Lost in the Stars: The Music of Kurt Weill

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1Intro From Mahagonny Songspiel
recording engineer:
Joe Cuneo
Mix:
Clyde Kaplan
accordion und xylophone:
Andrea Parkins (American improv musician and composer)
alto saxophone:
Alan Chase
Banjo:
Jeff Freidman
Bass:
Mary Potter Newton
Bratsche / Viola:
Laura Burgess
Cello:
Dan Rowe (Cellist)
Fagott:
Greg Newton
flute:
Anders Bostron
Klarinette:
Neil Leonard (saxophonist and composer)
Oboe:
Sandy Ayres (oboe)
Perkussion:
Mike Evans (Percussionist) und Ken Winokur
Posaune:
Lenny Peterson
Schlagzeug:
Jack Cook (US drummer)
Tenorsaxophon:
Les Arbuckle
Tuba:
Jenny Palmer
Waldhorn:
Cathy Pacek
conductor:
Steve Weisberg
arranger:
Steve Weisberg
teilweise recording of:
Mahagonny Songspiel (Intro)
Komponist(in):
Kurt Weill (composer)
Steve Weisberg0:48
A2The Ballad of Mac the Knife
recording engineer:
Pete Smith (UK producer)
zusätzlich recording engineer:
Hervé Marignac und Richard Lewsey
Mix:
Clyde Kaplan
alto saxophone und baritone saxophone:
David Roach (UK saxophonist)
Bandoneon:
Juan José Mosalini
Banjo:
Mark Peru
Klavier:
Kenny Kirkland
Posaune und Trompete:
Mike Zwerin
Sopransaxophon:
Branford Marsalis (saxophonist)
Synthesizer:
Dominic Muldowney
Tenorsaxophon:
John Marle
Tuba:
Kevin Morgan (tuba)
Sologesang:
Sting (singer, songwriter & member of The Police)
arranger:
Dominic Muldowney
cover recording of:
The Ballad of Mack the Knife (1976 Manheim/Willett translation)
Texter:
Bertolt Brecht
Komponist(in):
Mark Isham (American musician and score composer) und Kurt Weill (composer)
Übersetzer:
Ralph Manheim (translator of French and German to English) (in 1976) und John Willett (translator) (in 1976)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Sting and Dominic Muldowney2:43
A3The Cannon Song
alto saxophone und flute:
Steve Fowler (woodwind)
Banjo und Gitarre:
Mike Miller (Guitarist)
Bass:
Tom Fowler (bass)
Bassposaune:
Phil Teele
Klavier:
Ed Fowler
Posaune:
Bruce Fowler (trombone, composer, arranger, orchestrator)
Tenorsaxophon:
Albert Wing
Trompete:
Walt Fowler
Sologesang:
Stan Ridgway
arranger:
Bruce Fowler (trombone, composer, arranger, orchestrator)
recording of:
The Threepenny Opera: The Cannon Song (1976 Willett/Manheim translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Ralph Manheim (translator of French and German to English) und John Willett (translator)
übersetzte Version von:
Die Dreigroschenoper: Akt I. Kanonensong
Teil von:
The Threepenny Opera (1976 Willett/Manheim translation)
The Fowler Brothers with Stanard Ridgway2:17
A4Ballad of the Soldier’s Wife
recording engineer:
Don Wershba (engineer)
zusätzlich recording engineer:
John Convertino (engineer)
Mix:
Dave Greenberg (US engineer Sonopod/Boomtown)
Bass:
Fernando Saunders
Gitarre:
Chris Spedding
Holzblasinstrumente:
Jim Cuomo
Keyboard:
Carter Catheart
Schlagzeug:
Anton Fig
Sologesang:
Marianne Faithfull
conductor:
Sharon Freeman
arranger:
Chris Spedding
recording of:
Ballad of the Soldier’s Wife
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Ralph Manheim (translator of French and German to English) und John Willett (translator)
übersetzte Version von:
Und was bekam des Soldaten Weib? (music by Kurt Weill)
Marianne Faithfull and Chris Spedding4:21
A5Johnny Johnson Medley
recording engineer und Mix:
Clyde Kaplan
alto saxophone und flute:
Steve Fowler (woodwind)
Banjo, Gitarre und Mandoline:
Fred Tackett
Bass:
Buell Neidlinger
Bassklarinette, Englischhorn, flute und Tenorsaxophon:
Marty Krystall
Bratsche / Viola:
Raymond Tischer
Cello:
Armen Ksajikian
Geige / Violine:
Michelle Richards und Barry Socher (American violinist, composer)
Harfe:
Katie Kirkpatrick
Mundharmonika:
David McKelvy
Posaune:
Bruce Fowler (trombone, composer, arranger, orchestrator)
Schlagzeug:
Jim Keltner
Synthesizer:
Randy Kerber
Trompete:
Walt Fowler
vocals:
Kathy Dalton
conductor:
Van Dyke Parks
arranger:
Van Dyke Parks
recording of:
Johnny Johnson Medley
Texter:
Paul Green (lyricist)
Komponist(in):
Kurt Weill (composer)
Van Dyke Parks5:44
A6Alabama Song
recording engineer:
John Convertino (engineer), Dave Greenberg (US engineer Sonopod/Boomtown) und John Petersen (recording engineer)
drum machine-Programmierung:
Jimmy Bralower
Mix:
Clyde Kaplan
Akustikgitarre:
Joe Cato, Jeff Layton, Hugh McCracken und Sid McGinnis (American musician and guitarist)
Bass:
John Siegler
E-Gitarre:
Ira Siegel
elektronische Instrumente und Synthesizer:
John Petersen (recording engineer)
Keyboard und Synthesizer:
Ralph Schuckett (keyboard, composer, producer)
Chorgesang:
Bob Dorough und Diana Grasselli
Chorgesang und Sologesang:
Ellen Shipley
Hintergrundgesang:
Joe Cerisano, Julie Eigenberg, George James (backing vocalist on “Alabama Song”), John Loeffler und Maria Vidal (American singer-songwriter)
Sologesang:
Richard Butler (singer)
zusätzlich vocals:
Rory Dodd, Ralph Schuckett (keyboard, composer, producer), Eric Troyer und Hal Willner
arranger:
Ralph Schuckett (keyboard, composer, producer)
recording of:
Alabama Song (from the songspiel “Mahagonny” & opera “Rise and Fall of the City of Mahagonny”)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Elisabeth Hauptmann
publisher:
Harms Co., Kurt Weill Foundation for Music, Inc., Universal Edition (publisher; do NOT use as release label) und Universal Edition (London) Ltd. (publisher; do NOT use as release label)
übersetzte Version von:
Alabama Song (from “Aufstieg und Fall der Stadt Mahagonny”)
Ralph Schuckett with Richard Butler, also Bob Dorough, Ellen Shipley and John Petersen4:24
A7Youkali Tango
recording engineer und Mix:
Clyde Kaplan
Bratsche / Viola:
Raymond Tischer
Cello:
Armen Ksajikian
Geige / Violine:
Michelle Richards und Barry Socher (American violinist, composer)
arranger:
Barry Socher (American violinist, composer)
recording of:
Youkali Tango (version instrumentale originale)
Komponist(in):
Kurt Weill (composer)
The Armadillo String Quartet4:39
A8Der kleine Leutnant des lieben Gottes (The Little Lieutenant of the Loving God)
recording engineer und Mix:
Don Wershba (engineer)
accordion:
Guy Klucevsek
Akustikgitarre, Banjo und E-Gitarre:
Fred Frith
alto saxophone, Celesta, Klarinette und singende Säge:
John Zorn
Bassposaune und Posaune:
Jim Staley
E-Bass, Cembalo und Trillerpfeife:
Luli Shioi
Harfe:
Carol Emanuel
Schlagzeug, Perkussion und Pauke:
Bobby Previte
vocals:
Fred Frith und Luli Shioi
conductor:
John Zorn
arranger:
John Zorn
recording of:
Happy End: Teil 1. No. 2: Der Leutnant des Lieben Gottes. "Obacht, gebt obacht!"
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Librettist:
Elisabeth Hauptmann
Teil von:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
John Zorn5:22
B1September Song
recording engineer:
Don Wershba (engineer)
drum machine-Programmierung:
David Rosenberg (session drummer)
Partner-Produzent(in):
Fernando Saunders
Mix:
Dave Greenberg (US engineer Sonopod/Boomtown) und Don Wershba (engineer)
Bass:
Fernando Saunders
Blechblasinstrumente [horns]:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist) und Hollywood Paul Litteral
Gitarre und Sologesang:
Lou Reed
Keyboard:
Peter Wood (UK keyboardist/pianist)
Schlagzeug:
Eric Parker (drummer)
arranger:
Lou Reed
recording of:
Knickerbocker Holiday: September Song
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) und Crawford Music Corp. (am 1938-09-24)
Teil von:
Knickerbocker Holiday (Kurt Weill musical)
Lou Reed54:15
B2Lost in the Stars
recording engineer und Mix:
Tom Mark (sound engineer)
alto saxophone:
Phil Woods (US jazz woodwind player)
Bass:
Steve Swallow
Bassposaune:
David Taylor (US jazz bass trombonist)
flute:
Chris Hunter (saxophone)
Klavier:
Larry Willis
Oboe:
Paul McCandless
Posaune:
Tom “Bones” Malone (US trombonist)
Schlagzeug:
Victor Lewis (US jazz drummer)
Trompete:
Randy Brecker
Waldhorn:
John Clark (flute & horn player)
conductor:
Carla Bley (American jazz pianist and composer)
arranger:
Carla Bley (American jazz pianist and composer)
recording of:
Lost in the Stars (song, Ulysses Africanus)
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA) und Hampshire House Publishing Corp.
Teil von:
Lost in the Stars, Act I
Carla Bley with Phil Woods6:10
B3What Keeps Mankind Alive?
recording engineer und Mix:
Robert Musso (musician, producer and engineer)
accordion:
William Schimmel (American accordionist and composer)
Banjo:
Eddie Davis (banjo player)
Bass:
Greg Cohen
Blechblasinstrumente [horns]:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist) und Hollywood Paul Litteral
Perkussion:
Michael Blair (American drummer/producer/songwriter based in Sweden)
Sologesang:
Tom Waits
arranger:
Greg Cohen
recording of:
What Keeps Mankind Alive?
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Ralph Manheim (translator of French and German to English) und John Willett (translator)
übersetzte Version von:
Die Dreigroschenoper: Akt II. Zweites Dreigroschenfinale: Ballade über die Frage: "Wovon lebt der Mensch?"
Tom Waits2:10
B4Surabaya Johnny
recording engineer:
Dick Lewzey
Partner-Produzent(in):
Dominic Muldowney
Mix:
Clyde Kaplan
Klavier:
Jason Osborn
Synthesizer:
Paul Wickens
Sologesang:
Dagmar Krause
arranger:
Jason Osborn
recording of:
Surabaya Johnny (English translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Michael Feingold (translator)
übersetzte Version von:
Happy End: Teil 3. No. 10: Das Lied vom Surabaya‐Johnny. “Ich war jung, Gott, erst sechzehn Jahre” (original German version)
Dagmar Krause4:07
B5Oh Heavenly Salvation
recording engineer:
Dave Ferrel
Mix:
Clyde Kaplan
Bass:
Elton Heron
Gitarre:
Mark Bingham und Steve Masakowski
Kontrabassklarinette:
Kidd Jordan
Schlagzeug:
Johnny Vidacovich (Jazz drummer)
Slide-Gitarre:
John Mooney
Tenorsaxophon:
Ralph Gibson (Saxophonist)
Hintergrundgesang:
Germaine Bazzle (US jazz vocalist), Jacqueline Jones (Backup Singer) und Stephanie Sieberth
vocals:
Johnny Adams (US blues, jazz and gospel singer) und Aaron Neville
arranger:
Mark Bingham und Jay Weigel
recording of:
Oh Heavenly Salvation
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Arnold Weinstein
Mark Bingham with Johnny Adams and Aaron Neville2:34
B6Call From the Grave / Ballad in Which MacHeath Begs All Men for Forgiveness
recording engineer und Mix:
Todd Rundgren
alto saxophone und Tenorsaxophon:
Gary Windo
Sologesang:
Todd Rundgren
Interpret(in):
Todd Rundgren
arranger:
Todd Rundgren
recording of:
Call From the Grave
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Ralph Manheim (translator of French and German to English) und John Willett (translator)
Todd Rundgren with Gary Windo5:21
B7Speak Low
recording engineer und Mix:
Clyde Kaplan
Bass:
Charlie Haden (American jazz bassist)
Bratsche / Viola:
Raymond Tischer
Cello:
Armen Ksajikian
Fagott:
John Steinmetz
flute:
Steve Fowler (woodwind)
Geige / Violine:
Michelle Richards und Barry Socher (American violinist, composer)
Klarinette und Oboe:
Marty Krystall
Klavier:
Sharon Freeman
Schlagzeug:
Albert “Tootie” Heath
conductor:
Sharon Freeman
arranger:
Sharon Freeman
instrumental cover recording of:
Speak Low (One Touch of Venus)
Texter:
Ogden Nash
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co.
Teil von:
One Touch of Venus (1943 musical)
Charlie Haden and Sharon Freeman4:22
B8In No Man’s Land
recording engineer und Mix:
Clyde Kaplan
alto saxophone und flute:
Steve Fowler (woodwind)
Banjo, Gitarre und Mandoline:
Fred Tackett
Bass:
Buell Neidlinger
Bassklarinette, Englischhorn, flute und Tenorsaxophon:
Marty Krystall
Bratsche / Viola:
Raymond Tischer
Cello:
Armen Ksajikian
Geige / Violine:
Michelle Richards und Barry Socher (American violinist, composer)
Harfe:
Katie Kirkpatrick
Mundharmonika:
David McKelvy
Posaune:
Bruce Fowler (trombone, composer, arranger, orchestrator)
Schlagzeug:
Jim Keltner
Synthesizer:
Randy Kerber
Trompete:
Walt Fowler
vocals:
Kathy Dalton
conductor:
Van Dyke Parks
arranger:
Van Dyke Parks
recording of:
In No Man's Land
Komponist(in):
Kurt Weill (composer)
Van Dyke Parks0:51

Nennungen

Veröffentlichungsgruppe

Hommage an:Kurt Weill (composer)
Discogs:https://www.discogs.com/master/102057 [Info]
Wikidata:Q6684480 [Info]