Essential Mozart: 32 of His Greatest Masterpieces

~ Uitgave van Wolfgang Amadeus Mozart (Bekijk alle versies van deze uitgave, 2 beschikbaar)

Nummerlijst

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#TitelWaarderingDuur
1Symphony No. 40 in G minor, K. 550 "Great": I. Allegro molto
producent:
John Culshaw en Ray Minshull (record producer)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1959-03-27 tot 1959-03-28)
was dirigent:
Herbert von Karajan (conductor) (van 1959-03-27 tot 1959-03-28)
balanstechnicus:
Gordon Parry (engineer) (van 1959-03-27 tot 1959-03-28)
opgenomen bij:
Sofiensaal in Landstraße, Wien (Vienna), Oostenrijk (van 1959-03-27 tot 1959-03-28)
is een opname van:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (van 1959-03-27 tot 1959-03-28)
componist:
Wolfgang Amadeus Mozart (classical composer) (van 1788 tot 1788-07-25)
deel van:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
7:48
2Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": I. Allegro
piano:
András Schiff (pianist)
is een opname van:
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: I. Allegro (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 1. Allegro)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
deel van:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
3:03
3Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
opnametechnicus:
John Pellowe (audio engineer) (van 1994-05 tot 1994-12)
producent:
Michael Haas (classical music producer) (van 1994-05 tot 1994-12)
sopraanvocalen [Königin der Nacht]:
Sumi Jo (soprano) (van 1994-05 tot 1994-12)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (van 1994-05 tot 1994-12)
was dirigent:
Sir Georg Solti (conductor) (van 1994-05 tot 1994-12)
opgenomen bij:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Oostenrijk (van 1994-05 tot 1994-12)
is een opname van:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (van 1994-05 tot 1994-12)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
deel van:
Die Zauberflöte, K. 620: Akt II
2:55
4Concerto for Clarinet in A major, K. 622: II. Adagio
technicus:
John Pellowe (audio engineer)
producent:
Paul Myers (classical record producer) en Michael Woolcock (producer)
klarinet:
Franklin Cohen (clarinetist) (op 1991-10-06)
orkest:
The Cleveland Orchestra (op 1991-10-06)
was dirigent:
Christoph von Dohnányi (German conductor) (op 1991-10-06)
balanstechnicus:
John Pellowe (audio engineer) en Philip Siney (sound engineer)
fonografisch auteursrecht (℗):
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1995)
opgenomen bij:
Severance Hall in Cleveland, Ohio, Verenigde Staten (op 1991-10-06)
is een opname van:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (op 1991-10-06)
componist:
Wolfgang Amadeus Mozart (classical composer) (van 1791-09-28 tot 1791-10-07)
deel van:
Concerto for Clarinet in A major, K. 622
7:18
5Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina)
producent:
Evans Mirageas en Christopher Raeburn (producer)
bas-baritonvocalen [Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (van 1998-06-06 tot 1998-06-10)
mezzo-sopraanvocalen [Zerlina]:
Cecilia Bartoli (mezzo‐soprano) (van 1998-06-06 tot 1998-06-10)
orkest:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (van 1998-06-06 tot 1998-06-10)
was dirigent:
Myung-Whun Chung (Myung-whun Chung, pianist and conductor) (van 1998-06-06 tot 1998-06-10)
balanstechnicus:
Neil Hutchinson (sound engineer) (van 1998-06-06 tot 1998-06-10)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1999)
opgenomen bij:
Accademia di Santa Cecilia in Roma (Rome), Roma, Lazio, Italië (van 1998-06-06 tot 1998-06-10)
is een opname van:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (van 1998-06-06 tot 1998-06-10)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Don Giovanni: Atto I
3:14
6Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": III. Adagio
producent:
Erik Smith (British producer, pianist and harpsichordist)
blaasinstrumenten:
London Wind Soloists (players from the wind section of the Royal Philharmonic Orchestra under the direction of legendary clarinetist Jack Brymer) (in 1962-12)
klarinet:
Jack Brymer (clarinettist) (in 1962-12)
orkest:
London Wind Soloists (players from the wind section of the Royal Philharmonic Orchestra under the direction of legendary clarinetist Jack Brymer) (in 1962-12)
was dirigent:
Jack Brymer (clarinettist) (in 1962-12)
balanstechnicus:
Gordon Parry (engineer) (in 1962-12)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
opgenomen bij:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 1962-12)
is een opname van:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (in 1962-12)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
deel van:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
5:39
7Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
producent:
Christopher Raeburn (producer)
baritonvocalen [Papageno]:
Hermann Prey (baritone) (in 1969-10)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
was dirigent:
Georg Solti (Sir Georg Solti, conductor) (in 1969-10)
balanstechnicus:
James Lock (James Locke, engineer) (in 1969-10) en Gordon Parry (engineer) (in 1969-10)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
opgenomen bij:
Sofiensaal in Landstraße, Wien (Vienna), Oostenrijk (in 1969-10)
is een opname van:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1969-10)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
deel van:
Die Zauberflöte, K. 620: Akt I
is een opname van:
Die Zauberflöte: "Der Vogelfänger bin ich ja" (catch-all for arrangements)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement van:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno)
2:58
8Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa)
producent:
Christopher Raeburn (producer)
sopraanvocalen:
Kiri Te Kanawa (soprano) (in 1981-06)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
was dirigent:
Sir Georg Solti (conductor) (in 1981-06)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (in 1981-06)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1981-06)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
4:59
9Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": II. Adagio
producent:
Ray Minshull (record producer)
viool:
Joshua Bell (violinist) (van 1991-12-18 tot 1991-12-20)
orkest:
English Chamber Orchestra (van 1991-12-18 tot 1991-12-20)
was dirigent:
Peter Maag (conductor) (van 1991-12-18 tot 1991-12-20)
balanstechnicus:
Simon Eadon (classical music engineer) (van 1991-12-18 tot 1991-12-20)
opgenomen bij:
Blackheath Halls in London (Greater London), England, Verenigd Koninkrijk (van 1991-12-18 tot 1991-12-20)
is een opname van:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio (in 1991-12)
componist:
Wolfgang Amadeus Mozart (classical composer) (van 1775-04 tot 1775-12)
deel van:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
8:11
10Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa"
technicus:
Ron Ferris en John Pellowe (audio engineer) (op 1991-12-05)
producent:
Herbert Chappell (British composer and conductor), Franz Kabelka (producer) en Christopher Raeburn (producer)
koor:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (op 1991-12-05)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1991-12-05)
was dirigent:
Sir Georg Solti (conductor) (op 1991-12-05)
was koorleider:
Peter Burian (chorus master) (op 1991-12-05)
opgenomen bij:
St. Stephen's Cathedral in Innere Stadt, Wien (Vienna), Oostenrijk (op 1991-12-05)
is een live-opname van:
Requiem, K. 626: III. Sequenz: 6. Lacrimosa (Robbins Landon Edition) (op 1991-12-05)
componist:
Wolfgang Amadeus Mozart (classical composer)
deel van:
Requiem in D minor, K. 626 (Robbins Landon Edition)
3:18
11Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VI. Andantino "Dulcissimum convivium"
koor:
Choir of St John’s College, Cambridge
sopraanvocalen:
Margaret Marshall (Scots soprano active in late 20th century)
orkest:
The Wren Orchestra
was dirigent:
George Guest (organist and conductor)
compilatie van:
Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium van Margaret Marshall (Scots soprano active in late 20th century), The Wren Orchestra, George Guest (organist and conductor) en Litaniae de venerabili altaris sacramento, K. 243: VII. Viaticum van Choir Of St. John's College, The Wren Orchestra, George Guest (organist and conductor)
is een opname van:
Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1776)
deel van:
Litaniae de venerabili altaris sacramento, K. 243
is een opname van:
Litaniae de venerabili altaris sacramento, K. 243: VII. Viaticum
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1776)
deel van:
Litaniae de venerabili altaris sacramento, K. 243
7:20
12Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto
technicus:
Arthur Lilley (engineer)
producent:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (in 1980-02)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981) en Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1981)
opgenomen bij:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 1980-02)
is een opname van:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1980-02)
gecomponeerd in:
Paris, Île-de-France, Frankrijk (in 1778)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
deel van:
Classic 100: Piano (2025) (nummer: 32)
deel van:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
3:31
13Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni)
producent:
Michael Woolcock (producer)
baritonvocalen [Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (van 1996-10-05 tot 1996-10-07)
bas-baritonvocalen:
Bryn Terfel (bass‐baritone opera singer)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (van 1996-10-05 tot 1996-10-07)
was dirigent:
Solti (Sir Georg Solti, conductor) (van 1996-10-05 tot 1996-10-07)
balanstechnicus:
Neil Hutchinson (sound engineer) (van 1996-10-05 tot 1996-10-07) en James Lock (James Locke, engineer) (van 1996-10-05 tot 1996-10-07)
opgenomen bij:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, Verenigd Koninkrijk (van 1996-10-05 tot 1996-10-07)
is een live-opname van:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (van 1996-10-05 tot 1996-10-07)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
deel van:
Don Giovanni: Atto I
is een opname van:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1997)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
deel van:
Don Giovanni: Atto I
1:23
14Divertimento No. 17 for 2 Horns & Strings in D major, K. 320b/334: III. Minuetto
orkest:
Wiener Mozart Ensemble (recorded for Decca)
was dirigent:
Willi Boskovsky (violinist and conductor)
is een opname van:
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: III. Minuetto
componist:
Wolfgang Amadeus Mozart (classical composer)
deel van:
Divertimento no. 17 in D major, K. 320b/334
4:42
15Motet for Soprano & Orchestra in F major, K. 158a/165: IV. "Alleluja"
producent:
John Culshaw
koor:
Wiener Großstadtkinderchor (in 1961-06) en Wiener Singverein (in 1961-06)
sopraanvocalen:
Leontyne Price (soprano) (in 1961-06)
orkest:
Members of the Wiener Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-06) en Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1961-06)
was dirigent:
Herbert von Karajan (conductor) (in 1961-06)
balanstechnicus:
Gordon Parry (engineer) (in 1961-06)
opgenomen bij:
Sofiensaal in Landstraße, Wien (Vienna), Oostenrijk (in 1961-06)
is een opname van:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (in 1961-06)
componist:
Wolfgang Amadeus Mozart (classical composer)
deel van:
Exsultate, jubilate, K. 158a/165
2:57
16Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto
orkest:
Wiener Philharmoniker (Vienna Philharmonic)
was dirigent:
Herbert von Karajan (conductor)
is een opname van:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro
componist:
Wolfgang Amadeus Mozart (classical composer) (van 1788 tot 1788-08-10)
deel van:
Symphony no. 41 in C major, K. 551 “Jupiter”
6:16

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ASIN:US: B00005A8JZ [info]