When Cool Was King

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1It’s a Man’s Man’s Man’s World
registrazione di:
It’s a Man’s Man’s Man’s World
autore:
James Brown (The Godfather of Soul) e Betty Jean Newsome
James Brown2:45
2Summertime
registrata a:
Los Angeles, California, Stati Uniti (il 1957-08-18)
batteria :
Alvin Stoller (il 1957-08-18)
chitarra :
Tony Rizzi (il 1957-08-18)
contrabbasso :
Joe Mondragon (il 1957-08-18)
corno francese :
Vincent DeRosa (il 1957-08-18)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1957-08-18)
tromba :
Louis Armstrong (il 1957-08-18) e Frank Beach (trombone, trumpet) (il 1957-08-18)
trombone :
Buddy Childers (American jazz trumpeter & composer) (il 1957-08-18)
violino :
Victor Arno (il 1957-08-18)
voce:
Louis Armstrong (il 1957-08-18) e Ella Fitzgerald (American jazz singer) (il 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (nel 1957)
direttore d'orchestra:
Russell Garcia (il 1957-08-18)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 20)
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1957-08-18)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald & Louis Armstrong2.854:55
3Try a Little Tenderness
registrazione di:
Try a Little Tenderness
paroliere:
James Campbell (British songwriter and music publisher) e Reginald Connelly
compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell e Campbell Connelly & Co. Ltd. (il 1932-11-04)
Otis Redding3:44
4Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:25
5Proud Mary
registrazione cover di:
Proud Mary
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (il 1968-12-27) e Jondora Musikverlag (publisher) (nel 1970)
Tina Turner5:24
6Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:48
7FeverPeggy Lee3:19
8Comin’ Home Baby
Mel Tormé2:41
9Mr. Bojangles
registrazione cover di:
Mr. Bojangles
paroliere e compositore:
Jerry Jeff Walker
editore:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
Sammy Davis Jr.5:42
10L‐O‐V‐E
tecnico:
Ryan Robinson (engineer)
tecnico di missaggio:
Joel Iwataki
assistente editor:
Sam Zeines
voce:
Nat King Cole (il 1964-06-03)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1964-06-03)
registrazione di:
L‐O‐V‐E (il 1964-06-03)
paroliere:
Milton Gabler
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Nat King Cole52:31
11As Time Goes By
registrazione cover di:
As Time Goes By (the song from “Casablanca”)
paroliere e compositore:
Herman Hupfeld
editore:
WB Music Corp. (1929–2019) (conclusa), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Bros., Inc. (not for release label use!) (nel 1931)
sub-editore:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
parte di:
Casablanca (original soundtrack of the 1942 American film)
Tony Bennett3:11
12It Had to Be You
registrazione cover di:
It Had to Be You
paroliere:
Gus Kahn (nel 1924)
compositore:
Isham Jones (nel 1924)
editore:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) e Jerome H. Remick & Co. (il 1924-05-09)
Ray Charles2:41
13The Way You Look Tonight
Steve Tyrell4:30
14Stand by Me
Ben E. King2:55
15What the World Needs Now Is Love
registrazione cover di:
What the World Needs Now Is Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (nel 1965), Songs of Fujimusic (nel 1965, nel 1993) e BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1993)
Dionne Warwick3:08
16Downtown
voce:
Petula Clark (English singer & actress) (nel 1964)
arrangiatore:
Tony Hatch
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1964)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 227)
registrazione di:
Downtown (nel 1964)
paroliere e compositore:
Tony Hatch
editore:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Welbeck Music Ltd.
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:03
17Can’t Take My Eyes Off You
Engelbert Humperdinck3:35
18Samantha
Kenny Ball2:20
19A Man in a Suitcase
Ron Grainer & His Orchestra2:10
20La Foule
voce:
Édith Piaf (il 1957-02-28)
direttore d'orchestra:
Robert Chauvigny (French composer, orchestra leader and conductor) (il 1957-02-28)
registrazione di:
La Foule (il 1957-02-28)
paroliere:
Michel Rivgauche
compositore:
Ángel Cabral (singer, guitarist, composer) (nel 1936)
editore:
Éditions Métropolitaines e Warner Chappell Music France
versione di:
Que nadie sepa mi sufrir
Édith Piaf52:56
3CD