Sarah Vaughan Sings the Standards

~ Veröffentlichung von Sarah Vaughan (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1Fly Me to the Moon (In Other Words)
recorded in:
New York, New York, Vereinigte Staaten (in 1962-01)
vocals:
Sarah Vaughan
Orchester:
Quincy Jones and His Orchestra
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
2:55
2All I Do Is Dream of You
Produzent(in):
Teddy Reig
Bass:
Joe Comfort
Gitarre:
Barney Kessel (von 1962-08-07 bis 1962-08-08)
Kontrabass:
Joe Comfort (von 1962-08-07 bis 1962-08-08)
vocals:
Sarah Vaughan (von 1962-08-07 bis 1962-08-08)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-08-07 bis 1962-08-08) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-08-07 bis 1962-08-08)
cover recording of:
All I Do Is Dream of You (Singin’ in the Rain) (in 1962-08)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
EMI United Partnership Ltd.
Teil von:
Singin’ in the Rain (stage musical)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
2:57
3Falling in Love With Love
alto saxophone:
Bill Green (woodwind) (am 1962-08-13) und Paul Horn (am 1962-08-13)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-08-13)
Bass:
Joe Comfort (am 1962-08-13)
Bassposaune:
George Roberts (american bass trombone) (am 1962-08-13)
Gitarre:
Ulysses Livingston (am 1962-08-13)
Klavier:
Lou Levy (am 1962-08-13)
Posaune:
Lou Blackburn (am 1962-08-13), Ed Kusby (am 1962-08-13) und Tommy Shepard (trombonist) (am 1962-08-13)
Schlagzeug:
Earl Palmer (am 1962-08-13)
Tenorsaxophon:
Buddy Collette (am 1962-08-13) und Plas Johnson (am 1962-08-13)
Trompete:
Carmell Jones (am 1962-08-13), Reunald Jones (am 1962-08-13), Al Porcino (am 1962-08-13) und Shorty Sherock (am 1962-08-13)
Tuba:
Red Callender (am 1962-08-13)
vocals:
Sarah Vaughan (am 1962-08-13)
conductor:
Benny Carter (am 1962-08-13)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-08-13)
cover recording of:
Falling in Love With Love (am 1962-08-13)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:31
4My Favourite Things
Bass:
George Duvivier (am 1961-07-18)
Gitarre:
Mundell Lowe (am 1961-07-18)
vocals:
Sarah Vaughan (am 1961-07-18)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1961-07-18)
cover recording of:
My Favorite Things (The Sound of Music) (am 1961-07-18)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
American Splendor
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
2:46
5’Round Midnight
Gitarre:
John Collins (US jazz guitarist) (am 1963-05-29)
Kontrabass:
Al McKibbon (double bassist) (am 1963-05-29)
Orgel:
Ernie Freeman (am 1963-05-29)
Schlagzeug:
Milt Turner (am 1963-05-29)
Tenorsaxophon:
Teddy Edwards (jazz saxophonist) (am 1963-05-29)
Trompete:
Carmell Jones (am 1963-05-29)
vocals:
Sarah Vaughan (am 1963-05-29)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-05-29)
cover recording of:
’Round Midnight (am 1963-05-29)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
3:35
6The Very Thought of You
cover recording of:
The Very Thought of You
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
4:15
7As Long as He Needs Me
vocals:
Sarah Vaughan (am 1963-03-05)
conductor:
Marty Manning (am 1963-03-05)
arranger:
Marty Manning
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1963-03-05)
cover recording of:
As Long as He Needs Me (Oliver!) (am 1963-03-05)
Texter und Komponist(in):
Lionel Bart
publisher:
Lakeview Music Publishing Company Ltd. und TRO-Hollis, Inc.
Teil von:
Oliver! (Lionel Bart musical)
3:15
8Call Me Irreposnsible
vocals:
Sarah Vaughan (am 1963-02-13)
conductor:
Marty Manning (am 1963-02-13)
arranger:
Marty Manning
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1963-02-13)
cover recording of:
Call Me Irresponsible (am 1963-02-13)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Paramount Music Corporation
Teil von:
The 36th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1963 winner)
2:40
9Baby Won’t You Please Come Home
Gitarre:
John Collins (US jazz guitarist) (am 1963-06-10)
Kontrabass:
Al McKibbon (double bassist) (am 1963-06-10)
Orgel:
Jack Wilson (jazz pianist) (am 1963-06-10)
Schlagzeug:
Earl Palmer (am 1963-06-10)
Tenorsaxophon:
Teddy Edwards (jazz saxophonist) (am 1963-06-10)
Trompete:
Carmell Jones (am 1963-06-10)
vocals:
Sarah Vaughan (am 1963-06-10)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-06-10)
cover recording of:
Baby Won’t You Please Come Home (am 1963-06-10)
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
3:09
10The Man I Love
conductor:
Benny Carter
cover recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
4:05
11Moonglow
cover recording of:
Moonglow
Texter:
Eddie DeLange
Komponist(in):
Will Hudson und Irving Mills
2:29
12The More I See You
Gitarre:
Barry Galbraith (in 1960-04)
Harfe:
Janet Soyer (in 1960-04)
Schlagzeug:
Percy Brice (in 1960-04)
Trompete:
Harry “Sweets” Edison (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (in 1960-04)
cover recording of:
The More I See You (in 1960-04)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music International Ltd.
übersetzte Version von:
The More I See You (Valli’s version with french lyrics)
3:08
13Always on My Mind
Bass:
Joe Comfort (am 1963-06-12)
Gitarre:
Barney Kessel (am 1963-06-12)
Klavier:
Jimmy Rowles (am 1963-06-12)
Schlagzeug:
Alvin Stoller (am 1963-06-12)
Tuba:
Red Callender (am 1963-06-12)
Waldhorn:
Jack Cave (am 1963-06-12), Vincent DeRosa (am 1963-06-12), Dick Perissi (am 1963-06-12) und William Hinshaw (American horn player) (am 1963-06-12)
vocals:
Sarah Vaughan (am 1963-06-12)
conductor:
Benny Carter (am 1963-06-12)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-06-12)
recording of:
Always on My Mind (am 1963-06-12)
Texter:
Norman Newell
Komponist(in):
Philip Green (British conductor, composer and instrumentalist)
3:03
14Have You Met Miss Jones
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1960-10-19)
vocals:
Sarah Vaughan (am 1960-10-19)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1960-10-19)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1960-10-19)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
2:21
15Goodnight Sweetheart
Produzent(in):
Teddy Reig
Bass:
Joe Comfort
Gitarre:
Barney Kessel (von 1962-08-07 bis 1962-08-08)
Kontrabass:
Joe Comfort (von 1962-08-07 bis 1962-08-08)
vocals:
Sarah Vaughan (von 1962-08-07 bis 1962-08-08)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-08-07 bis 1962-08-08) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-08-07 bis 1962-08-08)
recording of:
Goodnight, Sweetheart
Verfasser(in):
James Campbell (British songwriter and music publisher), Reginald Connelly und Ray Noble
Übersetzer:
Rudy Vallée
publisher:
Campbell Connelly Inc. (ASCAP affiliated) und EMI Robbins Catalog Inc. (ASCAP)
Teil von:
1941
3:37
16I Got Rhythm
vocals:
Sarah Vaughan (in 1963-06)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (in 1963-06)
cover recording of:
I Got Rhythm
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
1:54
17Guess I’ll Hang My Tears Out to Dry
Gitarre:
John Collins (US jazz guitarist) (am 1963-05-29)
Kontrabass:
Al McKibbon (double bassist) (am 1963-05-29)
Orgel:
Ernie Freeman (am 1963-05-29)
Schlagzeug:
Milt Turner (am 1963-05-29)
Tenorsaxophon:
Teddy Edwards (jazz saxophonist) (am 1963-05-29)
Trompete:
Carmell Jones (am 1963-05-29)
vocals:
Sarah Vaughan (am 1963-05-29)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-05-29)
cover recording of:
Guess I’ll Hang My Tears Out to Dry (am 1963-05-29)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA) und Chappell Music (UK)
4:09
18The Trolley Song
alto saxophone:
Paul Horn (am 1962-09-09) und Wilbur Schwartz (am 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-09-09)
Bass:
Joe Comfort (am 1962-09-09)
Bassposaune:
Ken Shroyer (trombonist)
Gitarre:
Ulysses Livingston (am 1962-09-09)
Klavier:
Lou Levy (am 1962-09-09)
Posaune:
Lou Blackburn (am 1962-09-09), Ed Kusby (am 1962-09-09) und Tommy Shepard (trombonist) (am 1962-09-09)
Schlagzeug:
Earl Palmer (am 1962-09-09)
Tenorsaxophon:
Buddy Collette (am 1962-09-09), Plas Johnson (am 1962-09-09) und Dave Pell (am 1962-09-09)
Trompete:
Don Fagerquist (am 1962-09-09), Carmell Jones (am 1962-09-09), Al Porcino (am 1962-09-09) und Shorty Sherock (am 1962-09-09)
Tuba:
Red Callender (am 1962-09-09)
vocals:
Sarah Vaughan (am 1962-09-09)
conductor:
Benny Carter (am 1962-09-09)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-09-09)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (am 1962-09-09)
Texter:
Ralph Blane
Komponist(in):
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. und United Partnership Ltd.
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Meet Me in St. Louis (1944 musical film soundtrack)
2:39
19You’re Driving Me Crazy
Bass:
Joe Comfort (am 1963-06-12)
Gitarre:
Barney Kessel (am 1963-06-12)
Klavier:
Jimmy Rowles (am 1963-06-12)
Schlagzeug:
Alvin Stoller (am 1963-06-12)
Tuba:
Red Callender (am 1963-06-12)
Waldhorn:
Jack Cave (am 1963-06-12), Vincent DeRosa (am 1963-06-12), Dick Perissi (am 1963-06-12) und William Hinshaw (American horn player) (am 1963-06-12)
vocals:
Sarah Vaughan (am 1963-06-12)
conductor:
Benny Carter (am 1963-06-12)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-06-12)
cover recording of:
You’re Driving Me Crazy (am 1963-06-12)
Texter:
Walter Donaldson
Komponist(in):
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
3:02
20These Foolish Things (Remind Me of You)
cover recording of:
These Foolish Things (Remind Me of You)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
3:47
21Stormy Weather
cover recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
3:30
22Ev’ry Time We Say Goodbye
Bass:
George Duvivier (am 1961-07-18)
Gitarre:
Mundell Lowe (am 1961-07-18)
vocals:
Sarah Vaughan (am 1961-07-18)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1961-07-18)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:26

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Veröffentlichung

ASIN:DE: B0000AEKBG [Info]