Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes

~ Veröffentlichung von Purcell; Choir of the English Concert, The English Concert, Trevor Pinnock (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Dido and Aeneas (1–22) / King Arthur: Act I (23–31)
2▶CD: King Arthur: Act II–V
3▼CD: Dioclesian: Act I–V (1–26) / Dioclesian: The Masque (27–29)
Nr.TitelKünstlerBewertungLänge
1Dioclesian, Z.627: First Music
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: 1. First musick (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Thomas Betterton (English actor and theatre manager; librettist of The Fairy‐Queen)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell2:33
2Dioclesian, Z.627: Second Music
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: 2. Second musick (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell1:38
3Dioclesian, Z.627: Overture
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: 3. Ouverture (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell4:28
4Dioclesian, Z.627, Act 1: First Act Tune
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 1. First Act Tune (Hornpipe) (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 1
Henry Purcell0:46
5Dioclesian, Z.627, Act 2: Prelude: “Great Diocles the Boar has kill’d” – “Sing Iô’s! praise the thund’ring Jove”
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Bass-Gesang:
Stephen Gadd (baritone) (in 1994-01)
Chorgesang:
Choir of the English Concert (in 1994-01)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude, Aria and Chorus "Great Diocles the Boar has kill'd" (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell2:41
6Dioclesian, Z.627, Act 2: “Charon the peaceful Shade invites”
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Soprangesang:
Nancy Argenta (soprano) (in 1994-01)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude and Aria "Charon the peaceful Shade invites" (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell1:47
7Dioclesian, Z.627, Act 2: Symphony
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Symphony for Trumpets and Violins (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell1:37
8Dioclesian, Z.627, Act 2: “Let all mankind the pleasure share”: “Sound all your instruments”
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Bass-Gesang:
Stephen Gadd (baritone) (in 1994-01)
Chorgesang:
Choir of the English Concert (in 1994-01)
Soprangesang:
Nancy Argenta (soprano) (in 1994-01)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Duet and Chorus "Let all mankind the pleasures share" (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell0:39
9Dioclesian, Z.627, Act 2: “Let all mankind the pleasure share”
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Chorgesang:
Choir of the English Concert (in 1994-01)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
Dioclesian, Z. 627: Act II. “Let all mankind the pleasure share” (chorus) (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell0:44
10Dioclesian, Z.627, Act 2: Prelude: “Let the soldiers rejoice” – “Rejoice, rejoice, with a general voice”
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Chorgesang:
Choir of the English Concert (in 1994-01)
Tenor-Gesang:
Richard Edgar‐Wilson (tenor) (in 1994-01)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude, Aria and Chorus "Let the soldier's rejoice" (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell1:58
11Dioclesian, Z.627, Act 2: Ritornello
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Ritornello (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell0:40
12Dioclesian, Z.627, Act 2: “To Mars let ’em raise”: “Rejoice, rejoice, with a general voice”
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Bass-Gesang:
Stephen Gadd (baritone) (in 1994-01)
Chorgesang:
Choir of the English Concert (in 1994-01)
Tenor-Gesang:
Paul Agnew (tenor and conductor) (in 1994-01) und Richard Edgar‐Wilson (tenor) (in 1994-01)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Trio and Chorus "To Mars let 'em raise" (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell1:15
13Dioclesian, Z.627, Act 2: Ritornello
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Ritornello (2) (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell0:46
14Dioclesian, Z.627, Act 2: Symphony: “Since the toils and the hazards” – “All sing great Diocles’ story”
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Chorgesang:
Choir of the English Concert (in 1994-01)
Tenor-Gesang:
Paul Agnew (tenor and conductor) (in 1994-01)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Aria and Chorus "Since the toils and hazards of war" (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell5:51
15Dioclesian, Z.627, Act 2: Dances of Furies
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Dance of the furies (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell3:42
16Dioclesian, Z.627, Act 2: Second Act Tune
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Second act tune (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell0:52
17Dioclesian, Z.627, Act 3: Chaconne
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Two in one upon a Ground, Chaconne for flutes (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Thomas Betterton (English actor and theatre manager; librettist of The Fairy‐Queen)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3
Henry Purcell2:49
18Dioclesian, Z.627, Act 3: “When first I saw”
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Soprangesang:
Ann Monoyios (soprano) (in 1994-01)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Song "When First I Saw Aurelia's Eyes" (Probably substituted for "What shall I do?" (Act 3) in a later production.) (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell2:24
19Dioclesian, Z.627, Act 3: The Chair Dance
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3. The Chair Dance (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3
Henry Purcell1:12
20Dioclesian, Z.627, Act 3: Prelude: “What shall I do”
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Soprangesang:
Ann Monoyios (soprano) (in 1994-01)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Prelude for Hautboys – Aria "What shall I do?" (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3
Henry Purcell5:24
21Dioclesian, Z.627, Act 3: Third Act Tune
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Third act tune (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3
Henry Purcell0:43
22Dioclesian, Z.627, Act 4: Butterfly Dance
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Dance – Butterfly Dance (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4
Henry Purcell2:12
23Dioclesian, Z.627, Act 4: Trumpet Tune
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Tune for Trumpets (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4
Henry Purcell0:42
24Dioclesian, Z.627, Act 4: “Sound, Fame, thy brazen trumpet sound!” … “Let all rehearse”
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Chorgesang:
Choir of the English Concert (in 1994-01)
Tenor-Gesang:
Paul Agnew (tenor and conductor) (in 1994-01)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Aria "Sound, Fame, thy brazen trumpet sound" (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4
Henry Purcell5:37
25Dioclesian, Z.627, Act 4: Fourth Act Tune
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Fourth act tune (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 4
Henry Purcell0:51
26Dioclesian, Z.627, Act 5: Country Dance
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Country Dance (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:50
27Dioclesian, Z.627, The Masque: Prelude: “Call the Nymphs”
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Chorgesang:
Choir of the English Concert (in 1994-01)
Soprangesang:
Nancy Argenta (soprano) (in 1994-01)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: "Call the nymphs" (Cupid – Chorus) (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:48
28Dioclesian, Z.627, The Masque: “Let the Graces and Pleasures repair”
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Soprangesang:
Nancy Argenta (soprano) (in 1994-01)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
Dioclesian, Z. 627: Act V. The Masque: “Let the Graces and Pleasures repair” (Cupid) (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:56
29Dioclesian, Z.627, The Masque: “Come, come away”
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Hans Bernhard Bätzing (engineer, producer)
Bass-Gesang:
Simon Birchall (operatic bass) (in 1994-01) und Lawrence Wallington (British classical bass vocalist) (in 1994-01)
Orchester:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "Come, come away" (Bacchanalian – Silvan) (in 1994-01)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:07
4▶CD: Dioclesian: The Masque (1–16) / Timon of Athens (17–27)
5▶CD: Come, ye sons of art, away (Ode for the Birthday of Queen Mary II) (1–9) / Welcome to all the pleasures (Ode for St. Cecilia’s Day) (10–15) / Of old, when heroes thought it base (The Yorkshire Feast Song) (16–27)