Peace & Love ’60: 1967–1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Non in vendita Allegato a "Peace & Love" n. 1

Anmerkung zuletzt geändert am 2019-02-28 18:44 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1The Beat Goes On
Techniker(in):
Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Sonny Bono
conductor:
Harold Battiste
phonographisches Urheberrecht (℗) von:
ATCO Records (in 1967)
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Beat Goes On (in 1967)
Texter und Komponist(in):
Sonny Bono
publisher:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Sonny & Cher4.253:27
2San Francisco
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie2:58
3Good Times
recording of:
Good Times
Verfasser(in):
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins (British rock drummer), Danny McCulloch und John Weider
Eric Burdon3:01
4Bye Bye Baby
Produzent(in):
Bob Shad
E-Bass:
Peter Albin (am 1966-12-13)
E-Gitarre:
Sam Andrew (am 1966-12-13) und James Gurley (am 1966-12-13)
Schlagzeug:
Dave Getz (drummer and songwriter) (am 1966-12-13)
Sologesang:
Janis Joplin (am 1966-12-13)
recording of:
Bye, Bye Baby (am 1966-12-13)
Texter und Komponist(in):
Powell St. John
Big Brother & the Holding Company32:37
5Omaha
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967-04)
Produzent(in):
David Rubinson
Bass:
Bob Mosley (bass player from Moby Grape) (in 1967-04)
Gitarre:
Peter Lewis (member of The Cornells and Moby Grape) (in 1967-04), Jerry Miller (US songwriter, guitarist & vocalist) (in 1967-04) und Alexander “Skip” Spence (in 1967-04)
Schlagzeug:
Don Stevenson (Drummer, Moby Grape) (in 1967-04)
vocals:
Peter Lewis (member of The Cornells and Moby Grape) (in 1967-04), Jerry Miller (US songwriter, guitarist & vocalist) (in 1967-04), Bob Mosley (bass player from Moby Grape) (in 1967-04), Alexander “Skip” Spence (in 1967-04) und Don Stevenson (Drummer, Moby Grape) (in 1967-04)
recording of:
Omaha (in 1967-04)
Texter und Komponist(in):
Alexander “Skip” Spence
Moby Grape2:20
6Rock and Roll Woman
recording engineer:
Jim Messina (von 1967-06-22 bis 1967-08-08)
Produzent(in):
Stephen Stills und Neil Young (Canadian singer, songwriter & musician)
Mix:
Jim Messina (am 1967-10-03)
Bass und Bassgitarre:
Bruce Palmer (von 1967-06-22 bis 1967-08-08)
Gitarre und Hintergrundgesang:
Richie Furay (von 1967-06-22 bis 1967-08-08) und Neil Young (Canadian singer, songwriter & musician) (von 1967-06-22 bis 1967-08-08)
Gitarre [lead], Hybrid-Piano, Hybrid-Piano, Gitarre und Orgel, Orgel und Sologesang:
Stephen Stills (von 1967-06-22 bis 1967-08-08)
Schlagzeug:
Dewey Martin (von 1967-06-22 bis 1967-08-08)
vocals:
Richie Furay (von 1967-06-22 bis 1967-08-08) und Neil Young (Canadian singer, songwriter & musician) (von 1967-06-22 bis 1967-08-08)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1967-06-22 bis 1967-08-08)
mixed at:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-10-03)
recording of:
Rock & Roll Woman (von 1967-06-22 bis 1967-08-08)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion Music Inc. (BMI), Greene Knight Music (BMI), Richie Furay Music (BMI), Sound Harmonics (BMI), Springalo Toones (BMI) und Ten‐East Music (BMI)
Buffalo Springfield42:45
7So You Want to Be a Rock ’n’ Roll Star
recording of:
So You Want to Be a Rock ’n’ Roll Star
Verfasser(in):
Chris Hillman und Roger McGuinn
publisher:
Tickson Music Co.
The Byrds2:06
8Morning Glory
Techniker(in):
Bruce Botnick
Produzent(in):
Jerry Yester
Bass:
Jimmy Bond (in 1967-05)
flute und Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Gitarre und Sologesang:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05)
Klavier:
Don Randi (in 1967-05)
membranophone:
John Clauder (in 1967-05)
Hintergrundgesang:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05) und Jerry Yester (in 1967-05)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967-05)
recording of:
Morning Glory
Texter und Komponist(in):
Larry Beckett und Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
publisher:
Third Story Music, Inc.
Tim Buckley32:51
9Love You Till Tuesday
Techniker(in):
Gus Dudgeon
Produzent(in):
Mike Vernon
Akustikgitarre:
John Renbourn (am 1967-02-25)
Bass:
Dek Fearnley (bassist) (am 1967-02-25)
Klavier:
Derek Boyes (pianist) (am 1967-02-25)
Schlagzeug:
John Eager (drummer) (am 1967-02-25)
Sologesang:
David Bowie (English singer‐songwriter) (am 1967-02-25)
arranger:
David Bowie (English singer‐songwriter) und Arthur Greenslade
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1967)
aufgenommen bei:
Decca Studios: Studio 2 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1967-02-25)
recording of:
Love You Till Tuesday (am 1967-02-25)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Onward Music Ltd.
David Bowie3.253:12
10Judy in Disguise
recording of:
Judy in Disguise (With Glasses)
Verfasser(in):
Andrew Bernard und John Fred (John Fred Gourrier)
publisher:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und MCS Music Ltd.
John Fred & His Playboy Band2:54
11Day Tripper
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-09-13)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-09-13)
Gitarre:
Steve Cropper (am 1966-09-13)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1966-09-13)
Tenorsaxophon:
Gilbert Caples (am 1966-09-13) und Andrew Love (am 1966-09-13)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1966-09-13)
vocals:
Otis Redding (am 1966-09-13)
cover recording of:
Day Tripper (am 1966-09-13)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Otis Redding3.652:46
12Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:27
13Soul Man
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1967-08-10)
Produzent(in):
Isaac Hayes, David Porter (US soul musician, producer & songwriter) und Jim Stewart (US producer, founder for Stax & Volt Records)
Instrumente:
Booker T. & the MG’s (in 1967) und The Mar‐Keys Horns (in 1967)
Sologesang:
Sam Moore (singer, ex “Sam and Dave”) (in 1967) und David Prater (soul artist) (in 1967)
phonographisches Urheberrecht (℗) von:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 458)
recording of:
Soul Man (am 1967-08-10)
Verfasser(in):
Isaac Hayes (in 1967) und David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) und Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:33
14Everybody Needs Somebody
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Jerry Wexler
Bass [electric bass]:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-10-12)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1966-10-12)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (am 1966-10-12)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (am 1966-10-12)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1966-10-12)
Tenorsaxophon:
Gilbert Caples (am 1966-10-12), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1966-10-12) und Eddie Logan (am 1966-10-12)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (am 1966-10-12)
vocals:
Wilson Pickett (am 1966-10-12)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-10-12)
cover recording of:
Everybody Needs Somebody to Love (am 1966-10-12)
Verfasser(in):
Bert Russell Berns, Solomon Burke und Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC und Musical Lights Tokyo
Wilson Pickett32:18
15You Keep Me Hangin’ On
sonstige Unterstützung:
Shadow Morton (Aufgabe: directed by)
Produzent(in):
Shadow Morton
cover recording of:
You Keep Me Hangin’ On (in 1967)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Vanilla Fudge3:00

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