Roach and Pam Sawyer (British‐born American lyricist and songwriter)
publisher:
Jobete Music Co., Inc., Stone Agate Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
David Ruffin3:27
53Let’s Get It On
engineer:
William McMeekin and Art Stewart
producer:
Marvin Gaye and Ed Townsend
mixer:
Cal Harris
bass guitar:
Wilton Felder (on 1973-03-22)
bongos and congas:
Eddie “Bongo” Brown (on 1973-03-22) and Bobbye Hall (on 1973-03-22)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (on 1973-03-22)
guitar family:
Don Peake (on 1973-03-22), Louie Shelton (on 1973-03-22), David T. Walker (on 1973-03-22) and Melvin “Wah Wah” Watson (on 1973-03-22)
percussion:
Emil Richards (on 1973-03-22)
piano:
Marvin Gaye (on 1973-03-22), Marvin Jenkins (on 1973-03-22) and Joe Sample (on 1973-03-22)
saxophone:
Plas Johnson (on 1973-03-22) and Ernie Watts (jazz and blues saxophonist) (on 1973-03-22)
vibraphone:
Victor Feldman (jazz musician) (on 1973-03-22) and Emil Richards (on 1973-03-22)
background vocals and lead vocals:
Marvin Gaye (on 1973-03-22)
conductor:
René Hall (on 1973-03-22)
recorded at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States (on 1973-03-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 167) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 264)
recording of:
Let’s Get It On (on 1973-03-22)
writer:
Marvin Gaye and Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
Marvin Gaye4.054:55
54Love Child (single version / mono)
producer:
The Clan (Motown composers/producers group)
background vocals:
The Andantes
arranger:
Paul Riser
recording of:
Love Child (Diana Ross & the Supremes song)
writer:
Deke Richards (American songwriter and record producer), Pam Sawyer (British‐born American lyricist and songwriter), R. Dean Taylor (Canadian singer, songwriter and record producer) and Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music Co., Inc. and Stone Agate Music Division
The Supremes3:02
55Reach Out and Touch (Somebody’s Hand)
producer:
Nickolas Ashford and Valerie Simpson
arranger:
Paul Riser
recording of:
Reach Out and Touch (Somebody’s Hand)
lyricist and composer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music (appears also as: Jobete Msc.)
Diana Ross43:00

Credits

Release

streaming page:Amazon Music UK [info]