Essential Collection

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Takes Two to Tango
recording of:
Takes Two to Tango
Verfasser(in):
Al Hoffman (in 1952) und Dick Manning (American songwriter) (in 1952)
Louis Armstrong2:55
2Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong with Ella Fitzgerald3:06
3Georgio on My Mind
recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
Louis Armstrong3:24
4Sweet Lorraine
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1957)
recording of:
Sweet Lorraine
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
Louis Armstrong5:13
5I Get a Kick Out of You
Techniker(in):
Val Valentin (in 1957)
Produzent(in):
Norman Granz (in 1957)
Gitarre:
Herb Ellis (jazz guitarist) (in 1957)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
Kontrabass:
Ray Brown (jazz bassist) (in 1957)
Schlagzeug:
Louie Bellson (in 1957)
Trompete:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
I Get a Kick Out of You (in 1957)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Louis Armstrong4:19
6I Gotta Right to Sing the Blues
Trompete:
Louis Armstrong
vocals:
Louis Armstrong
recording of:
I Gotta Right to Sing the Blues
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Louis Armstrong3:55
7After You’ve Gone
recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
Louis Armstrong3:23
8I’m Shooting High
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-22)
Gitarre:
Lee Blair (am 1935-11-22)
Klavier:
Luis Russell (am 1935-11-22)
Kontrabass:
George "Pops" Foster (am 1935-11-22)
Posaune:
Jimmy Archey (am 1935-11-22) und Harry White (jazz trombonist) (am 1935-11-22)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-22), Henry “Moon” Jones (swing era reeds) (am 1935-11-22) und Bingie Madison (am 1935-11-22)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-22)
Tenorsaxophon:
Greely Walton (am 1935-11-22)
Trompete:
Gus Aiken (am 1935-11-22), Louis Armstrong (am 1935-11-22), Louis Bacon (am 1935-11-22) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-22)
vocals:
Louis Armstrong (am 1935-11-22)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-22)
recording of:
I’m Shooting High (am 1935-11-22)
Verfasser(in):
Ted Koehler und Jimmy McHugh (songwriter)
Louis Armstrong42:55
9Bess, You Is My Woman Now
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-18)
Geige / Violine:
Victor Arno (am 1957-08-18)
Gitarre:
Tony Rizzi (am 1957-08-18)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-08-18)
Kontrabass:
Joe Mondragon (am 1957-08-18)
Posaune:
Buddy Childers (American jazz trumpeter & composer) (am 1957-08-18)
Schlagzeug:
Alvin Stoller (am 1957-08-18)
Trompete:
Frank Beach (trombone, trumpet) (am 1957-08-18)
Waldhorn:
Vincent DeRosa (am 1957-08-18)
vocals:
Louis Armstrong (am 1957-08-18) und Ella Fitzgerald (American jazz singer) (am 1957-08-18)
conductor:
Russell Garcia (am 1957-08-18)
cover recording of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now” (am 1957-08-18)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
Teil von:
Porgy and Bess: Act II, Scene I
Louis Armstrong with Ella Fitzgerald5:29
10I Can’t Give You Anything but Love
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Posaune:
Al Philburn (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Johnny McGhee (trumpet) (am 1938-06-24) und Robert Cusumano (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Bearbeitung von:
I Can't Give You Anything but Love (with pre-groove chatter) von Louis Armstrong
recording of:
I Can’t Give You Anything but Love, Baby (am 1938-06-24)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Louis Armstrong2:54
11(Was I to Blame for) Falling in Love
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-22)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-22) und Henry “Moon” Jones (swing era reeds) (am 1935-11-22)
Gitarre:
Lee Blair (am 1935-11-22)
Klarinette:
Bingie Madison (am 1935-11-22)
Klavier:
Luis Russell (am 1935-11-22)
Kontrabass:
George "Pops" Foster (am 1935-11-22)
Posaune:
Jimmy Archey (am 1935-11-22) und Harry White (jazz trombonist) (am 1935-11-22)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-22)
Tenorsaxophon:
Greely Walton (am 1935-11-22)
Trompete:
Gus Aiken (am 1935-11-22), Louis Armstrong (am 1935-11-22), Louis Bacon (am 1935-11-22) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-22)
vocals:
Louis Armstrong (am 1935-11-22)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-22)
recording of:
(Was I to Blame for) Falling in Love With You (am 1935-11-22)
Verfasser(in):
Chester Conn, Gus Kahn und Victor Young (American composer, arranger, violinist & conductor)
Louis Armstrong3:12
12Perdido Street Blues
recording of:
Perdido Street Blues
Komponist(in):
Lil Armstrong
Louis Armstrong3:06
13Mahogany Hall Soup
recording of:
Mahogany Hall Stomp
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
Louis Armstrong2:57
14Sugar
cover recording of:
Sugar (That Sugar Baby o’ Mine)
Verfasser(in):
Edna Pinkard, Sidney Mitchell und Maceo Pinkard
Komponist(in):
Edna Alexander, Sidney Mitchell und Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP) und Robbins Music Corp.
Louis Armstrong3:25
15You Can’t Lose a Broekn Heart
recording of:
You Can’t Lose a Broken Heart
Texter:
Flournoy E. Miller
Komponist(in):
James P. Johnson
Louis Armstrong with Billie Holiday3:15
16Blues for Yesterday
recording of:
Blues for Yesterday
Verfasser(in):
Leroy Carr
Louis Armstrong2:36
17Red Sails to the Sunset
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-13)
Gitarre:
Lee Blair (am 1935-12-13)
Klavier:
Luis Russell (am 1935-12-13)
Kontrabass:
George "Pops" Foster (am 1935-12-13)
Posaune:
Jimmy Archey (am 1935-12-13) und Harry White (jazz trombonist) (am 1935-12-13)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-13), Henry “Moon” Jones (swing era reeds) (am 1935-12-13) und Bingie Madison (am 1935-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-13)
Tenorsaxophon:
Greely Walton (am 1935-12-13)
Trompete:
Gus Aiken (am 1935-12-13), Louis Armstrong (am 1935-12-13), Louis Bacon (am 1935-12-13) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-13)
vocals:
Louis Armstrong (am 1935-12-13)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-13)
recording of:
Red Sails in the Sunset (am 1935-12-13)
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
Louis Armstrong3:03
18Don’t Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
Louis Armstrong3:39
19Let’s Call the Whole Thing Off
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
Louis Armstrong4:13
20Do You Know What It Means to Miss New Orleans?
recording of:
Do You Know What It Means to Miss New Orleans
Texter:
Eddie DeLange und Cathrine Legardh
Verfasser(in):
Louis Alter und Eddie DeLange
Komponist(in):
Louis Alter
Louis Armstrong3:04
3▶CD

Nennungen

Veröffentlichung

ASIN:UK: B004IWP6KU [Info]