80s Verantwoord Powered by Rob Stenders

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Under Pressure
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack) und David Richards (Swiss-based producer and engineer)
Produzent(in):
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), Queen (UK rock group) und Roger Taylor (Queen drummer)
Bassgitarre und Gitarre:
John Deacon (von 1981-06 bis 1982-03)
E-Gitarre:
Brian May (Queen guitarist) (von 1981-06 bis 1982-03)
Fingerschnippen und Händeklatschen:
John Deacon (von 1981-06 bis 1982-03), Brian May (Queen guitarist) (von 1981-06 bis 1982-03), Freddie Mercury (von 1981-06 bis 1982-03) und Roger Taylor (Queen drummer) (von 1981-06 bis 1982-03)
Fingerschnippen und Händeklatschen:
David Bowie (English singer‐songwriter) (von 1981 bis 1982-03)
Keyboard:
John Deacon (von 1981-06 bis 1982-03) und Freddie Mercury (von 1981-06 bis 1982-03)
Klavier:
Freddie Mercury (von 1981-06 bis 1982-03)
Schlagzeug:
Roger Taylor (Queen drummer) (von 1981-06 bis 1982-03)
Synthesizer:
David Bowie (English singer‐songwriter) (von 1981-06 bis 1982-03)
Hintergrundgesang:
Freddie Mercury (von 1981-06 bis 1982-03) und Roger Taylor (Queen drummer) (von 1981-06 bis 1982-03)
Sologesang:
David Bowie (English singer‐songwriter) (von 1981-06 bis 1982-03) und Freddie Mercury (von 1981-06 bis 1982-03)
phonographisches Urheberrecht (℗) von:
David R. Jones (Jones Music subsidiary) (in 1981, in 1994), Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1981, in 1994), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1981, in 2011) und Raincloud Productions Ltd. (in 1981, in 1994)
aufgenommen bei:
Mountain Studio (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1981-06 bis 1982-03) und Musicland Studios (Munich) in München, Bayern, Deutschland (von 1981-06 bis 1982-03)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 31) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 429)
recording of:
Under Pressure (von 1981-06 bis 1982-03)
Verfasser(in):
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), John Deacon, Freddie Mercury und Roger Taylor (Queen drummer)
publisher:
Beechwood Music Corp., Bewlay Bros. Music, EMI Music Publishing Ltd. (PRS‐affiliated) (, in 1981), Jones Music (publishers associated with David Bowie), Mainman S.A. (not for release label use! © & ℗ rights use only), Mainman Saag (New York), Queen Music Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music (, in 1981), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen & David Bowie4.253:52
2Holiday
recording of:
Holiday
Verfasser(in):
Curtis Hudson und Lisa Stevens
publisher:
House of Fun Music, Pure Energy Pub. Co. Inc. und Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
Madonna33:52
3Sledgehammer
Techniker(in):
Kevin Killen und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Produzent(in):
Peter Gabriel (formerly of Genesis) und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Bass:
Tony Levin (US rock bassist/Chapman stick player)
Gitarre:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) und David Rhodes (guitarist, singer, and songwriter)
Klavier, Synthesizer [CMI] und Synthesizer [Prophet]:
Peter Gabriel (formerly of Genesis)
Posaune:
Don Mikkelsen (a trombonist player)
Saxophon:
Mark Rivera
Schlagzeug:
Manu Katché
Tamburin:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Coral Gordon, Dee Lewis und PP Arnold
vocals:
Peter Gabriel (formerly of Genesis)
phonographisches Urheberrecht (℗) von:
Charisma Records Ltd. (in 1986)
recording of:
Sledgehammer
Texter und Komponist(in):
Peter Gabriel (formerly of Genesis)
publisher:
Cliofine Limited, EMI Music Publishing Ltd. (PRS‐affiliated), Real World Music, Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Peter Gabriel3.354:41
4Let’s Dance
recording of:
Let’s Dance
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd und Watanabe Music Publishing CM division
David Bowie3:36
5Road to Nowhere
recording engineer und Mix:
Eric “E.T.” Thorngren
assistierende(r) Techniker(in):
Melanie West (engineer) (Aufgabe: second engineer)
Produzent(in):
Talking Heads
Bass-Synthesizer [synth bass]:
Tina Weymouth
Gast-accordion:
Jimmy MacDonell
Gast-Bongos, Gast-Conga und Gast-Tamburin:
Steve Scales
Gast-Saxophon:
Lenny Pickett (saxophone)
Gast-washboard:
Andrew Cader
Gitarre:
David Byrne (Talking Heads) und Jerry Harrison (Talking Heads & producer)
Gitarre und Keyboard und Keyboard:
Jerry Harrison (Talking Heads & producer)
Schlagzeug:
Chris Frantz
Gast Hintergrundgesang:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves und Kurt Yahijian
Hintergrundgesang:
Jerry Harrison (Talking Heads & producer) und Tina Weymouth
Sologesang:
David Byrne (Talking Heads)
vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Sire Records Company (not for release label use!) (in 1985) und Talking Heads Tours Inc. (in 1985)
aufgenommen bei und mixed at:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten
Musikvideos:
Road to Nowhere (music video) von Talking Heads
recording of:
Road to Nowhere
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. und Warner Bros. Music Corp.
Talking Heads4.24:19
6Personal Jesus
Techniker(in):
Dennis Mitchell (engineer)
Produzent(in):
Depeche Mode und Flood (British producer Mark Ellis)
Mix:
François Kevorkian
Sologesang:
Dave Gahan
recording of:
Personal Jesus
Texter und Komponist(in):
Martin L. Gore
publisher:
EMI Music Publishing (do not use as a release label!)
Depeche Mode4.13:44
7Sweet Dreams
recording of:
Sweet Dreams (Are Made of This)
Texter:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Komponist(in):
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. und Universal Music–MGB Songs
Eurythmics4:36
8Our House
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 13) und VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 29)
recording of:
Our House
Texter:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.93:21
9Invisible Touch
aufgenommen bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich (von 1985-10 bis 1986-02)
recording of:
Invisible Touch (von 1985-10 bis 1986-02)
Texter:
Phil Collins (of Genesis)
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. und Philip Collins Ltd.
geschrieben bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
Genesis3:12
10Money’s Too Tight (to Mention)
cover recording of:
Money’s Too Tight (to Mention)
Verfasser(in):
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) und Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red4:12
11Little Lies
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie
Gitarre und Sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Christine McVie
Perkussion und Schlagzeug:
Mick Fleetwood
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
Sologesang:
Christine McVie
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
recording of:
Little Lies
Texter und Komponist(in):
Christine McVie und Eddy Quintela
publisher:
BMG Songs, Inc. und Careers–BMG Music Publishing, Inc.
Fleetwood Mac4.153:37
12This Charming Man
Techniker(in):
Phil Bush (engineer, composer and musician) und Neil King (sound engineer)
Produzent(in):
John Porter (producer and musician US and UK)
Bassgitarre:
Andy Rourke
Gitarre, Gitarre und Mundharmonika und Mundharmonika:
Johnny Marr
Schlagzeug:
Mike Joyce (UK drummer)
vocals:
Morrissey (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1983) und Warner Music UK Ltd. (not for release label use!) (in 1983)
Musikvideos:
This Charming Man von The Smiths (1980s English rock band)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 11) und Indie 88: Top 500 Indie Rock Songs (Nummer: 36)
recording of:
This Charming Man
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.82:43
13Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:29
14The Sun Always Shines on TV
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 11) und The Downloader’s Music Source Book (Nummer: 283)
recording of:
The Sun Always Shines on T.V.
Texter und Komponist(in):
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und Sony ATV Publishing
a‐ha3.95:05
15Shout
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1984) und Mercury Records Ltd. (not for release label use!) (in 2014)
recording of:
Shout (in 1984)
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears3.754:45
16Do You Really Want to Hurt Me
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:23
17Don’t You Want Me
assistierende Programmierung:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
Programmierung:
Martin Rushent (in 1981)
assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) und Philip Oakey (in 1981)
Hintergrundgesang:
Joanne Catherall (in 1981) und Susan Ann Sulley (in 1981)
Sologesang:
Philip Oakey (in 1981) und Susan Ann Sulley (in 1981)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981)
Musikvideos:
Don’t You Want Me von The Human League
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 79) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
Texter:
Philip Oakey
Komponist(in):
Jo Callis, Philip Oakey und Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:56
18Kiss
Produzent(in):
Prince (“The Artist Formerly Known as…”) und The Revolution (founded by Prince)
Akustikgitarre, drum machine [Linn 9000], drum machine [Linn LM-1] und Synthesizer [Yamaha DX7]:
David Z. (producer/engineer David Rivkin)
E-Gitarre und Sologesang:
Prince (“The Artist Formerly Known as…”)
Hintergrundgesang:
Bruce DeShazer, Prince (“The Artist Formerly Known as…”) und Marr Starr
remixer:
Dj Iraí Campos
arranger:
David Z. (producer/engineer David Rivkin)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 83)
recording of:
Kiss (von 1985-04-27 bis 1986-02-10)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince4.753:39
19Rock Me Amadeus
Produzent(in):
Ferdi Bolland und Rob Bolland
phonographisches Urheberrecht (℗) von:
GiG Records (Austrian label) (in 1985) und TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (in 1985)
Musikvideos:
Rock Me Amadeus von Falco (Austrian pop & rock musician)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 15) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 87)
recording of:
Rock Me Amadeus (in 1985)
Texter:
Ferdi Bolland, Rob Bolland und Falco (Austrian pop & rock musician)
Komponist(in):
Ferdi Bolland und Rob Bolland
publisher:
Bolland Music, Manuskript (not for release label use! this is only for copyrights and publishing relationships) und Nada Music (Dutch publisher)
Falco3.653:20
20Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
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