Greatest Hits From the Movies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD: The Very Thought of You: Movie Classics
2CD: Move Closer: Romance at the Movies
Nr.TitelKünstlerBewertungLänge
1For Your Eyes Only
Produzent(in):
Christopher Neil
vocals:
Sheena Easton
conductor:
Bill Conti
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981)
recording of:
For Your Eyes Only (in 1981)
Texter:
Michael Leeson
Komponist(in):
Bill Conti
publisher:
EMI United Partnership Ltd.
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2), James Bond themes und Academy Award for Best Original Song (Nummer: 1981 nominee)
Sheena Easton3.53:02
2Save the Best for Last
Produzent(in):
Keith Thomas (CCM, country, pop producer & songwriter)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
zusätzlich arranger:
Vanessa Williams (US pop/R&B vocalist/producer)
recording of:
Save the Best for Last
Verfasser(in):
Phil Galdston, Jon Lind und Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:41
3Someday
Produzent(in):
Simon Climie
Mix:
Andy Bradfield
Gitarre:
Eric Clapton
vocals:
Eternal (British R&B girl group)
Interpret(in):
Eric Clapton und Eternal (British R&B girl group)
Saiteninstrumente arranger:
Nick Ingman
arranger:
Simon Climie und Grant Mitchell (musician, record producer and arranger)
cover recording of:
Someday (The Hunchback of Notre Dame)
Texter:
Stephen Schwartz (musical theatre lyricist/composer)
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1996) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1996)
Teil von:
The Hunchback of Notre Dame (1996 film soundtrack)
Eternal2.84:23
4Baby Can I Hold You
Programmierung:
Stephen Lipson und James McMillan (trumpeter and engineer)
Produzent(in):
Stephen Lipson
Mix:
Heff Moraes
Gitarre [guitars]:
Calum McColl und Dominic Miller (guitarist)
Mandoline [mandolins]:
Stephen Lipson
Schlagzeug [drums]:
Andy Duncan (UK drummer and producer)
Hintergrundgesang [backing vocals]:
Andy Caine
Sologesang:
Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Stephen Gately, Mikey Graham und Shane Lynch
Orchestrator(in):
Nick Ingham
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Polygram Ireland Ltd. (in 1997)
aufgenommen bei:
Landsdowne Studios (British recording studio based in London, England, UK.) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
Baby Can I Hold You
Texter und Komponist(in):
Tracy Chapman (American singer‐songwriter)
publisher:
EMI Songs Ltd., Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Boyzone23:18
5Stay (I Missed You)
Techniker(in) und Produzent(in):
Juan Patiño
zusätzliche(r) Techniker(in):
Steve Holroyd
Mix:
Brian Malouf
Akustikgitarre und Hintergrundgesang [harmony vocals] und Sologesang:
Lisa Loeb
Bassgitarre [bass]:
Joe Quigley
E-Gitarre:
Tim Bright und Daniel Littleton
Perkussion:
Steve Forman (US percussionist)
Schlagzeug und Perkussion:
Jonathan Feinberg
Hintergrundgesang [harmony vocals]:
Elizabeth Mitchell und Juan Patiño
Hintergrundgesang [vocal harmonies] arranger:
Lisa Loeb und Juan Patiño
phonographisches Urheberrecht (℗) von:
Lisa Loeb (in 1994)
Musikvideos:
Stay (I Missed You) von Lisa Loeb
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 389)
recording of:
Stay
publisher:
Lisa Loeb
Texter und Komponist(in):
Lisa Loeb
Lisa Loeb3.63:05
6As I Lay Me Down
vocals:
Sophie B. Hawkins
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1994)
recording of:
As I Lay Me Down
Texter und Komponist(in):
Sophie B. Hawkins
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Sophie B. Hawkins54:11
7Move Closer
Produzent(in):
Yves Dessca und Pascal Rivaton
phonographisches Urheberrecht (℗) von:
OVC Ltd., Dessca Entertainment Company (in 1984) und Capricorn (imprint used by Carrère after 1989) (in 1985)
recording of:
Move Closer
Texter und Komponist(in):
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson34:12
8I Believe I Can FlyR. Kelly44:47
9Anything
SWV feat. Wu Tang Clan2:52
10Wherever I Lay My Hat (That’s My Home)
Produzent(in):
Laurie Latham
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Wherever I Lay My Hat (That’s My Home)
Verfasser(in):
Marvin Gaye, Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd.
Parodieversion von:
Wherever I Lay
Paul Young54:14
11No More Lonely Nights
assistierende(r) Techniker(in):
Jon Jacobs (UK producer/engineer) und Jon Kelly (engineer at Air London Studios)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Herbie Flowers (von 1982-11-05 bis 1984-07-26)
Bassgitarre:
Herbie Flowers
E-Gitarre:
David Gilmour (Pink Floyd) (von 1982-11-05 bis 1984-07-26)
Klavier und Sologesang:
Paul McCartney (The Beatles) (von 1982-11-05 bis 1984-07-26)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) (von 1982-11-05 bis 1984-07-26)
Synthesizer:
Ann Dudley (English score composer) (von 1982-11-05 bis 1984-07-26)
Hintergrundgesang:
Linda McCartney (von 1982-11-05 bis 1984-07-26), Paul McCartney (The Beatles) (von 1982-11-05 bis 1984-07-26) und Eric Stewart (von 1982-11-05 bis 1984-07-26)
vocals:
Paul McCartney (The Beatles)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
Herausgeber:
Northern Songs Ltd.
aufgenommen bei:
Elstree Studios in Borehamwood, Hertfordshire, England, Vereinigtes Königreich (von 1984-06 bis 1984-07)
recording of:
No More Lonely Nights (von 1982-11-05 bis 1984-07-26)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Paul McCartney2.254:36
12Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker and Jennifer Warnes3.53:50
13Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Diana Ross and Lionel Richie3.54:29
14Without You
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Akustikgitarre:
John Uribe (in 1971-06)
Bassgitarre:
Klaus Voormann (in 1971-06)
Klavier:
Gary Wright (US singer/keyboardist) (in 1971-06)
Schlagzeug:
Jim Keltner (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
Blechblasinstrumente und Saiteninstrumente arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) und RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 496)
cover recording of:
Without You (in 1971-06)
Verfasser(in):
Tom Evans (UK guitarist for Badfinger) und W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:19
15Ben
Produzent(in):
The Corporation (Motown songwriters)
Sologesang:
Michael Jackson (“King of Pop”) (in 1972)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
recording of:
Ben (in 1972)
Texter:
Don Black (English lyricist)
Komponist(in):
Walter Scharf
publisher:
Jobette Music (in 1972)
Teil von:
The 45th Academy Award for Best Original Song (Nummer: 2)
Michael Jackson3.852:47
16I’ll Be ThereJackson 553:55
17Why Do Fools Fall in Love
Produzent(in):
Diana Ross
zusätzliche(r) Produzent(in):
Diana Ross
Bassgitarre:
Neil Jason (bassist)
E-Gitarre:
Eric Gale und Jeff Mironov
Gitarre:
Bob Kulick
Klavier:
Rob Mounsey
Perkussion:
Ralph MacDonald
Rhodes Piano:
Ray Chew
Schlagzeug:
Yogi Horton
Tenorsaxophon:
George Young (saxophonist)
vocals:
Diana Ross
arranger:
Bert DeCoteaux und Rob Mounsey
cover recording of:
Why Do Fools Fall in Love
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Diana Ross2:57
18Coming Around Again
assistierende(r) Techniker(in):
Noah Baron, Bill Miranda (engineer) und Scott Mabuchi
Techniker(in):
George Massenburg und Frank Filipetti (in 1987)
Partner-Produzent(in):
Frank Filipetti und Carly Simon
Produzent(in):
Russ Kunkel (session drummer), George Massenburg, Bill Payne und Paul Samwell-Smith
Mix:
Frank Filipetti
Keyboard [keyboards]:
Scott Martin (backing vocals, keyboards, and synthesizers), Bill Payne und Carly Simon
Schlagzeug [drums]:
Russ Kunkel (session drummer)
Hintergrundgesang:
Terry Homberg, Scott Martin (backing vocals, keyboards, and synthesizers), Paul Samwell-Smith und Carly Simon
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1986)
aufgenommen bei:
Power Station in New York, New York, Vereinigte Staaten und Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Coming Around Again (Carly Simon)
Texter und Komponist(in):
Carly Simon
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Universal Music Corporation (USA, affiliated with ASCAP), C’est Music (in 1986) und Famous Music Publishing (in 1986)
Carly Simon3.353:10
3CD: All Right Now: The Power of the Movies
4CD: I'll Take You There: Movie Favourites
5CD: I'm So Excited: Groovin' at the Movies

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