Ministry of Sound: Live Forever

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

The artwork has faked damage round the edges. Making the packaging look older than it is.

Annotation last modified on 2025-12-28 16:13 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Live Forever
engineer:
Mark Coyle, Anjali Dutt, Dave Scott (UK sound mixer & engineer) and Roy Spong
additional producer:
Owen Morris
producer:
Mark Coyle and Oasis (Noel & Liam Gallagher)
mixer:
Owen Morris
bass guitar:
Paul McGuigan (Oasis)
drums (drum set):
Tony McCarroll
electric guitar and background vocals:
Noel Gallagher
guitar:
Paul Arthurs ("Bonehead", Oasis) and Noel Gallagher
vocals:
Liam Gallagher (English musician, lead singer of Oasis)
music videos:
Live Forever (UK version) by Oasis (Noel & Liam Gallagher)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 1) and Indie 88: Top 500 Indie Rock Songs (number: 223)
recording of:
Live Forever
lyricist and composer:
Noel Gallagher
Oasis3.954:35
2Fire
additional programming:
Dan the Automator
engineer and audio engineer:
Marc Senesac
assistant producer:
Tim Carter (multi-instrment musician & engineer)
producer:
Dan the Automator and Sergio Pizzorno
mixer:
Dan the Automator
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (from 2009 to present)
produced at:
The Glue Factory in San Francisco, California, United States
recording of:
Fire
lyricist, writer and composer:
Sergio Pizzorno
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kasabian3.44:06
3Rocks
additional engineer:
David Bianco (American engineer and record producer) and Jeffrey Reed
engineer:
David Bianco (American engineer and record producer) and Jeff Powell (engineer)
additional producer:
George Drakoulias
co-producer:
David Bianco (American engineer and record producer)
producer:
Tom Dowd
remixer:
George Drakoulias
phonographic copyright (℗) by:
Creation Records Ltd. (in 1994) and Sire Records Company (not for release label use!) (in 1994)
recorded at:
Ardent Studios in Memphis, Tennessee, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
Rocks
writer:
Bobby Gillespie, Andrew Innes and Robert Young (British guitarist, of Primal Scream)
publisher:
Complete Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.63:32
4Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.82:50
5Bohemian Like You
producer:
David Sardy (American score composer) and Courtney Taylor‐Taylor
mixer:
David Sardy (American score composer)
bass and keyboard:
Zia McCabe
drums (drum set) and background vocals:
Brent DeBoer
guest organ:
Erik Gavriluk
guitar:
Peter Holmström and Courtney Taylor‐Taylor
slide guitar:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
music videos:
Bohemian Like You by The Dandy Warhols
part of:
Indie 88: Top 500 Indie Rock Songs (number: 449)
recording of:
Bohemian Like You
lyricist and composer:
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Dandy Warhols Music (BMI)
The Dandy Warhols3.853:31
6Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:06
7There She Goes
engineer:
Dave Charles (British drummer as well as producer & engineer)
producer:
Bob Andrews (keyboardist and producer)
mixer:
Steve Lillywhite
bass guitar and background vocals:
John Power (of The La’s and Cast)
drums (drum set):
Chris Sharrock
electric guitar:
John Byrne (John 'Boo' Byrne, electric guitarist)
lead vocals:
Lee Mavers
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 45), TV Cream: Real 100 Best Singles Ever (number: 62) and Indie 88: Top 500 Indie Rock Songs (number: 418)
recording of:
There She Goes (The La’s)
lyricist and composer:
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:40
8F.E.A.R.
music videos:
F.E.A.R. by Ian Brown (UK singer, member of Stone Roses)
recording of:
F.E.A.R.
writer:
Ian Brown (UK singer, member of Stone Roses), Dave Colquhoun and Dave McCracken
Ian Brown4.24:24
9Sit Down
recording of:
Sit Down
lyricist:
Tim Booth
composer:
Tim Booth, Jim Glennie, Larry Gott and Gavan Whelan
James3.83:57
10Step On
assistant recording engineer:
Dave Burnham (UK recording engineer)
recording engineer:
Ray Blair
producer and mixer:
Paul Oakenfold and Steve Osborne (producer)
bass guitar:
Paul Ryder
drums (drum set):
Gary Whelan
guitar:
Mark Day (from Happy Mondays)
keyboard:
Paul Davis (UK keyboardist for Happy Mondays)
lead vocals:
Shaun Ryder
performer:
Bez (UK percussionist Black Grape/Happy Mondays)
arranger:
Paul Oakenfold and Steve Osborne (producer)
cover recording of:
He’s Gonna Step on You Again
writer:
Christos Demitriou and John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
Happy Mondays3.555:14
11The Day We Caught the Train
producer:
Brendan Lynch (London producer) and Ocean Colour Scene
phonographic copyright (℗) by:
Universal-MCA Music (UK) Ltd. (not release label) (in 1996)
music videos:
The Day We Caught the Train by Ocean Colour Scene
part of:
Anti-Hit List: June 4, 1996 (number: 8)
recording of:
The Day We Caught the Train
writer:
Steve Cradock, Simon Fowler (English singer), Oscar Harrison and Damon Minchella
Ocean Colour Scene43:08
12You Get What You Give
mixer:
Michael Brauer (engineer)
drums (drum set):
Gary Ferguson (Session drummer)
electric bass guitar:
John Pierce (US session bassist)
guitar:
Gregg Alexander and Rusty Anderson
keyboard and background vocals:
Rick Nowels
percussion:
Juliet Prater
lead vocals:
Gregg Alexander
additional vocals arranger:
Richie Podler
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1998)
recording of:
You Get What You Give
writer:
Gregg Alexander and Rick Nowels
publisher:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. and Grosse Point Harlem
New Radicals3.654:39
13Alright
engineer:
John Cornfield
producer:
Sam Williams (producer & musician. ex‐member of The Animalhouse)
mixer:
John Cornfield and Sam Williams (producer & musician. ex‐member of The Animalhouse)
bass guitar:
Mick Quinn (from 1994-01 until 1994-07)
drums (drum set):
Danny Goffey (from 1994-02 until 1994-08)
guitar:
Mick Quinn (from 1994-02 until 1994-08)
piano and lead vocals:
Gaz Coombes (from 1994-02 until 1994-08)
background vocals:
Danny Goffey (from 1994-02 until 1994-08) and Mick Quinn (from 1994-02 until 1994-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Sawmills Studio in Golant, Cornwall, England, United Kingdom (from 1994-02 until 1994-08)
part of:
TV Cream: Real 100 Best Singles Ever (number: 65)
recording of:
Alright (from 1994-02 until 1994-08)
writer:
Gaz Coombes, Danny Goffey and Mick Quinn
publisher:
EMI Music (do not use as release label! this is a music publisher)
Supergrass3.73:00
14I Wanna Be Adored
engineer:
Paul Schroeder (UK rock/pop producer, engineer & remixer)
producer:
John Leckie
bass guitar:
Gary Mounfield
drums (drum set) and background vocals:
Reni
guitar:
John Squire
vocals:
Ian Brown (UK singer, member of Stone Roses)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom (from 1988-08 until 1989-01)
music videos:
I Wanna Be Adored (Music video) by The Stone Roses
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 17) and Indie 88: Top 500 Indie Rock Songs (number: 249)
recording of:
I Wanna Be Adored
lyricist:
Ian Brown (UK singer, member of Stone Roses)
composer:
John Squire
publisher:
Imagem London Ltd.
The Stone Roses3.64:44
15World in Motion
engineer:
Mike “Spike” Drake
producer:
Stephen Hague and New Order (UK synth pop band)
background vocals:
Keith Allen (Welsh actor), Peter Beardsley, England National Football Team, Paul Gascoigne, Steve McMahon, Chris Waddle and Des Walker
spoken vocals:
Nigel Patrick (actor) and Kenneth Wolstenholme (football commentator) (in 1990)
spoken vocals [rap]:
John Barnes (English footballer, vocals on “World in Motion”)
vocals:
Keith Allen (Welsh actor)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1990)
part of:
TV Cream: Real 100 Best Singles Ever (number: 69)
recording of:
World in Motion
writer:
Keith Allen (Welsh actor), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
is based on:
The B-Side
New Order34:27
16Turn
co-producer:
Ian Grimble
producer:
Mike Hedges (UK producer/recording engineer)
mixer:
Brian Malouf
recording of:
Turn
lyricist and composer:
Fran Healy
publisher:
Sony/ATV Songs LLC
Travis3:13
17Wild Wood
bass guitar:
Marco Nelson
drums (drum set):
Steve White (Style Council drummer)
guitar and lead vocals:
Paul Weller (English singer‐songwriter and musician)
mellotron and Minimoog:
Brendan Lynch (London producer)
organ:
Helen Turner
recording of:
Wild Wood
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
Paul Weller4.153:19
18Four to the Floor
engineer:
Danton Supple
producer:
Starsailor and Danton Supple
assistant mixer:
Nathaniel Chan
mixer:
Michael Brauer (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
part of:
Cachitos Nochevieja 2022 (number: 59)
recording of:
Four to the Floor
writer:
Ben Byrne, James Stelfox, James Walsh (from Starsailor) and Barry Westhead
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
recording of:
Four to the Floor
recording of:
Four to the Floor
Starsailor3:49
19World at Your Feet
Embrace3:35
20The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:29
2▶CD
3▶CD

Credits

Release

manufactured in:EU (Europe)
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
distributed by:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
copyrighted (©) by and phonographic copyright (℗) by:Ministry of Sound Recordings Ltd. (copyrights use only, for its imprint use "Ministry of Sound") (in 2018)
Discogs:https://www.discogs.com/release/12631160 [info]
ASIN:UK: B07CXC3364 [info]
purchase for mail-order:https://www.base.com/buy/product/live-forever-ministry-of-sound-music-cd/dgc-moscd516.htm [info]