SuperBass 2

~ Release by Ray Brown / John Clayton / Christian McBride (see all versions of this release, 4 available)

Annotation

This should be merged with https://musicbrainz.org/release/2d5d75fa-4dfc-4071-939c-51a8fecc23d7
They are the same release, but the discogs import script grouped 3 tracks into one. I have corrected the catno and barcodes, but I don't know how to properly merge these.

Annotation last modified on 2020-08-15 13:31 UTC.

Tracklist

1▼Hybrid SACD (CD layer)
#TitleRatingLength
1SuperBass Theme
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
SuperBass Theme (from 2000-12-15 until 2000-12-17)
composer:
Ray Brown (jazz bassist)
0:47
2Get Happy
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live instrumental recording of:
Get Happy (from 2000-12-15 until 2000-12-17)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
3:58
3Mysterioso
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
Misterioso (from 2000-12-15 until 2000-12-17)
composer:
Thelonious Monk
8:17
4Papa Was A Rolling Stone
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
percussion:
George Fludas (jazz drummer) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live instrumental recording of:
Papa Was a Rollin’ Stone (from 2000-12-15 until 2000-12-17)
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
6:34
5Three Songs From "Porgy And Bess": Summertime / I Loves You Porgy / It Ain't Necessarily So
14:08
6Birk's Works
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
Birk's Works (from 2000-12-15 until 2000-12-17)
composer:
Dizzy Gillespie
6:05
7My Funny Valentine
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
5:07
8Three By Four
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
Three by Four (from 2000-12-15 until 2000-12-17)
composer:
John Clayton (US jazz and classical double bassist)
publisher:
Ginger Kids Music
6:17
9Taco With A Pork Chop
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
percussion:
George Fludas (jazz drummer) (from 2000-12-15 until 2000-12-17) and Larry Fuller (jazz pianist, composer) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
Taco With a Pork Chop (from 2000-12-15 until 2000-12-17)
lyricist and composer:
Ray Brown (jazz bassist)
4:06
10SuperBass Theme
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
SuperBass Theme (from 2000-12-15 until 2000-12-17)
composer:
Ray Brown (jazz bassist)
1:22
2▶Hybrid SACD (SACD layer)