The Ultimate Collection: Seventies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Will Survive
Partner-Produzent(in):
Freddie Perren
Produzent(in):
Dino Fekaris
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
Bearbeitung von:
I Will Survive (12″ single version) von Gloria Gaynor
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 489)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:18
2Car Wash
recording of:
Car Wash
Texter und Komponist(in):
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) und USI B Music Publishing
Rose Royce4.63:20
3You See the Trouble With Me
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
recording of:
You See the Trouble With Me
Verfasser(in):
Ray Parker Jr. und Barry White
publisher:
Little A Music, My Baby’s Music Company, Sa‐Vette Music Co., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White4.53:30
4Boogie Wonderland
Produzent(in):
Al McKay und Maurice White (Earth, Wind & Fire)
vocals:
The Emotions (Chicago soul, disco and R&B female vocal group) (in 1979)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
Samples von:
I Am von Earth, Wind & Fire (in 1979)
recording of:
Boogie Wonderland (in 1979)
Texter:
Allee Willis
Komponist(in):
Jon Lind
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) und Rondor Music (London) Ltd.
Earth, Wind & Fire4.24:49
5Ladies Night
Produzent(in):
Eumir Deodato und Kool & the Gang
recording of:
Ladies’ Night
Verfasser(in):
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens und Claydes Smith
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang4.153:26
6Get Up Offa That Thing
Produzent(in):
James Brown (The Godfather of Soul)
Clavinet:
“Sweet” Charles Sherrell (in 1976-04)
Gitarre:
Robert Coleman (in 1976-04) und Jimmy Nolen (in 1976-04)
Posaune:
Hollie Ferris (in 1976-04)
Schlagzeug:
Melvin Parker (in 1976-04)
Tenorsaxophon:
St. Clair Pinckney (in 1976-04)
Trompete:
Russell Crimes (in 1976-04)
Sologesang:
James Brown (The Godfather of Soul) (in 1976-04)
arranger:
James Brown (The Godfather of Soul)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (in 1976-04)
recording of:
Get Up Offa That Thing (in 1976-04)
Texter und Komponist(in):
Deanna Brown (James Brown’s daughter), Deidre Brown (was James Brown second spouse) und Yamma Brown (James Brown’s daughter)
publisher:
Belinda Music Inc., Dynatone Publishing Co., Intersong Music Ltd. und Unichappell Music, Inc.
James Brown4.54:12
7Play That Funky Music
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
Bearbeitung von:
Play That Funky Music von Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
Texter und Komponist(in):
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. und Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:11
8Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
Texter und Komponist(in):
Carl Douglas
publisher:
Carren Music (publisher) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
basiert auf:
[Oriental Riff]
Carl Douglas4.23:12
9Love’s Unkind
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1977) und WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (in 1977)
recording of:
Love’s Unkind
Verfasser(in):
Pete Bellotte (English lyricist and producer), Giorgio Moroder und Donna Summer (soul/disco diva)
Donna Summer24:29
10Knock on Wood
phonographisches Urheberrecht (℗) von:
Ariola America, Inc. (in 1978)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 6)
cover recording of:
Knock on Wood
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
adaptations:
Potkraj na les
Amii Stewart53:45
11If I Can’t Have You
Produzent(in):
Freddie Perren
Bass:
Scott Edwards (bassist)
Gitarre:
Bob Bowles
Keyboard und Synthesizer:
Freddie Perren
Klavier:
Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) und Freddie Perren
Schlagzeug:
James Gadson (American drummer)
Hintergrundgesang [additional background vocals] und Sologesang:
Yvonne Elliman
Hintergrundgesang [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters und Maxine Waters
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 19) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 343)
recording of:
If I Can’t Have You
geschrieben in:
Frankreich
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.252:57
12Can You Feel the Force
recording of:
Can You Feel the Force
Verfasser(in):
Chris Amoo und Eddie Amoo
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
The Real Thing3:04
13Rock the Boat
recording of:
Rock the Boat
Texter und Komponist(in):
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation3:03
14Funkytown
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
Bearbeitung von:
Funkytown (12″ version) von Lipps, Inc.
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 37)
recording of:
Funkytown
Texter und Komponist(in):
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.14:00
15Yes Sir, I Can Boogie
recording of:
Yes Sir, I Can Boogie (original English version)
Texter:
Frank Dostal
Komponist(in):
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music und Peermusic (UK) Ltd.
Baccara43:48
16I Love the Nightlife (disco 'round)
recording of:
I Love the Nightlife
Verfasser(in):
Alicia Bridges und Susan Hutcheson
publisher:
Lowery Music Co. Inc., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Alicia Bridges3:29
17Don’t Leave Me This Way
Produzent(in):
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
Bearbeitung von:
Don’t Leave Me This Way von Thelma Houston
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 355) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.43:38
18Papa Was a Rollin’ Stone
cover recording of:
Papa Was a Rollin’ Stone
Texter und Komponist(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations5:09
19Now That We’ve Found Love
cover recording of:
Now That We Found Love
Texter:
Heavy D. (US rapper)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Third World7:31
20Sunshine Day
recording of:
Sunshine Day
Verfasser(in):
Sol Amarfio, Teddy Osei und Mac Tontoh
publisher:
Sparta Florida Music Group Ltd.
Osibisa3:21
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Nennungen

Veröffentlichungsgruppe

Teil von:The Ultimate Collection (Union Square Music, "100 Hits", ULTIMBX) (Nummer: 3) (Reihenfolge: 2)