No.1 Hits of the 80’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1Midnight Lady
Chris Norman5:04
2Dreamin’
Produzent(in):
Donald Robinson (keyboards)
arranger:
Donald Robinson (keyboards)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1988)
recording of:
Dreamin’
Verfasser(in):
Lisa Montgomery und Geneva Paschal
publisher:
Jobete Music Co., Inc.
Vanessa Williams45:27
3I Like Chopin
phonographisches Urheberrecht (℗) von:
BMG Music (in 1983)
recording of:
I Like Chopin
Texter:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
Komponist(in):
Pierluigi Giombini (arranger ,composer and producer)
publisher:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Gazebo3.54:08
4Wonderful Life
Produzent(in):
Dave Dix (Dave Dix)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1987)
Musikvideos:
Wonderful Life von Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
Texter und Komponist(in):
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:48
5Nothing’s Gonna Stop Us Now
Interpret(in):
Starship (continuation of Jefferson Starship) (in 1987)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
Starship3.754:29
6Reet PetiteJackie Wilson42:43
7Crazay
Interpret(in):
Sly Stone
Jesse Johnson4:02
8Funkytown
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
Bearbeitung von:
Funkytown (12″ version) von Lipps, Inc.
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 37)
recording of:
Funkytown
Texter und Komponist(in):
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:57
9Victory
recording of:
Victory
Verfasser(in):
Khalis Bayyan, Ronald Bell und James Taylor (US R&B vocalist for Kool & the Gang)
Kool & the Gang4:37
10Upside Down
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross43:36
11Burn Rubber
recording of:
Burn Rubber on Me (Why You Wanna Hurt Me)
Verfasser(in):
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter) und Charlie Wilson (R&B singer)
The Gap Band45:34
12Treat Her Like a Lady
recording of:
Treat Her Like a Lady
Komponist(in):
Otis Williams (US baritone singer, member of The Temptations & The Distants) und Ali Ollie Woodson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. und Tall Temptations Music
The Temptations4:01
13Fade to Grey
Techniker(in):
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Midge Ure und Visage (new romantic band from London)
Interpret(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
arranger:
Visage (new romantic band from London)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich
mixed at:
Mayfair Sound (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Fade to Grey
Verfasser(in):
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) und Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) und Performance Music Ltd
Visage4.14:01
14Shout
recording of:
Shout
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears4:51
15Tainted Love
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1981)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell2:56
16Lessons in Love
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
Gast-Saxophon:
Gary Barnacle
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1986) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
Texter:
Boon Gould
Verfasser(in):
Wally Badarou und Mark King (bass guitarist and vocalist)
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Level 423.64:04

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