NOW That’s What I Call Timeless - The Eternal Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Goodbye Yellow Brick Road (remastered 2014)
Elton John3:14
2Bridge Over Troubled Water
Simon & Garfunkel4:52
3Streets of Philadelphia (from the TriStar film “Philadelphia”)
Bruce Springsteen3:50
4Fields of Gold
Sting3:38
5Sisters Are Doin’ It for Themselves (single mix)
Eurythmics & Aretha Franklin4:30
6Don’t Bring Me Down
Electric Light Orchestra4:04
7Live and Let Die (2018 remaster)
Paul McCartney & Wings3:12
8Viva la VidaColdplay4.054:02
9God Only Knows (remastered 2012)
recording of:
God Only Knows
Texter:
Tony Asher (US lyricist, worked on Pet Sounds)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
The Beach Boys2:54
10The Air That I Breathe
The Hollies4:04
11Jealous Guy
Roxy Music4:51
12The Girl From Ipanema (edit)
Stan Getz, João Gilberto & Astrud Gilberto3:40
13Fly Me to the Moon
Julie London2:33
14Come Fly With Me
Frank Sinatra3:18
15Love Is a Losing Game
Amy Winehouse2:34
16Mad About the Boy
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1961-12-04)
Klavier:
Jack Wilson (jazz pianist) (am 1961-12-04)
Posaune:
Billy Byers (am 1961-12-04)
Trompete:
Joe Newman (US jazz trumpeter) (am 1961-12-04)
vocals:
Dinah Washington
Orchester:
Quincy Jones and His Orchestra (am 1961-12-04)
arranger:
Quincy Jones (am 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co. und Chappell Music Ltd.
Teil von:
Words and Music
Dinah Washington52:47
17Smooth Operator (single version)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1994)
recording of:
Smooth Operator
Texter und Komponist(in):
Sade Adu und Raymond St. John
publisher:
Angel Music Ltd., Peer Music, Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.654:18
18Let’s Stay Together (single edit)
Techniker(in):
Walter Samuel (engineer) und Greg Walsh (producer and engineer)
Produzent(in):
Greg Walsh (producer and engineer) und Martyn Ware
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
cover recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Tina Turner33:39
19Flowers
Techniker(in):
Brian Rajaratnam
Produzent(in):
Tyler Johnson (US producer and songwriter) und Kid Harpoon
assistierende(r) Mix:
Matt Wolach
Mix:
Mark “Spike” Stent (producer, engineer)
Bass, Perkussion und Schlagzeug [drums]:
Kid Harpoon
Gitarre [guitars] und Synthesizer [synths]:
Tyler Johnson (US producer and songwriter) und Kid Harpoon
Perkussion [mouth percussion]:
Miley Cyrus
Rhodes Piano [Rhodes]:
Michael Pollack (songwriter)
Saiteninstrumente:
Rob Moose
Wurlitzer Electric Piano [Wurlitzer]:
Tyler Johnson (US producer and songwriter)
zusätzlich Keyboard [keys]:
Doug Showalter
vocals:
Miley Cyrus
mixed at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
engineered at:
Ridgemont High in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2023 (Nummer: 2), GAFFA-Prisen: Årets Internationale Hit (nominerede hits - vinder fremgår under #) (Nummer: 2024 vinder), MTV Video Music Award for Song of the Year nominees (Nummer: 2023), Grammy Award: Best Pop Solo Performance nominees (Nummer: 2024 winner), Grammy Award: Record of the Year nominees (Nummer: 2024 winner), Top Songs of 2024: Global (Nummer: 61), Billboard Year-End Hot 100 singles of 2024 (Nummer: 69) und BILLIONS CLUB
recording of:
Flowers
Verfasser(in):
Miley Cyrus, Gregory Aldae Hein und Michael Pollack (songwriter)
publisher:
MCEO Publishing (vom 2022 bis heute), Songs by Gregory Hein (BMI) (vom 2022 bis heute), Songs With a Pure Tone (vom 2022 bis heute), Suga Bear Recordz Publishing (vom 2022 bis heute), These Are Pulse Songs (BMI) (vom 2022 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 2022 bis heute), What Key Do You Want It in Music (vom 2022 bis heute) und Wide Eyed Global (BMI) (vom 2022 bis heute)
sub-publisher:
Neue Welt Musikverlag GmbH (2017 – present) und Sony Music Publishing (Germany) GmbH
Teil von:
BMI Pop Awards: Song of the Year (Nummer: 2024), Prix de l’œuvre internationale de l’année (Nummer: 2024) und Grammy Award: Song of the Year nominees (Nummer: 2024)
Miley Cyrus4.53:20
20Save Your Tears
The Weeknd3:36
21Bad Romance (radio edit)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2009)
recording of:
Bad Romance
Verfasser(in):
Nadir Khayat und Stefani Germanotta
publisher:
GloJoe Music Inc., House of Gaga Publishing Inc. und Sony/ATV Songs LLC
Lady Gaga3.54:20
22We Didn’t Start the Fire
Billy Joel4:30
23Suspicious Minds
Elvis Presley4:22
24Walking in Memphis
Cher3:56
25The Whole of the Moon
The Waterboys5:00
26The Days of Pearly Spencer
Marc Almond4:24
27Save a Prayer (single version)
Duran Duran3:46
28True (single edit)
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1983) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:29
29War Baby
Tom Robinson4:05
30Talk of the Town
Pretenders3:13
31Atomic
Blondie3:48
32Bette Davis Eyes (radio edit)
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:43
33Roxanne
The Police3:12
34Ghost Town
Techniker(in):
John A. Rivers
Posaune:
Rico Rodriguez (Jamaican trombonist)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 217)
recording of:
Ghost Town
Texter und Komponist(in):
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:40
35Geno
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:27
36A Town Called Malice
The Jam2:54
37Different Drum
Stone Poneys & Linda Ronstadt2:38
38California Dreamin’ (single version)
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Gitarre:
P.F. Sloan (in 1965)
Solo-Altflöte:
Bud Shank (in 1965)
phonographisches Urheberrecht (℗) von:
Geffen Records und Dunhill Records (in 1966)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 420)
recording of:
California Dreamin’ (in 1965)
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:40
39Lay Lady Lay
Bob Dylan3:17
40Everybody’s Talkin’ (from “Midnight Cowboy”)
Harry Nilsson2:43
41Love on the Rocks (from “The Jazz Singer” soundtrack)
Neil Diamond3:38
42Albatross
Produzent(in):
Mike Vernon
E-Bass:
John McVie (am 1968-10-06)
Gitarre:
Peter Green (former member of Fleetwood Mac) (am 1968-10-06) und Danny Kirwan (Fleetwood Mac) (am 1968-10-06)
Schlagzeug:
Mick Fleetwood (am 1968-10-06)
phonographisches Urheberrecht (℗) von:
Blue Horizon Records (in 1968) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 52)
recording of:
Albatross (am 1968-10-06)
Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited und Palan Music Publishing Ltd.
Fleetwood Mac43:09
43Bright Eyes
Art Garfunkel3:56
44I’m Not in Love
10cc3:44
45Nights in White Satin (single version)
The Moody Blues4:25
46If You Leave Me Now
Chicago3:55
47Perfect
Ed Sheeran4:22
48Forget Me
Lewis Capaldi3:22
49drivers license
Assistent recording engineer:
Dan Viafore
recording engineer und Produzent(in):
Daniel Nigro (songwriter and instrumentalist)
Mix:
Mitch McCarthy (mixer)
Bass, Klavier, Perkussion, Schlagzeug, Synthesizer und Hintergrundgesang:
Daniel Nigro (songwriter and instrumentalist)
Sologesang:
Olivia Rodrigo (US singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Olivia Rodrigo (US singer‐songwriter) (in 2021)
Bearbeitung von:
Drivers License (explicit) von Olivia Rodrigo (US singer‐songwriter)
Musikvideos:
drivers license (clean music video) von Olivia Rodrigo (US singer‐songwriter)
recording of:
drivers license
Verfasser(in):
Daniel Leonard Nigro (songwriter and instrumentalist) und Olivia Rodrigo (US singer‐songwriter)
publisher:
Daniel Leonard Nigro Music, Liv Laf Luv, Sony Music Publishing (Germany) GmbH, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Allegro, Sony/ATV Tunes LLC (ASCAP) und Sony Music Publishing (Hong Kong) Limited (2021–) (vom 2021 bis heute)
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 2022)
Olivia Rodrigo3.654:02
50Summertime Sadness
Koproduzent(in):
Rick Nowels
Produzent(in):
Emile Haynie (hip hop producer, aka "Emile")
assistierende(r) Mix:
Duncan Fuller
Mix:
Dan Grech‐Marguerat
andere Instrumente:
Devrim Karaoğlu
flute:
Dan Heath (production music)
Gitarre und Keyboard:
Patrick Warren
Schlagzeug und Keyboard:
Emile Haynie (hip hop producer, aka "Emile")
zusätzlich Saiteninstrumente:
Rick Nowels und Patrick Warren
vocals:
Lana Del Rey
conductor:
Larry Gold
Saiteninstrumente arranger:
Larry Gold
phonographisches Urheberrecht (℗) von:
Lana Del Rey (in 2011, in 2012, in 2013, in 2022)
Bearbeitung von:
Summertime Sadness (acapella) von Lana Del Rey
Musikvideos:
Summertime Sadness (music video) von Lana Del Rey
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 45), BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (Nummer: 365) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 456)
recording of:
Summertime Sadness
Texter und Komponist(in):
Elizabeth Grant und Rick Nowels
publisher:
EMI (EMI Records, or EMI Music only if there is no other imprint)
Lana Del Rey4.154:25
51You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (The Rolling Stones) (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:19
52Amoureuse
Kiki Dee4:07
53Reason to Believe
Rod Stewart4:07
54Africa
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Spirit Two Music, Cowbella Music (US work publisher) (in 1982) und Hudmar Publishing Co. Inc. (in 1982)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4:21
55Don’t Stop Believin’
assistierende(r) Techniker(in):
Wally Buck
Techniker(in):
Kevin Elson
Produzent(in):
Kevin Elson und Mike Stone (producer and engineer, 1960s–80s)
Bassgitarre:
Ross Valory (von 1981-04 bis 1981-06)
Gitarre:
Neal Schon (von 1981-04 bis 1981-06)
Keyboard und Klavier:
Jonathan Cain (von 1981-04 bis 1981-06)
Schlagzeug und Perkussion:
Steve Smith (US drummer most associated with Journey) (von 1981-04 bis 1981-06)
Hintergrundgesang:
Jonathan Cain (von 1981-04 bis 1981-06), Neal Schon (von 1981-04 bis 1981-06) und Ross Valory (von 1981-04 bis 1981-06)
Sologesang:
Steve Perry (former lead singer of Journey) (von 1981-04 bis 1981-06)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1981-04 bis 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
Teil von:
SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 34), Billboard Hot 100: 2026-07-18 (Nummer: 35), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 133)
recording of:
Don’t Stop Believin’ (Journey song) (von 1981-04 bis 1981-06)
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) und Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Journey4.34:10
56The One and Only
Chesney Hawkes3:41
57You Got It
Roy Orbison3:31
58Crazy
recording of:
Crazy (Willie Nelson song)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline52:42
59I Left My Heart in San Francisco
Tony Bennett2:51
60Smoke Gets in Your Eyes
cover recording of:
Smoke Gets in Your Eyes
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
The Platters2:39
61A House Is Not a Home
Dionne Warwick3:07
62Make It Easy on Yourself
The Walker Brothers3:12
63Unchained Melody (single version)
The Righteous Brothers3:37
64Jolene
Dolly Parton2:41
65You Don’t Own Me (single version)
Lesley Gore2:31
66I Close My Eyes and Count to Ten
Dusty Springfield3:09
67Goldfinger
Shirley Bassey2:49
68Signed, Sealed, Delivered (I’m Yours)
Stevie Wonder2:40
69I’m Every Woman
Whitney Houston4:43
70Teardrops (7” edit)
Produzent(in):
Chris Blackwell (Island Records), Lee Hamblin und The Gypsy Wave Power Co.
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:49
71On the Radio
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
On the Radio (Foxes)
Verfasser(in):
Giorgio Moroder und Donna Summer (soul/disco diva)
publisher:
Budde Music Inc. (US publisher), Edition Intro Meisel GmbH, Neue Welt Musikverlag GmbH (2017 – present), Rick S. Music (publishing company associated with Casablanca), Sweet Summer Night Music, Warner/Chappell Music GmbH & Co. KG Germany, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Teil von:
Foxes (1980 film soundtrack)
Donna Summer4.64:05
72I Want Your Love (edit)
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
recording of:
I Want Your Love
Texter und Komponist(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Chic43:24
73Wishing on a Star
Rose Royce4:52
74Killing Me Softly With His Song
Produzent(in):
Joel Dorn
Klavier:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 273) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 361)
cover recording of:
Killing Me Softly With His Song
Texter:
Norman Gimbel
Komponist(in):
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC und Fox-Gimbel Productions Inc. (in 1972)
Roberta Flack3.554:46
75You Make Me Feel Brand New (Let’s Put It All Together version)
The Stylistics4:51
76Endless Love (from “The Endless Love” soundtrack)
Lionel Richie & Diana Ross4:28
77The Ballad of Lucy Jordan
Marianne Faithfull4:07
78Holding Back the Years (single version)
Simply Red4:12
79Slave to Love (7” version / remastered 2009)
Audio-Engineering:
Rhett Davies
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
recording of:
Slave to Love
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin EG Records Ltd. (in 1985)
Bryan Ferry4:01
80It Must Have Been Love
Roxette4:17
81Run (single mix)
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2008)
cover recording of:
Run
Texter:
Gary Lightbody
Verfasser(in):
Iain Archer, Nathan Connolly, Mark McClelland und Jonny Quinn
Komponist(in):
Iain Archer, Nathan Connolly, Gary Lightbody, Mark McClelland und Jonny Quinn
publisher:
Big Life Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Universal Music Publishing BL Limited und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Leona Lewis4:37
822 Become 1 (single version)
Koproduzent(in) und zusätzliche(r) Produzent(in):
Andy Bradfield
Produzent(in):
Matt Rowe und Richard “Biff” Stannard
Mix:
Mark “Spike” Stent (producer, engineer)
Saiteninstrumente arranger:
Craig Armstrong (Scottish score composer)
recording of:
2 Become 1
Verfasser(in):
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe und Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. und Windswept Pacific Music Ltd.
Spice Girls44:03
83How Deep Is Your Love
Take That3:42

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Now That’s What I Call Music LLP (British holding company) (in 2026)
zum Herunterladen kaufen:https://music.apple.com/gb/album/1869135506 [Info]