Forty Eight Hours to Memphis

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloValutazioneDurata
1Also sprach Zarathustra
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo di:
Also sprach Zarathustra, Introduction (Elvis Presley's 1971-1976 concert intro; from 2001 A Space Odyssey) (il 1974-03-18)
versione di:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
1:17
2See See Rider
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
See See Rider Blues (il 1974-03-18)
paroliere e compositore:
[traditional] (special purpose artist)
parte di:
Roud Folk Song Index (numero: 10056)
3:01
3I Got a Woman / Amen
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
medley che comprende una registrazione dal vivo cover di:
Amen (gospel song popularized by The Impressions) (il 1974-03-18)
paroliere e compositore:
Jester Hairston
registrazione dal vivo cover di:
I Got a Woman (il 1974-03-18)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:16
4Love Me
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
Love Me (il 1974-03-18)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) e Sony/ATV Songs LLC
1:40
5Trying to Get to You
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
Trying to Get to You (il 1974-03-18)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
2:09
6All Shook Up
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
All Shook Up (il 1974-03-18)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) e Shalimar Music Corp.
1:01
7Steamroller Blues
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
Steamroller Blues (il 1974-03-18)
paroliere e compositore:
James Taylor (singer-songwriter and guitarist)
editore:
Country Road Music, Inc. (ASCAP-affiliated) e EMI Blackwood Music Inc.
2:53
8Teddy Bear / Don’t Be Cruel
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
medley che comprende una registrazione dal vivo cover di:
(Let Me Be Your) Teddy Bear (il 1974-03-18)
autore:
Bernie Lowe e Kal Mann
editore:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. e Williamson Music Company
medley che comprende una registrazione dal vivo di:
Don’t Be Cruel (il 1974-03-18)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. e Williamson Music Company
1:59
9Love Me Tender
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo di:
Love Me Tender (il 1974-03-18)
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
1:44
10Rock and Roll (medley)
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
medley che comprende una registrazione dal vivo cover di:
Flip, Flop & Fly (il 1974-03-18)
autore:
Charles Calhoun e Lou Willie Turner
editore:
Unichappell Music, Inc.
medley che comprende una registrazione dal vivo cover di:
Hound Dog (il 1974-03-18)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
medley che comprende una registrazione dal vivo cover di:
Jailhouse Rock (il 1974-03-18)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC e Sony/ATV Songs LLC
sub-editore:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
medley che comprende una registrazione dal vivo cover di:
Long Tall Sally (il 1974-03-18)
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
medley che comprende una registrazione dal vivo cover di:
Whole Lotta Shakin’ Goin’ On (il 1974-03-18)
autore:
Sunny David (US rockabilly pianist & songwriter) e Dave “Curly” Williams
editore:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) e Whole Lotta Shakin' Music
medley che comprende una registrazione dal vivo cover di:
Your Mama Don’t Dance (il 1974-03-18)
autore:
Kenny Loggins e Jim Messina
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
3:17
11Fever
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
Fever (il 1974-03-18)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
3:03
12Polk Salad Annie
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
Polk Salad Annie (il 1974-03-18)
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Blackwood Music Inc.
3:52
13Why Me Lord
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
Why Me (il 1974-03-18)
paroliere e compositore:
Kris Kristofferson
editore:
Resaca Music Publishing Co.
2:52
14Suspicious Minds
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
Suspicious Minds (il 1974-03-18)
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
3:44
15Introductions by Elvis
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione di:
Introductions by Elvis
2:31
16I Can’t Stop Loving You
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
I Can’t Stop Lovin’ You (il 1974-03-18)
paroliere e compositore:
Don Gibson (US songwriter and country musician)
editore:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC e Acuff-Rose Publications, Inc. (BMI) (il 1958-02-07)
2:25
17Help Me
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
Help Me (il 1974-03-18)
paroliere e compositore:
Larry Gatlin
editore:
First Generation Music
2:42
18An American Trilogy
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
An American Trilogy (il 1974-03-18)
paroliere e arrangiatore:
Mickey Newbury (American songwriter)
editore:
Acuff-Rose Publications, Inc. (BMI) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
medley di:
Dixie
medley di:
All My Trials
medley di:
Battle Hymn of the Republic
3:58
19Let Me Be There
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
Let Me Be There (il 1974-03-18)
paroliere e compositore:
John Rostill
editore:
EMI Al Gallico Music Corp., EMI Music (do not use as release label! this is a music publisher) e Petal Music Ltd.
3:39
20Funny How Time Sleeps Away
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo cover di:
Funny How Time Slips Away (il 1974-03-18)
paroliere e compositore:
Willie Nelson
editore:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC, Sony/ATV Tree Publishing e Tree Publishing
2:47
21Can’t Help Falling in Love
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
registrazione dal vivo di:
Can’t Help Falling in Love (il 1974-03-18)
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
1:45
22Closing Vamp
registrata presso:
Richmond Coliseum in Richmond, Virginia, Stati Uniti (il 1974-03-18)
1:02
23Sweet Caroline
registrata presso:
Mabee Center in Tulsa, Oklahoma, Stati Uniti (il 1974-03-01)
registrazione dal vivo cover di:
Sweet Caroline (il 1974-03-01)
paroliere:
Neil Diamond
compositore:
Neil Diamond (nel 1969)
editore:
Ahab Music Co., Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Sony Tunes, Inc., Stone Bridge Music Co., Tree Publishing e MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1969)
2:33
24Johnny B.Goode
registrata presso:
Mid‐South Coliseum in Memphis, Tennessee, Stati Uniti (il 1974-03-17)
registrazione dal vivo cover di:
Johnny B. Goode (il 1974-03-17)
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
1:47
25That’s All Right
registrata presso:
Mid‐South Coliseum in Memphis, Tennessee, Stati Uniti (il 1974-03-17)
registrazione dal vivo cover di:
That’s All Right (il 1974-03-17)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
2:04

Accreditamenti

Pubblicazione

fabbricata a:Europa
direzione artistica e produttore:Ernst Mikael Jorgensen
Roger Semon
tecnico di mastering:Vic Anesini
compilatore:Robert Frieser
design:Hans Slebos
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Follow That Dream Records (specializes in Elvis reissues and collectibles) (nel 2011)
licenziata da:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
Discogs:https://www.discogs.com/release/7922474 [info]