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~ Pubblicazione di John Williams & The Boston Pops Orchestra (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Star Wars - Main theme
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1980-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1980)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Main Title (Star Wars) (nel 1980-06)
compositore:
John Williams (American score composer and conductor) (conclusa)
editore:
Bantha Music, Fox Fanfare Music Inc., Utapau Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
parte di:
Star Wars Holiday Special (television soundtrack)
parte di:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
parte di:
Star Wars, Episode II: Attack of the Clones (2002 film score)
parte di:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
parte di:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
parte di:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
parte di:
Star Wars, Episode VII: The Force Awakens (2015 film score)
parte di:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
parte di:
Star Wars: Shadows of the Empire
5:40
2Star Wars - Princess Leia
registrata a:
Boston, Massachusetts, Stati Uniti (nel 1980-06)
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1980-06)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Princess Leia’s Theme (Star Wars, Episode IV: A New Hope) (nel 1980-06)
orchestratore:
Herbert W. Spencer (composer and orchestrator)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:06
3Twilight Zone - Theme and Variations
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1983-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1983-06)
arrangiatore:
Stu Phillips (US TV/film composer, conductor & producer)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1983)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1983-06)
registrazione di:
Main Theme (The Twilight Zone) (nel 1983-06)
compositore:
Marius Constant (Romanian-born French composer and conductor)
editore:
Aspenfair Music Inc.
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:41
4Star Trek - Main Theme
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1983-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1983-06)
arrangiatore:
Alexander Courage
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1983)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1983-06)
registrazione di:
Where No Man Has Gone Before (original Star Trek title theme) (nel 1983-06)
orchestratore:
Mike Townend
paroliere aggiunto:
Gene Roddenberry (television writer and producer)
compositore:
Alexander Courage e Gene Roddenberry (television writer and producer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
Empath Finale (contains "Theme From Star Trek (TV Series)" by Alexander Courage & Gene Roddenberry and "Mr. Spock" by Gerald Fried)
3:40
5The Empire Strikes Back - Yoda's Theme
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1980-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1980)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (nel 1980-06)
orchestratore:
Herbert W. Spencer (composer and orchestrator)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:22
6The Empire Strikes Back - Imperial March
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1980-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1980)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (nel 1980-06)
orchestratore:
Herbert W. Spencer (composer and orchestrator)
compositore:
John Williams (American score composer and conductor)
editore:
Fox Fanfare Music Inc.
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:08
7New York, New York - Main Theme
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1982)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1982)
arrangiatore:
Billy Byers
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1982)
registrazione di:
Theme From “New York, New York” (usually just titled “New York, New York”) (nel 1982)
dedicata a:
New York, New York, Stati Uniti
paroliere:
Fred Ebb (lyricist)
compositore:
John Kander (composer)
editore:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (conclusa), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
New York, New York (1977 musical film soundtrack)
3:21
8Gone with the Wind - Tara's Theme
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1982)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1982)
arrangiatore:
Angela Morley
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1982)
registrazione di:
Tara’s Theme (Gone With the Wind, main theme) (nel 1982)
compositore:
Max Steiner
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Olive Music LLC
parte di:
Gone With the Wind (soundtrack from the 1939 film)
4:42
9The Wizard of Oz - Over the Rainbow
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1982)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1982)
arrangiatore:
Alexander Courage
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1982)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1982)
registrazione strumentale cover di:
Over the Rainbow (The Wizard of Oz) (nel 1982)
paroliere:
Yip Harburg (nel 1938)
compositore:
Harold Arlen (nel 1938)
eseguita per la prima volta da:
Judy Garland (nel 1939)
editore:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 12th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1939 winner)
parte di:
The Wizard of Oz (1942 Arlen/Harburg musical)
parte di:
The Wizard of Oz (1939 film soundtrack)
3:12
10An American in Paris - Singin' in the Rain
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1982)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1982)
arrangiatore:
Alexander Courage e Conrad Salinger
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1982)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1982)
registrazione strumentale di:
Singin’ in the Rain (nel 1982)
paroliere:
Arthur Freed
compositore:
Nacio Herb Brown (US songwriter)
editore:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
Singin’ in the Rain (stage musical)
parte di:
Singin’ in the Rain (soundtrack of the 1952 film)
parte di:
The Hollywood Revue (1929 MGM musical film)
registrazione di:
Main Title (Singin’ in the Rain)
paroliere:
Arthur Freed
compositore:
Nacio Herb Brown (US songwriter)
parte di:
Singin’ in the Rain (soundtrack of the 1952 film)
3:39
11Moonlight Serenade
tecnico:
Stanley Goodall (engineer) e John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1984-05)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1984-05)
arrangiatore:
Richard Hayman
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1984-05)
registrazione cover di:
Moonlight Serenade (original instrumental version) (nel 1984-05)
compositore e arrangiatore:
Glenn Miller (jazz band leader)
editore:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
registrazione di:
Moonlight Serenade (original instrumental version)
compositore e arrangiatore:
Glenn Miller (jazz band leader)
editore:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
3:50
12In the Mood
tecnico:
Stanley Goodall (engineer) e John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1984-05)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1984-05)
arrangiatore:
Glenn Osser
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1984-05)
registrazione di:
In the Mood (nel 1984-05)
paroliere:
Andy Razaf
compositore:
Wingy Manone
editore:
Shapiro Bernstein and Co. Limited e Shapiro, Bernstein & Co., Inc.
sub-editore:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
si basa su:
Tar Paper Stomp
parte di:
The Real Book (compilation of jazz standards, volume I)
registrazione di:
I’m in the Mood
autore:
Bernard Besman (producer, label owner and songwriter) e John Lee Hooker (US blues singer, songwriter & guitarist)
editore:
La Cienega Music e Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:29
13Summer of '42
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Eric Knight (Alternative Rock)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
The Summer Knows (Summer of ’42; instrumental version) (nel 1987-06)
compositore:
Michel Legrand
editore:
Warner Bros. Music (publisher; do NOT use as release label), Warner Olive Music LLC e Warner/Chappell North America
3:53
14Jaws - Theme
tecnico di registrazione:
Shawn Murphy (producer/engineer) e Simon Rhodes (senior recording engineer at Abbey Road Studios)
produttore:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra e London Symphony Orchestra (il 1996-07-01)
direttore d'orchestra:
John Williams (American score composer and conductor) (il 1996-07-01)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1996-07-01) e St John’s Wood Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1996-07-01 al 1996-07-02)
registrazione di:
Main Theme (Jaws) (il 1996-07-01)
compositore:
John Williams (American score composer and conductor)
compresa in:
Trail Mix‐Up
parte di:
Jaws (1975 film score)
registrazione di:
Theme (Jaws) (il 1996-07-01)
compositore:
John Williams (American score composer and conductor)
42:53
15The Pink Panther - Theme
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Henry Mancini (US composer, conductor & arranger)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
The Pink Panther Theme (nel 1987-06)
orchestratore e compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
EMI United Partnership Ltd., Northridge Music, Inc. e 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
Classic 100: Piano (2025) (numero: 61)
3:12
16Giorgio - If We Were in Love
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1982)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1982)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1982)
registrazione di:
If We Were in Love (Yes, Giorgio) (nel 1982)
paroliere:
Alan Bergman (American lyricist) e Marilyn Bergman
compositore:
John Williams (American score composer and conductor)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
parte di:
Yes, Giorgio
4:59
17Die Dreigroschenoper - Mack the Knife
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Jack Mason (classical arranger)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione strumentale di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer (nel 1987-06)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
parte di:
Die Dreigroschenoper: Vorspiel
3:12

Accreditamenti

Pubblicazione

ASIN:DE: B000025L1R [info]