| # | Title | Artist | Rating | Length |
|---|
| 1 | In the Air Tonight- assistant engineer:
- Nick Launay and Karen Segal
- engineer:
- Hugh Padgham
- assistant producer:
- Hugh Padgham
- producer:
- Phil Collins and Hugh Padgham
- bass guitar:
- John Giblin (in 1980)
- guitar:
- Daryl Stuermer (in 1980)
- Rhodes piano, drum machine, drums (drum set), synthesizer and vocoder and lead vocals:
- Phil Collins (in 1980)
- violin:
- Sharokav (in 1980)
- arranger:
- Phil Collins
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981) and WEA International Inc. (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 35) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 291)
- recording of:
- In the Air Tonight (in 1980)
- lyricist and composer:
- Phil Collins
- publisher:
- EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
- part of:
- Risky Business
| Phil Collins | 4.3 | 5:27 |
| 2 | Don't You Want Me | The Human League | 3.9 | 3:56 |
| 3 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:29 |
| 4 | Metal Guru | T. Rex | | 2:25 |
| 5 | Let Your Love Flow | The Bellamy Brothers | 3.65 | 3:15 |
| 6 | Rock Your Baby | George McCrae | 3.25 | 3:17 |
| 7 | Sexual Healing- assistant engineer:
- Henri Van Durme and Didier Leonard
- engineer:
- Dan Bates (wind instruments [horns]), Mike Butcher and John Kovorak
- executive producer:
- Larkin Arnold
- producer:
- Marvin Gaye
- mixer and editor:
- Harvey Fuqua
- bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
- Marvin Gaye
- guitar:
- Gordon Banks
- wind instruments [horns]:
- The L.A. Horn Section and David Stout
- background vocals:
- Gordon Banks, Harvey Fuqua and Marvin Gaye
- vocals:
- Marvin Gaye
- conductor:
- McKinley T. Jackson (wind instruments [horns])
- wind instruments [horns] arranger:
- McKinley T. Jackson
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (in 1982)
- recorded at:
- Arco Studios in München , Bayern , Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium and Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium (lead vocals, background vocals)
- mixed at:
- Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium
- edited at and remixed at:
- Devonshire Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (number: 231)
- recording of:
- Sexual Healing
- writer:
- Odell Brown, Marvin Gaye and David Ritz
- publisher:
- April Music Publishing Inc., Blackwood Music Inc. , Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
| Marvin Gaye | 3.65 | 3:57 |
| 8 | I Will Survive- associate producer:
- Freddie Perren
- producer:
- Dino Fekaris
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1978), Universal Records (in 1978) and Polydor Incorporated (in 1979)
- edit of:
- I Will Survive by Gloria Gaynor
- part of:
- Billboard: The 500 Best Pop Songs (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (number: 489)
- recording of:
- I Will Survive
- writer:
- Dino Fekaris and Freddie Perren
- publisher:
- ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. , Universal Music Publishing , Universal Music Publishing Ltd. , Universal Music Publishing Pty Ltd. and Universal PolyGram International Publishing, Inc.
| Gloria Gaynor | 3.95 | 3:15 |
| 9 | Ain't No Stoppin' Us Now | McFadden & Whitehead | 4 | 3:35 |
| 10 | That's the Way (I Like It) | KC and the Sunshine Band | 4.4 | 3:01 |
| 11 | Sugar Sugar | The Archies | 3.5 | 2:46 |
| 12 | Venus | Shocking Blue | 4.1 | 3:00 |
| 13 | American Pie- engineer:
- Tom Flye
- acoustic guitar and banjo:
- Don McLean (on 1971-05-26)
- bass:
- Bob Rothstein (on 1971-05-26)
- drums (drum set) and percussion:
- Roy Markowitz (on 1971-05-26)
- electric guitar:
- David Spinozza (on 1971-05-26)
- electric piano:
- Ray Colcord (on 1971-05-26)
- marimba and vibraphone:
- Mike Mainieri (on 1971-05-26)
- piano:
- Paul Griffin (on 1971-05-26)
- choir vocals:
- West 44th Street Rhythm and Noise Choir (on 1971-05-26)
- vocals:
- Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1971), EMI (in 1971) and United Artists Records (in 1971)
- partial recording of:
- American Pie (on 1971-05-26)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc. , Illegal Songs Inc., Mayday Music, MCA Music , MCA Music Publishing , MCA Publishing Ltd., Songs of Universal, Inc. , Universal , Universal Music Publishing Ltd. , Universal Records , Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 5 | 4:07 |
| 14 | Good Vibrations- recording engineer:
- Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love (from 1966-02 until 1966-06) and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1966)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 6), Billboard: The 500 Best Pop Songs (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. and Universal Music Publishing
- sub-publisher:
- ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
- version of:
- Good Vibrations
| The Beach Boys | 4.3 | 3:34 |
| 15 | Baker Street- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1978, in 1980), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 4.15 | 4:07 |
| 16 | The Joker | Steve Miller Band | 4.15 | 3:34 |
| 17 | The House of the Rising Sun | The Animals | 4.15 | 4:28 |
| 18 | He Ain't Heavy He's My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1969-06-25)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 46)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
| The Hollies | 3.85 | 4:18 |
| 19 | A Whiter Shade of Pale | Procol Harum | 4.1 | 4:00 |
| 20 | Space Oddity- producer:
- Gus Dudgeon
- 12 string guitar and handclaps, Dubreq Stylophone, background vocals and lead vocals:
- David Bowie (in 1969-06)
- bass:
- Herbie Flowers (in 1969-06)
- cello:
- Paul Buckmaster (in 1969-06)
- drums (drum set):
- Terry Cox (in 1969-06)
- electric guitar:
- Mick Wayne (in 1969-06)
- mellotron:
- Rick Wakeman (in 1969-06)
- arranger:
- David Bowie and Paul Buckmaster
- phonographic copyright (℗) by:
- Jones/Tintoretto Entertainment Company LLC (in 1969, in 2009), Jones/Tintoretto Entertainment Co. LLC. (in 1976) and Valerian S.A.S. (in 2017)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1969-06)
- music videos:
- Space Oddity by David Bowie and Space Oddity by David Bowie
- a cappella versions:
- Space Oddity / Major Tom (Coming Home) by Tufts Beelzebubs
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 189)
- recording of:
- Space Oddity (in 1969-06)
- lyricist and composer:
- David Bowie
- publisher:
- Onward Music Ltd., TRO Essex Music International, Inc., Tro-Cromwell Music, Inc. and Westminster Music Ltd.
| David Bowie | 4.25 | 5:14 |
| 21 | Mull of Kintyre- assistant recording engineer:
- Tim Summerhayes (from 1977-08-09 until 1977-10)
- recording engineer:
- Geoff Emerick (from 1977-08-09 until 1977-10)
- producer:
- Paul McCartney
- mixer:
- Geoff Emerick
- acoustic bass guitar and lead vocals:
- Paul McCartney (from 1977-08-09 until 1977-10)
- acoustic guitar:
- Denny Laine (from 1977-08-09 until 1977-10) and Paul McCartney (from 1977-08-09 until 1977-10)
- bagpipe:
- John Lang Brown (from 1977-08-09 until 1977-10), Campbelltown Pipe Band (from 1977-08-09 until 1977-10), Archie Coffield (from 1977-08-09 until 1977-10), Dougie Lang (from 1977-08-09 until 1977-10), John McGeachy (from 1977-08-09 until 1977-10), Ian McKerral (from 1977-08-09 until 1977-10) and Tony Wilson (from 1977-08-09 until 1977-10)
- drums (drum set):
- Tommy Blue (from 1977-08-09 until 1977-10), Joe English (from 1977-08-09 until 1977-10), Campbell Maloney (from 1977-08-09 until 1977-10) and Jimmy McGeachy (from 1977-08-09 until 1977-10)
- electric guitar:
- Denny Laine (from 1977-08-09 until 1977-10)
- percussion:
- Linda McCartney (from 1977-08-09 until 1977-10)
- background vocals:
- Denny Laine (from 1977-08-09 until 1977-10), Linda McCartney (from 1977-08-09 until 1977-10), Paul McCartney (from 1977-08-09 until 1977-10), Ian McKerral (from 1977-08-09 until 1977-10) and Dave Paton (from 1977-08-09 until 1977-10)
- phonographic copyright (℗) by:
- MPL Communications Ltd.
- recorded at:
- Spirit of Ranachan Studio in Scotland, United Kingdom (on 1977-08-09) and Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1977-10)
- recording of:
- Mull of Kintyre (from 1977-08-09 until 1977-10)
- writer:
- Denny Laine and Paul McCartney
- publisher:
- ATV Music
| Wings | 2.8 | 4:45 |
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