Seventies Complete, Volume 1

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Australian 1 of 5 disc release by EMI 8148362

Australian 5 of 5 disc release by EMI 8148402

Australian 4 of 5 disc release by EMI 8148392

Australian 3 of 5 disc release by EMI 8148382

Australian 2 of 5 disc release by EMI 8148372

Annotazione modificata l'ultima volta il 2005-08-26 16:38 UTC.

Elenco tracce

1▶CD: 1970-1974
2▶CD: 1975-1977
3▶CD: The Disco Era
4▼CD: 1978-1979
#TitoloArtistaValutazioneDurata
1Heart of Glass
produttore:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979) e EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1981)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie53:21
2My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack3.94:02
3Macho Man
produttore:
Jacques Morali
produttore esecutivo:
Henri Belolo
campana :
Felipe Rose
voce:
Alex Briley, David "Scar" Hodo, Glenn Hughes (singer for Village People), Randy Jones (Village People) e Felipe Rose
voce principale:
Victor Willis (member of the Village People)
direttore d'orchestra:
Horace Ott
arrangiatore ottoni e archi :
Horace Ott
diritti fonografici (℗) detenuti da:
Casablanca Record and FilmWorks, Inc. (not for release label use, for copyrights use only) (nel 1978)
è stato produttore per:
Can’t Stop Productions, Inc.
registrazione di:
Macho Man
autore:
Henri Belolo, Jacques Morali, Peter Whitehead e Victor Willis (member of the Village People)
editore:
Can’t Stop Music (US work publisher, affiliated with BMI) e EMI Music (do not use as release label! this is a music publisher)
Village People3:28
4Hot Child in the City
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1976, nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 22)
registrazione di:
Hot Child in the City
autore:
Nick Gilder e Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
editore:
Beechwood Music Canada e Beechwood Music Corp.
Nick Gilder53:11
5Free Me
tecnico:
Peter Gallen
produttore:
Gerry Bron e Ken Hensley
assistente tecnico di missaggio:
Julian Cooper (engineer) e John Gallen (UK music producer, recording & mix engineer.)
tecnico di missaggio:
Peter Gallen e Robert M. Corich (remastering engineer and record producer,) (dal 1990 al 2004-05)
arrangiatore:
Uriah Heep (British prog/hard rock)
diritti fonografici (℗) detenuti da:
Bronze Records Ltd. (nel 1977), Castle Copyrights Ltd. (nel 1977) e Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1977)
registrata presso:
Roundhouse Studios in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-09)
registrazione di:
Free Me (dal 1977-07 al 1977-09)
paroliere e compositore:
Ken Hensley
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Umble Tunes Ltd.
Uriah Heep23:32
62 4 6 8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band4.253:21
7Lay Your Love on Me
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978), RAK Records (copyrights holder) (nel 1978) e RAK (nel 1979)
registrazione di:
Lay Your Love on Me
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music e Universal Music Publishing MGB Australia
Racey3:15
8It’s a Heartache
produttore:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
basso :
Kevin Dunne
batteria e percussione :
Micky Gibbins (drummer for Badfinger)
chitarra acustica e voce di accompagnamento:
Steve Wolfe (producer, songwriter and guitar player)
voce:
Bonnie Tyler
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1977), RCA Ltd. (UK arm of RCA) (nel 1977), Sanctuary Copyrights Ltd. (nel 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1977), Soundbarrier Ltd. (production company) (nel 1977, nel 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Soundbarrier Ltd. (production company)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 24)
registrazione di:
It’s a Heartache
autore:
Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
editore:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (nel 1977) e RAK Publishing (nel 1977)
Bonnie Tyler3.83:32
9Isn’t It Time
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1977)
registrazione di:
Isn’t It Time
autore:
Jack Conrad (producer and songwriter) e Ray Kennedy (singer, songwriter, and record producer based in L.A.)
editore:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. e X‐Ray Music
The Babys44:01
10Baker Street
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (nel 1977)
batteria :
Henry Spinetti (nel 1977)
chitarra [lead guitar] :
Hugh Burns (nel 1977)
chitarra [rhythm guitar] :
Nigel Jenkins (nel 1977)
percussione :
Glen LeFleur (nel 1977)
sassofono :
Raphael Ravenscroft (nel 1977)
tastiera :
Tommy Eyre (nel 1977)
voce principale:
Gerry Rafferty (nel 1977)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (nel 1977)
edit di:
Baker Street di Gerry Rafferty
registrazione di:
Baker Street (nel 1977)
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:09
11Jack and Jill
registrazione di:
Jack & Jill
paroliere e compositore:
Ray Parker Jr.
editore:
EMI Music Publishing (do not use as a release label!) e Raydiola Music
Raydio4:32
12Baby It’s You
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978)
registrazione di:
Baby It’s You (Promises song)
autore:
Benny Knauer (member of Promises) e Leslie Knauer
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
Promises3:53
13Computer Games
basso :
Don Martin (bassist and vocalist)
batteria :
Richard Hodgkinson
chitarra :
Kevin Stanton
tastiera :
Murray Burns
voce:
Steve Gilpin
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1979), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1979), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1979) e Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1980)
registrazione di:
Computer Games
paroliere:
Steve Gilpin e Kevin Stanton
compositore:
Murray Burns e Kevin Stanton
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), BMG Music, BMG Music Ltd., BMG Music Publishing Australia Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, EMI Songs Australia Pty. Ltd. e Universal Music Publishers MGB Australia Pty Ltd
MiSex4:02
14Dancing in the City
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (nel 1978)
registrazione di:
Dancing in the City (nel 1978)
autore:
Kit Hain e Julian Marshall
editore:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) e Rondor Music (London) Ltd.
Marshall Hain3:49
15Stumblin’ In
voce ospite:
Suzi Quatro (US rock singer‐songwriter, multi‐instrumentalist & actress)
diritti fonografici (℗) detenuti da:
Chinnichap Records Ltd. (nel 1978)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 4) e Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 8)
registrazione di:
Stumblin’ In
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Songs, Inc. e Musik-Edition Discoton GmbH
Suzi Quatro and Chris Norman4.653:58
16If I Had Words
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 45)
registrazione cover di:
If I Had Words
compositore:
Camille Saint‐Saëns (composer)
arrangiatore:
Jonathan Hodge
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
si basa su:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
Scott Fitzgerald and Yvonne Keeley23:55
17Are You Old Enough
basso :
Todd Hunter (Todd Stuart Hunter of Dragon)
batteria :
Kerry Jacobson
chitarra :
Robert Taylor (singer-songwriter and guitarist)
tastiera :
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
voce:
Marc Hunter
diritti fonografici (℗) detenuti da:
Sony Music Productions Pty. Ltd. (for copyrights use only) e Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1976, nel 1978)
registrazione di:
Are You Old Enough
paroliere e compositore:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
editore:
EMI Songs e EMI Songs Australia Pty. Ltd.
Dragon4:04
18Ebony Eyes
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 96)
registrazione di:
Ebony Eyes
paroliere e compositore:
Bob Welch (early member of Fleetwood Mac)
editore:
Cigar Music, EMI Music Publishing Australia Pty Ltd (not for release label use!) e Glenwood Music Corp.
Bob Welch3:33
19Sad Eyes
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1979) e EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (nel 2002)
registrazione di:
Sad Eyes
paroliere e compositore:
Robert John (US singer‐songwriter)
editore:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John4:14
5▶CD: Australia

Accreditamenti

Pubblicazione

stampata a:Australia
fabbricata da e distribuito da:The EMI Music Group Australasia (not for release label use! manufacturer and distributor)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:EMI Music Australasia (nel 1997)
Discogs:https://www.discogs.com/release/4952953 [info]