The All Time Greatest Love Songs, Volume II

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Other: 5005352000

Anmerkung zuletzt geändert am 2015-12-30 17:29 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1You Sang to Me
recording of:
You Sang to Me
Komponist(in):
Marc Anthony (Marco Antonio Muñiz, salsa and latin pop singer) und Cory Rooney
Marc Anthony3:52
2Love Is All Around
Koproduzent(in):
Graeme Duffin (Scottish musician)
conductor:
Fiachra Trench
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1994) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
Musikvideos:
Love Is All Around von Wet Wet Wet
cover recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:53
3Hello
Produzent(in):
James Anthony Carmichael und Lionel Richie
Interpret(in):
Ocobamba
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
Texter und Komponist(in):
Lionel Richie
zusätzliche(r) Verfasser(in):
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Lionel Richie3.854:07
42 Become 1
Assistent recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
Programmierung und Produzent(in):
Richard Stannard und Matt Rowe
zusätzliche Programmierung:
Pete Davis (UK engineer, programmer, keyboards), Statik (worked with Spice Girls) und Paul Waller
zusätzliche(r) Produzent(in):
Andy Bradfield
Mix:
Andy Bradfield
Gitarre:
Greg Lester
Keyboard:
Richard Stannard und Matt Rowe
Saiteninstrumente arranger:
Craig Armstrong (Scottish score composer)
concertmaster:
Isobel Griffiths und Perry Montague‐Mason (violinist)
recording of:
2 Become 1
Verfasser(in):
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe und Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. und Windswept Pacific Music Ltd.
Spice Girls4.54:00
5Jesus to a Child
Programmierung:
Dave Clayton und Pete Gleadall
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Akustikgitarre:
Hugh Burns
vocals und Interpret(in):
George Michael
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
Robobuild Ltd. (in 1996)
recording of:
Jesus to a Child
Texter und Komponist(in):
George Michael
publisher:
Dick Leahy Music Ltd.
George Michael3.356:50
6How Deep Is Your Love?
cover recording of:
How Deep Is Your Love (Bee Gees song)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gibb Brothers Music (in 1977)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Take That3:40
7Candle in the Wind
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray (in 1973-05)
E-Gitarre:
Davey Johnstone (in 1973-05)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
Schlagzeug:
Nigel Olsson (in 1973-05)
Hintergrundgesang:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) und Nigel Olsson (in 1973-05)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
Musikvideos:
Candle in the Wind von Elton John (English singer, songwriter, pianist, and composer)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 7) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 348)
recording of:
Candle in the Wind (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
gewidmet:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal–Songs of PolyGram International, Inc.
Elton John3.653:47
8Wonderful Life
Interpret(in):
The Oversoul 13
cover recording of:
Wonderful Life
Texter und Komponist(in):
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Mathilde Santing3:40
9Jessie
recording of:
Jessie (Joshua Kadison song)
Texter und Komponist(in):
Joshua Kadison (US singer-songwriter, pianist & writer)
publisher:
EMI Blackwood Music Inc., Joshuasongs (BMI affiliated) und Seymour Glass Songs (BMI affiliated)
Joshua Kadison14:18
10How ’Bout Us?
Produzent(in):
Leo Graham (producer / composer / lyricist)
Solo-alto saxophone:
Ken Soderbloom
arranger:
James Mack (Composer, arranger, conductor)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
Bearbeitung von:
How ’Bout Us von Champaign
cover recording of:
How ’bout Us
Texter und Komponist(in):
Dana Walden
publisher:
April Music, Irving Music (BMI) und Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
Texter und Komponist(in):
Dana Walden
publisher:
April Music, Irving Music (BMI) und Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign43:20
11Against All Odds (Take a Look at Me Now)
Techniker(in):
Jeremy Smith (producer/engineer) und Lewis Hahn
Produzent(in):
Arif Mardin
Keyboard:
Rob Mounsey
Schlagzeug und Sologesang:
Phil Collins (of Genesis)
conductor:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) und Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Phil Collins3.83:23
12Waiting for a Girl Like You
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und Warner Music International (trademark of Warner Music International the company) (in 1981)
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3.54:44
13Quit Playing Games (With My Heart)
assistierende(r) Techniker(in):
Adam Barber, Martin Czembor, Rob Farrell, Chaz Harper, Ken Latchney, Charles McCrorey, Franco Starnella und Daniel Wierup
Produzent(in):
Kristian Lundin und Max Martin (Swedish record producer)
Gitarre:
Chuck Anthony
aufgenommen bei und mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
Quit Playing Games (With My Heart) (music video) von Backstreet Boys
recording of:
Quit Playing Games (With My Heart)
Verfasser(in):
Herbie Crichlow und Max Martin (Swedish record producer)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Backstreet Boys3.23:46
14Save the Best for Last
Produzent(in):
Keith Thomas (CCM, country, pop producer & songwriter)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
zusätzlich arranger:
Vanessa Williams (US pop/R&B vocalist/producer)
recording of:
Save the Best for Last
Verfasser(in):
Phil Galdston, Jon Lind und Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:38
15Kayleigh
recording engineer:
Thomas Stiehler
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Hansa Studios in Berlin, Deutschland (von 1985-03 bis 1985-05)
recording of:
Kayleigh (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. und Marillion Music
Marillion3.74:05
16Don’t Know Much
recording engineer und Mix:
George Massenburg
Koproduzent(in):
Steve Tyrell (American producer and vocalist)
Produzent(in):
Peter Asher
Bassgitarre [bass]:
Leland Sklar (bassist, session musician)
E-Gitarre:
Mike Landau
Klavier:
Don Grolnick
Perkussion:
Mike Fisher (Percussionist)
Gast vocals:
Aaron Neville
vocals:
Linda Ronstadt
Orchester:
Skywalker Symphony Orchestra
Interpret(in):
Aaron Neville und Linda Ronstadt
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
cover recording of:
Don’t Know Much
Verfasser(in):
Barry Mann, Tom Snow (US keyboardist/songwriter) und Cynthia Weil
publisher:
ATV Music, Brain Tree Music, EMI Blackwood Music Inc., Mann and Weil Songs, Inc., MCA Music Ltd. und Snow Music
Linda Ronstadt & Aaron Neville33:33
17It’s Over
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
recording of:
It’s Over
Verfasser(in):
Wally Badarou, Boon Gould und Mark King (bass guitarist and vocalist)
publisher:
Chappell Music Ltd. und Level 42 Music Ltd.
Level 4224:37
18Through the Barricades
assistierende(r) Techniker(in):
Stephen Wissnet
Techniker(in):
Gary Langan
Produzent(in):
Gary Langan und Spandau Ballet
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet)
Gitarre:
Gary Kemp
Keyboard:
Toby Chapman
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet)
Schlagzeug:
John Keeble
Hintergrundgesang:
Ruby James (L.A-based singer/songwriter), Shirley Lewis und Helena Springs
Sologesang:
Tony Hadley
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1986) und Sony BMG Music Entertainment (UK) Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei und mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland und Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Frankreich
recording of:
Through the Barricades
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet35:46
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