Plácido Domingo: The Opera Collection

~ Release by Plácido Domingo (see all versions of this release, 1 available)

Tracklist

1▶CD: Carmen: Acts 1 & 2 (beg.)
2▶CD: Carmen: Acts 2 (cont.) & 3
3▶CD: Lucia di Lammermoor: Parts 1 & 2 (beg.)
4▶CD: Lucia di Lammermoor: Part 2 (cont.)
5▶CD: Pagliacci
6▶CD: Cavalleria rusticana
7▶CD: Les Contes d’Hoffmann: Prologue, Acts 1 & 2 (beg.)
8▶CD: Les Contes d’Hoffmann: Acts 2 (cont.) & 3, Epilogue
9▶CD: Tosca: Act 1
10▼CD: Tosca: Acts 2 & 3
#TitleArtistRatingLength
1Tosca: Atto II. “Tosca è un buon falco!” (Scarpia, Sciarrone)
producer:
Wolfgang D. Stengel
bass vocals [Sciarrone]:
Ralf Lukas (bass-baritone) (in 1990-05)
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:22
2Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone)
producer:
Wolfgang D. Stengel
bass vocals [Sciarrone]:
Ralf Lukas (bass-baritone) (in 1990-05)
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone) (in 1990-05)
tenor vocals [Spoletta]:
Anthony Laciura (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:32
3Tosca: Atto II. “Meno male!” – “Egli è là” (Scarpia, Spoletta, Coro, Cavaradossi, Tosca)
producer:
Wolfgang D. Stengel
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
tenor vocals [Spoletta]:
Anthony Laciura (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:47
4Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)
producer:
Wolfgang D. Stengel
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone) (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
tenor vocals [Spoletta]:
Anthony Laciura (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:58
5Tosca: Atto II. “Ed or fra noi parliam” (Scarpia, Tosca, Sciarrone, Cavaradossi)
producer:
Wolfgang D. Stengel
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone) (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:06
6Tosca: Atto II. “Sciarrone, che dice il cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi)
producer:
Wolfgang D. Stengel
bass vocals [Sciarrone]:
Ralf Lukas (bass-baritone) (in 1990-05)
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone) (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:27
7Tosca: Atto II. “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi, Spoletta)
producer:
Wolfgang D. Stengel
bass vocals [Sciarrone]:
Ralf Lukas (bass-baritone) (in 1990-05)
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone) (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
tenor vocals [Spoletta]:
Anthony Laciura (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:49
8Tosca: Atto II. “Nel pozzo, nel giardino!” (Tosca, Scarpia, Sciarrone, Cavaradossi)
producer:
Wolfgang D. Stengel
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:42
9Tosca: Atto II. “Nel pozzo del giardino. Va’, Spoletta!” (Scarpia, Cavaradossi, Tosca, Sciarrone)
producer:
Wolfgang D. Stengel
bass vocals [Sciarrone]:
Ralf Lukas (bass-baritone) (in 1990-05)
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone) (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Nel pozzo del giardino! Va, Spoletta!” (Tosca, Scarpia, Sciarrone, Cavaradossi) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:06
10Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca)
producer:
Wolfgang D. Stengel
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone) (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:24
11Tosca: Atto II. “Vissi d’arte, vissi d’amore” (Tosca, Scarpia)
producer:
Wolfgang D. Stengel
baritone vocals:
Samuel Ramey (bass-baritone)
bass-baritone vocals:
Samuel Ramey (bass-baritone) (in 1992)
soprano vocals:
Mirella Freni (soprano) (in 1992)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05, in 1992)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05, in 1992)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05, in 1992)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1992)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:34
12Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia, Spoletta)
producer:
Wolfgang D. Stengel
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone) (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Spoletta]:
Anthony Laciura (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:31
13Tosca: Atto II. “E qual via scegliete?” (Scarpia, Tosca)
producer:
Wolfgang D. Stengel
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone) (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini7:54
14Tosca: Atto III. “Io de’ sospiri” (Un pastore)
producer:
Wolfgang D. Stengel
treble vocals [Un pastore]:
Lee Tiernan (treble vocalist) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:47
15Tosca: Atto III. “Mario Cavaradossi? A voi” (Un carceriere, Cavaradossi)
producer:
Wolfgang D. Stengel
bass vocals [Carceriere]:
Bryan Secombe (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:44
16Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
producer:
Wolfgang D. Stengel
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1990-05)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
edit of:
Tosca: Atto III. "E lucevan le stelle" (Cavaradossi) by Plácido Domingo (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1990-05)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:24
17Tosca: Atto III. “Ah! Franchigia a Floria Tosca” (Cavaradossi, Tosca)
producer:
Wolfgang D. Stengel
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:03
18Tosca: Atto III. “O dolci mani mansuete e pure” (Cavaradossi)
producer:
Wolfgang D. Stengel
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:53
19Tosca: Atto III. “E non giungono” (Tosca, Cavaradossi, Un carceriere)
producer:
Wolfgang D. Stengel
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:42
20Tosca: Atto III. “Come è lunga l’attesta!” (Tosca)
producer:
Wolfgang D. Stengel
bass vocals [Carceriere]:
Bryan Secombe (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:03
21Tosca: Atto III. “Presto, su! Mario!” (Tosca, Coro, Sciarrone, Spoletta)
producer:
Wolfgang D. Stengel
bass vocals [Sciarrone]:
Ralf Lukas (bass-baritone) (in 1990-05)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Spoletta]:
Anthony Laciura (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:29
11▶CD: Turandot: Acts 1 & 2 (beg.)
12▶CD: Turandot: Acts 2 (cont.) & 3
13▶CD: Il barbiere di Siviglia: Acts 1 & 2 (beg.)
14▶CD: Il barbiere di Siviglia: Act 2 (cont.)
15▶CD: Samson et Dalila: Act 1
16▶CD: Samson et Dalila: Acts 2 & 3
17▶CD: Il trovatore: Parts 1 & 2
18▶CD: Il trovatore: Parts 3 & 4
19▶CD: La traviata: Acts 1 & 2 (beg.)
20▶CD: La traviata: Acts 2 (cont.) & 3
21▶CD: Otello: Acts 1 & 2
22▶CD: Otello: Acts 3 & 4
23▶CD: Lohengrin: Act 1
24▶CD: Lohengrin: Act 2 (beg.)
25▶CD: Lohengrin: Act 2 (cont.)
26▶CD: Lohengrin: Act 3

Credits

Release

ASIN:DE: B0048JGQR0 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
Les Contes D'Hoffmann - Highlights (1971 or 1972 studio cast) by Offenbach (German-French composer, cellist and impresario)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)