Radio 10 Top 4000 editie 2018

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Just Like a Pill
Assistent recording engineer:
Doug Harms
recording engineer:
Carlton Lynn
Techniker(in):
Rick Sheppard (engineer)
Produzent(in):
Dallas Austin
Mix:
Kevin Davis (US producer/engineer “KD” Davis)
Hintergrundgesang:
P!nk (American singer/songwriter)
arranger:
Dallas Austin
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2001)
aufgenommen bei:
Pinetree Studios in Miami Beach, Florida, Vereinigte Staaten
mixed at:
Larrabee Studios North (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Just Like a Pill von P!nk (American singer/songwriter)
recording of:
Just Like a Pill (in 2001)
sonstige Unterstützung:
Rick Sheppard (engineer)
Texter und Komponist(in):
Alecia Moore (American singer/songwriter) und Dallas Austin
publisher:
Cyptron Music, EMI April Music Inc., EMI Blackwood Music Inc. und P!nk Inside Publishing
P!nk3.753:58
2Waiting on the World to Change
Bassgitarre:
Pino Palladino
Blechblasinstrumente:
Roy Hargrove
Keyboard:
Ricky Peterson (American keyboardist)
Schlagzeug und Perkussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
Hintergrundgesang:
Scotty Crowe, Ricky Cytonbaum, Steve Jordan (US drummer/multi-instrumentalist, composer & producer), Jeannie Martinez, Kristen Moss, Lee Padgett, Pino Palladino, Harley Pasternak, Maggie Slavonic und Sandy Vongdasy
Hintergrundgesang und Sologesang:
John Mayer (US singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Aware Records LLC (in 2006)
recording of:
Waiting on the World to Change
Texter und Komponist(in):
John Mayer (US singer‐songwriter)
publisher:
Milky Boy Music und Reach Music Publishing, Inc.
John Mayer3.83:22
3Waiting for Tonight
recording engineer:
Ric Wake
zusätzliche Programmierung:
Richie Jones und “Young” Dave Scheuer
assistierende(r) Techniker(in):
Alfredo Figueroa, Juan Bohorquez und Robb Williams
Techniker(in):
Franklyn Grant (Sound engineer and producer), Freddy Piñero, Jr., “Young” Dave Scheuer und Thomas R. Yezzi
zusätzliche(r) Produzent(in):
Richie Jones
Mix:
Dan Hetzel
Keyboard [keyboards]:
Eric Kupper
membranophone und Perkussion:
Richie Jones
Hintergrundgesang:
Rita Quintero und Wendy Peterson
remixer:
Richie Jones
arranger:
Richie Jones und Ric Wake
zusätzlich arranger:
Richie Jones und “Young” Dave Scheuer
aufgenommen bei:
Cove City Sound Studios in Glen Cove, New York, Vereinigte Staaten, Crescent Moon Studios in Miami, Florida, Vereinigte Staaten, Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Cove City Sound Studios in Glen Cove, New York, Vereinigte Staaten
Musikvideos:
Una noche más von Jennifer Lopez (American singer and actress aka J.Lo)
recording of:
Una noche más
Texter und Komponist(in):
Maria Christensen (songwriter, singer), Michael Garvin (Nashville songwriter and producer) und Phil Temple (songwriter)
Übersetzer:
Manny Benito
adaptation of:
Waiting for Tonight
Jennifer Lopez3.654:07
4A Thing Called Love
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1971-08-18)
Produzent(in):
Larry Butler (US country music producer, songwriter & pianist)
cover recording of:
A Thing Called Love (am 1971-08-18)
Texter und Komponist(in):
Jerry Reed
publisher:
Sixteen Stars Music (BMI-affiliated)
Johnny Cash22:33
59 to 5
Produzent(in):
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
Bassgitarre:
Abraham Laboriel (in 1980)
Gitarre:
Jeff Baxter (in 1980) und Martin K. Walsh (in 1980)
Klavier:
Larry Knechtel (in 1980)
Perkussion:
Leonard Castro (in 1980)
Posaune:
William Reichenbach (jazz trombonist) (in 1980)
Saxophon:
Tom Saviano (in 1980)
Schlagzeug:
Richard Schlosser (drummer) (in 1980)
Trompete:
Jerry Hey (in 1980)
Hintergrundgesang:
Anita Ball (in 1980), Denise Maynelli (in 1980) und Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1980) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 191)
recording of:
9 to 5 (in 1980)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music und Velvet Apple Music
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1980 nominee)
Dolly Parton3.552:46
6You’ll Never Find Another Love Like Mine
recording of:
You’ll Never Find Another Love Like Mine
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls3:33
7When Am I Going to Make a Living
Produzent(in):
Robin Millar
Bassgitarre:
Paul S. Denman (von 1983-10 bis 1983-11)
Gitarre und Saxophon:
Stuart Matthewman (von 1983-10 bis 1983-11)
Keyboard:
Andrew Hale (keyboardist/composer) (von 1983-10 bis 1983-11)
vocals:
Sade Adu (von 1983-10 bis 1983-11)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
aufgenommen bei:
Power Plant in London (Greater London), England, Vereinigtes Königreich (von 1983-10 bis 1983-11)
recording of:
When Am I Going to Make a Living (von 1983-10 bis 1983-11)
Texter:
Sade Adu
Komponist(in):
Sade Adu und Stuart Matthewman
publisher:
Angel Music Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, Windswept Music (London) Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Sade3.353:26
8Babe
recording of:
Babe (Take That song)
Texter und Komponist(in):
Gary Barlow
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Take That4:55
9Living Next Door to Alice
Smokie3:27
10Runaway Train
assistierende(r) Techniker(in):
David Michael Dill (engineer) und Dan Gellert (sound engineer)
Produzent(in):
Michael Beinhorn
assistierende(r) Mix:
Craig Doubet (recording engineer) und Steve Sisco
Mix:
Andy Wallace (engineer)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
Texter und Komponist(in):
Dave Pirner
publisher:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Soul Asylum4.44:26
11Me and Mrs. Jones
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:42
12No One
Bearbeitung von:
No One von Alicia Keys
Musikvideos:
No One (music video) von Alicia Keys
recording of:
No One
Verfasser(in):
Kerry Brothers, George M. Harry und Alicia Keys
Alicia Keys44:08
13Truly Madly Deeply
Produzent(in):
Charles Fisher (Australian producer)
Mix:
Mike Pela
vocals arranger:
Jim Bonnefond, Charles Fisher (Australian producer) und Darren Hayes
Orchestrator(in):
Jackie Orszaczky
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1997)
mixed at:
Whitfield Street Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, Vereinigtes Königreich
recording of:
Truly Madly Deeply
publisher:
Savage Garden
Verfasser(in):
Darren Hayes und Daniel Jones (Australian singer/producer of Savage Garden)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing
Savage Garden4.254:39
14If You Could See Me Now
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2012)
recording of:
If You Could See Me Now
Verfasser(in):
Andrew Frampton, Steve Kipner, Danny O’Donoghue und Mark Sheehan
The Script53:39
15Torn
Produzent(in):
Phil Thornalley
Mix:
Nigel Godrich (English record producer)
Sologesang:
Natalie Imbruglia
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (vom 1997 bis heute) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 32), Cachitos Nochevieja 2022 (Nummer: 60) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 333)
cover recording of:
Torn
Texter:
Anne Preven
Komponist(in):
Scott Cutler, Anne Preven und Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:07
16Chariot
recording of:
Chariot
Verfasser(in):
Gavin DeGraw
publisher:
G. Degraw Music Inc.
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Gavin DeGraw3:52
17All Cried Out
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
Bearbeitung von:
All Cried Out (album version) von Alison Moyet
recording of:
All Cried Out
Verfasser(in):
Steve Jolley, Alison Moyet und Tony Swain (songwriter, producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), J&S Music, Mega Music Ltd., Rondor Music (London) Ltd., Sonet Publishing Ltd. und Sony/ATV Music Publishing Ltd.
Alison Moyet43:42
18Save Room
Mix:
Tony Maserati (engineer / mixer)
Samples:
Stormy von Gábor Szabó
recording of:
Save Room
Verfasser(in):
Buddy Buie, James B. Cobb Jr., John Legend, William Adams (American rapper and producer) und Jessyca Wilson
John Legend43:57
19Slow Hand
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Bassgitarre:
Nate Watts
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Tim May (session/jazz guitarist)
Orgel:
William Smith (organist/keyboardist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John Robinson (session drummer)
Sologesang:
Anita Pointer
vocals arranger:
The Pointer Sisters
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1981), Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981) und Planet Records Inc. (in 1981)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Slow Hand
Texter:
John Bettis
Komponist(in):
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music, Inc. (US publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Pointer Sisters53:53
20Rainy Day Women #12 & 35
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1966-03-09)
recording of:
Rainy Day Women #12 & 35 (am 1966-03-10)
Texter und Komponist(in):
Bob Dylan (von 1966-02 bis 1966-03)
publisher:
Dwarf Music (vom 1966 bis heute)
Bob Dylan3.654:34
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