Red Sparrow

~ Veröffentlichung von James Newton Howard (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Overture
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Esa‐Pekka Salonen (conductor and composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Overture
Komponist(in):
James Newton Howard (American score composer)
11:34
2The Steam Room
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
The Steam Room
Komponist(in):
James Newton Howard (American score composer)
2:19
3One Night is All I Ask
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
One Night is All I Ask
Komponist(in):
James Newton Howard (American score composer)
1:29
4Take Off Your Dress
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Take Off Your Dress
Komponist(in):
James Newton Howard (American score composer)
6:20
5Arriving at Sparrow School
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Arriving at Sparrow School
Komponist(in):
James Newton Howard (American score composer)
2:50
6Training
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Training
Komponist(in):
James Newton Howard (American score composer)
1:42
7Anya, Come Here
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Anya, Come Here
Komponist(in):
James Newton Howard (American score composer)
2:44
8When Did You First Notice the Tail?
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
When Did You First Notice the Tail?
Komponist(in):
James Newton Howard (American score composer)
1:04
9There's a Car Waiting to Take You to Moscow
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
There's a Car Waiting to Take You to Moscow
Komponist(in):
James Newton Howard (American score composer)
1:49
10Follow the Trail Wherever It Leads You
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Follow the Trail Wherever It Leads You
Komponist(in):
James Newton Howard (American score composer)
2:29
11Blonde Suits You
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Blonde Suits You
Komponist(in):
James Newton Howard (American score composer)
4:59
12Searching Marta's Room
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Searching Marta's Room
Komponist(in):
James Newton Howard (American score composer)
2:22
13Ticket to Vienna
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Ticket to Vienna
Komponist(in):
James Newton Howard (American score composer)
1:45
14Telephone Code
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Telephone Code
Komponist(in):
James Newton Howard (American score composer)
1:10
15Searching Nate's Apartment
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Searching Nate's Apartment
Komponist(in):
James Newton Howard (American score composer)
1:04
16Can I Trust You?
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Can I Trust You?
Komponist(in):
James Newton Howard (American score composer)
3:06
17Switching Disks
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Switching Disks
Komponist(in):
James Newton Howard (American score composer)
5:59
18So What Next?
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
So What Next?
Komponist(in):
James Newton Howard (American score composer)
3:45
19Didn't I Do Well?
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Didn't I Do Well?
Komponist(in):
James Newton Howard (American score composer)
8:48
20End Titles
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Koproduzent(in):
Jim Weidman (music editor, producer)
Produzent(in):
James Newton Howard (American score composer)
Editing:
David Olson (engineer, producer) und Jim Weidman (music editor, producer)
conductor:
Esa‐Pekka Salonen (conductor and composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
End Titles
Komponist(in):
James Newton Howard (American score composer)
9:30