Deadpool & Wolverine: Original Motion Picture Soundtrack (deluxe edition)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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#TitoloArtistaValutazioneDurata
1Only You (re‐recorded)
pianoforte :
Buck Ram (il 1955-04-26)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey) (il 1955-04-26)
voce principale:
Tony Williams (lead singer for The Platters) (il 1955-04-26)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1955) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 10)
registrazione di:
Only You (il 1955-04-26)
paroliere e compositore:
Buck Ram
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:44
2Bye Bye Bye
assistente tecnico di registrazione:
Bray Merritt
tecnico di registrazione:
Mike Tucker (engineer)
produttore:
Jake (Swedish producer) e Kristian Lundin
chitarra :
Esbjörn Öhrwall
voce:
Lance Bass, JC Chasez, Joey Fatone, Chris Kirkpatrick e Justin Timberlake
esecutore:
*NSYNC (US boy band)
è stato produttore per:
Cheiron Productions
registrata presso:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Stati Uniti, Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia e Cove City Sound Studios in Glen Cove, New York, Stati Uniti
video musicali:
Bye Bye Bye di *NSYNC (US boy band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 57)
registrazione di:
Bye Bye Bye
autore:
Andreas Carlsson (pop songwriter), Jake (Swedish producer) e Kristian Lundin
editore:
Grantsville Publishing Ltd., GV-Maratone e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
*NSYNC43:20
3Angel of the Morning
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1968)
registrazione cover di:
Angel of the Morning (nel 1968-01)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
April Music, EMI Blackwood, EMI Songs Ltd. e Unichappell Music
Merrilee Rush & the Turnabouts53:10
4SLASH
Stray Kids3:12
5Glamorous
registrazione di:
Glamorous
autore:
Christopher Bridges (Ludacris, US rapper & actor), Jamal Jones, Stacy Ferguson (American singer) e Elvis “Blac Elvis” Williams
Fergie2:58
6Iris
assistente tecnico:
Greg Burns (engineer) (incarico: second engineer) e Rafa Sardina (incarico: second engineer)
tecnico:
Allen Sides
produttore:
Rob Cavallo e Goo Goo Dolls
tecnico di missaggio:
Jack Joseph‐Puig
basso :
Robby Takac
batteria e percussione :
Mike Malinin
chitarra :
John Rzeznik
mandolino :
Tim Pierce (US session guitarist)
pianoforte :
Jamie Muhoberac
voce:
John Rzeznik
arrangiatore archi [string] :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
video musicali:
Iris di Goo Goo Dolls
registrazione di:
Iris
paroliere e compositore:
John Rzeznik
editore:
EMI Virgin Songs, Inc. e Scrap Metal Music
The Goo Goo Dolls4.14:50
7The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
parte di:
Back to the Future: the Musical
Huey Lewis & the News43:54
8I’m a Ramblin’ Man
tecnico di registrazione:
Al Pachucki (il 1974-02-08)
produttore:
Waylon Jennings (US country musician) e Ray Pennington
basso :
Joe Allen (US country songwriter & bassist) (il 1974-02-08) e Leon Rhodes (il 1974-02-08)
batteria :
D.J. Fontana (il 1974-02-08) e Larry Londin (il 1974-02-08)
chitarra :
Waylon Jennings (US country musician) (il 1974-02-08), Dave Kirby (US country singer/songwriter) (il 1974-02-08) e Bobby Thompson (guitar & banjo player) (il 1974-02-08)
pianoforte :
Bunky Keels (il 1974-02-08)
voce di accompagnamento:
Lea Jane Berinati (il 1974-02-08), Ronald B. Drake (il 1974-02-08), Sharon Vaughn (il 1974-02-08) e Ernest West (il 1974-02-08)
voce principale:
Waylon Jennings (US country musician) (il 1974-02-08)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1974) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1974)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1974-02-08)
registrazione cover di:
I’m a Rambling Man (il 1974-02-08)
paroliere e compositore:
Ray Pennington
editore:
Tree Publishing Co., Inc.
Waylon Jennings42:47
9You Belong to Me
voce:
Patsy Cline
registrazione cover di:
You Belong to Me (il 1961-12-17)
autore:
Pee Wee King, Chilton Price (country music songwriter) e Redd Stewart
editore:
Hill & Range Inc. (publisher) e Ridgeway Music Co, Inc.
Patsy Cline & The Jordanaires33:03
10The Lady in Red
produttore:
Paul Hardiman
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1986)
registrata presso:
RDS Arena in Dublin, County Dublin, Leinster, Irlanda (il 1988-12-07) e Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (il 2004-11-06)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 54)
registrazione di:
The Lady in Red (nel 1986)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 1988-12-07)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 2004-11-06)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
Chris de Burgh3.354:19
11I’m With You
tecnico di registrazione e produttore:
The Matrix (songwriters/producers collective)
produttore esecutivo:
Antonio M. Reid
assistente tecnico di missaggio:
Femio Hernandez
tecnico di missaggio:
Tom Lord‐Alge
chitarra :
Corky James
violoncello :
Suzie Katayama
voce aggiuntiva:
The Matrix (songwriters/producers collective)
arrangiatore:
The Matrix (songwriters/producers collective)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 2002) e Arista Records, LLC (holding company - file NO releases here!) (nel 2022)
registrata presso:
Decoy Studios in Studio City, Los Angeles, California, Stati Uniti
mixata presso:
South Beach Studios in Miami Beach, Florida, Stati Uniti
video musicali:
I'm With You (music video) di Avril Lavigne
registrazione di:
I’m With You
autore:
Avril Lavigne e The Matrix (songwriters/producers collective)
editore:
Avril Lavigne Publishing LLC, Ferry Hill Songs, Hollylodge Music, Mr. Spock Music, Rainbow Fish, Tix Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
Avril Lavigne3.953:44
12The Greatest Show
tecnico:
Derik Lee (engineer)
produttore:
Ryan Lewis (US DJ/producer, in Macklemore & Ryan Lewis), Jake Sinclair e Greg Wells
tecnico di missaggio:
Greg Wells
arrangiatore:
Rob Mathes
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2017) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2017)
registrazione di:
The Greatest Show
autore:
Ryan Lewis (US DJ/producer, in Macklemore & Ryan Lewis), Benj Pasek e Justin Paul
parte di:
The Greatest Showman (2017 musical film)
Hugh Jackman, Keala Settle, Zac Efron, Zendaya & The Greatest Showman Ensemble25:03
13You’re the One That I Want
tecnico e tecnico di missaggio:
David J. Holman
produttore:
John Farrar
basso elettrico :
David Hungate
arrangiatore:
John Farrar, Michael Gibson (trombone) e Louis St. Louis (American songwriter, music arranger and singer)
diritti fonografici (℗) detenuti da:
Robert Stigwood Organisation Ltd. (nel 1978) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978)
versione karaoke di:
You’re the One That I Want (sing‐a‐long version) di John Farrar
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 13) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 250)
registrazione di:
You’re the One That I Want (Grease, 1978 film)
paroliere e compositore:
John Farrar
editore:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Sony/ATV Melody, Unichappell Music, Inc., Ensign Music, Inc. (publisher) (nel 1978), John Farrar Music (nel 1978), Stigwood Music, Inc. (nel 1978) e Unichappell Music (nel 1978)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
Grease (1978 film)
John Travolta & Olivia Newton‐John42:50
14I’ll Be Seeing You
produttore:
Jimmy Hilliard
direttore d'orchestra:
Gordon Jenkins
arrangiatore:
Gordon Jenkins
registrazione di:
I’ll Be Seeing You
paroliere:
Irving Kahal (nel 1938)
compositore:
Sammy Fain (nel 1938)
editore:
Fain Music (ASCAP), New Irving Kahal Music e Williamson Music Company
sub-editore:
フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Jimmy Durante3:12
15Make Me Lose Control
produttore:
Jimmy Ienner (producer) e Bob Irwin
diritti fonografici (℗) detenuti da:
Arista Records, LLC (holding company - file NO releases here!) (nel 1988)
registrazione di:
Make Me Lose Control
autore:
Eric Carmen e Dean Pitchford
editore:
Eric Carmen Music e Pitchford Music
Eric Carmen54:46
16You’re All I Need to Get By
tecnico di registrazione e tecnico:
Gene Paul
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
arrangiatore archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1971) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1971)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione cover di:
You’re All I Need to Get By
autore:
Nickolas Ashford e Valerie Simpson
editore:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin with the Royal Philharmonic Orchestra3.53:35
17Good Riddance (Time of Your Life)
tecnico di registrazione e tecnico:
Ken Allardyce
co-tecnico:
Tony Flores (engineer)
produttore:
Rob Cavallo e Green Day
tecnico di missaggio:
Chris Lord‐Alge
basso :
Mike Dirnt
batteria :
Tré Cool
chitarra :
Billie Joe
voce:
Billie Joe e Mike Dirnt
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1997)
video musicali:
Good Riddance (Time of Your Life) di Green Day
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 152)
registrazione di:
Good Riddance (Time of Your Life)
paroliere:
Billie Joe Armstrong
compositore:
Green Day
Green Day42:35
18LFG
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
LFG
compositore:
Rob Simonsen (American score composer)
Rob Simonsen1:50
19Deadpool Has a Theme
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Deadpool Has a Theme
compositore:
Rob Simonsen (American score composer)
Rob Simonsen2:29
20It’s Been a While
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
It’s Been a While
compositore:
Rob Simonsen (American score composer)
Rob Simonsen0:39
21Reaching Too High
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Reaching Too High
compositore:
Rob Simonsen (American score composer)
Rob Simonsen2:15
22Make a Wish
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Make a Wish
compositore:
Rob Simonsen (American score composer)
Rob Simonsen1:26
23Walk With Me
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Walk With Me
compositore:
Alan Silvestri (US score composer) e Rob Simonsen (American score composer)
cita la musica di:
The Avengers (The Avengers)
Rob Simonsen2:26
24Two Choices
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Two Choices
compositore:
Rob Simonsen (American score composer)
Rob Simonsen2:32
25Eating My Feelings
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Eating My Feelings
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
Rob Simonsen2:30
26They’re Coming
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
They’re Coming
compositore:
Rob Simonsen (American score composer)
Rob Simonsen2:26
27Family Feud
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Family Feud
compositore:
Rob Simonsen (American score composer)
Rob Simonsen0:51
28I Love This Part
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
I Love This Part
compositore:
Rob Simonsen (American score composer)
Rob Simonsen2:13
29Finger‐Lickin’ Dead‐Inside Pixie Slab of Third Rate Dime‐Store Nut‐Milk
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Finger‐Lickin’ Dead‐Inside Pixie Slab of Third Rate Dime‐Store Nut‐Milk
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
Rob Simonsen3:05
30Your Fingers Are Inside Me, but Not in a Good Way
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Your Fingers Are Inside Me, but Not in a Good Way
compositore:
Rob Simonsen (American score composer)
Rob Simonsen3:41
31You Were Chest F’d by a Tree
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
You Were Chest F’d by a Tree
compositore:
Rob Simonsen (American score composer)
Rob Simonsen0:34
32Hideout
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Hideout
compositore:
Rob Simonsen (American score composer)
Rob Simonsen1:52
33That’s Her
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
That’s Her
compositore:
Marco Beltrami (American score composer) e Rob Simonsen (American score composer)
cita la musica di:
Main Titles
Rob Simonsen0:52
34The Heroes We Were
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
The Heroes We Were
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
Rob Simonsen1:04
35You Were Always the Wrong Guy
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
You Were Always the Wrong Guy
compositore:
Marco Beltrami (American score composer) e Rob Simonsen (American score composer)
cita la musica di:
Main Titles
Rob Simonsen3:24
36Name for Myself
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Name for Myself
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
Rob Simonsen2:02
37Death or Enslavement
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Death or Enslavement
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
Rob Simonsen1:49
38I Walked Away
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
I Walked Away
compositore:
Marco Beltrami (American score composer) e Rob Simonsen (American score composer)
cita la musica di:
Main Titles
Rob Simonsen2:11
39My Brother Loved You
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
My Brother Loved You
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
Rob Simonsen3:29
40We Have Company
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
We Have Company
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
Rob Simonsen2:56
41I Called Some Friends
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
I Called Some Friends
compositore:
Rob Simonsen (American score composer)
Rob Simonsen1:01
42Steadily Great Since Endgame
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Steadily Great Since Endgame
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
Rob Simonsen1:29
43Enjoy My Peter
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Enjoy My Peter
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
Rob Simonsen1:11
44Let’s Up the Stakes
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Let’s Up the Stakes
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
Rob Simonsen2:11
45He’s Not Gonna Make It
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
He’s Not Gonna Make It
compositore:
Rob Simonsen (American score composer)
Rob Simonsen3:18
46Ripper Carnage
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Ripper Carnage
compositore:
Rob Simonsen (American score composer) e Taylor Lipari-Hassett
Rob Simonsen1:01
47There’s Nothing to Fix
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
There’s Nothing to Fix
compositore:
Rob Simonsen (American score composer)
Rob Simonsen1:24
48Special Sock
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Special Sock
compositore:
Rob Simonsen (American score composer)
Rob Simonsen2:11
49Name for Myself (alternate version)
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Name for Myself (alternate version)
compositore:
Rob Simonsen (American score composer)
Rob Simonsen1:33
50Fallen Heroes
produttore:
Rob Simonsen (American score composer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
diritti fonografici (℗) detenuti da:
Marvel Music, Inc. (not for release label use, for copyrights use only)
registrazione di:
Fallen Heroes
compositore:
Rob Simonsen (American score composer)
Rob Simonsen3:15