The Hobbit: The Battle of the Five Armies: Original Motion Picture Soundtrack (special edition)

~ Release by Howard Shore (see all versions of this release, 8 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Fire and Water
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Fire and Water (The Hobbit: The Battle of the Five Armies)
composer:
Howard Shore (Canadian score composer)
1.755:58
2Shores of the Long Lake
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Shores of the Long Lake
writer:
Howard Shore (Canadian score composer)
1.754:01
3Beyond Sorrow and Grief (extended version)
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Beyond Sorrow and Grief
composer:
Howard Shore (Canadian score composer)
14:12
4Guardians of the Three (extended version)
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Guardians of the Three
composer:
Howard Shore (Canadian score composer)
15:49
5The Ruins of Dale
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
The Ruins of Dale
composer:
Howard Shore (Canadian score composer)
1.753:40
6The Gathering of the Clouds (extended version)
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
The Gathering of the Clouds
composer:
Howard Shore (Canadian score composer)
15:53
7Mithril
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Mithril
composer:
Howard Shore (Canadian score composer)
1.93:08
8Bred for War
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Bred for War
composer:
Howard Shore (Canadian score composer)
1.653:20
9A Thief in the Night
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
A Thief in the Night
composer:
Howard Shore (Canadian score composer)
1.54:14
10The Clouds Burst
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
The Clouds Burst
composer:
Howard Shore (Canadian score composer)
1.754:13
11Battle for the Mountain
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) and Nigel Scott
assistant engineer:
Simon Gooding, Brian Mahoney (Sound engineer) and Brett Stanton (Sound engineer)
engineer:
Graham Kennedy (technical engineer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
choir vocals:
London Voices
orchestra:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
orchestrator:
Conrad Pope and James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, New Zealand
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, New Zealand
recording of:
Battle for the Mountain
composer:
Howard Shore (Canadian score composer)
1.54:39
2▶Digital Media