The Treasury Shows, Volume 2

~ Veröffentlichung von Duke Ellington & His Orchestra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Take the "A" Train (and Broadcast intro)
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
teilweise recording of:
Take the “A” Train (original instrumental version) (am 1945-04-21)
Komponist(in):
Billy Strayhorn
Teil von:
The Real Book (compilation of jazz standards, volume I)
0:43
2Mood to be Wooed
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
4:39
3If You Are But a Dream
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
vocals:
Kay Davis (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
recording of:
If You Are But a Dream (am 1945-04-21)
Texter und Komponist(in):
Nat Bonx, Jack Fulton (US jazz trombonist, composer & vocalist) und Moe Jaffe (songwriter / bandleader)
publisher:
Barton Music Corp.
3:18
4(Otto Make That) Riff Staccato
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
2:34
5I'm Beginning to See the Light
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
vocals:
Joya Sherrill (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
recording of:
I’m Beginning to See the Light (am 1945-04-21)
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:20
6(Excerpts from) Black, Brown and Beige
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
teilweise recording of:
Black, Brown, and Beige (1943 original version) (am 1945-04-21)
Orchestrator(in):
Maurice Peress
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
0:49
7West Indian Dance
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
recording of:
Black, Brown, and Beige: II. Brown: West Indian Dance (am 1945-04-21)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Teil von:
Black, Brown, and Beige: II. Brown (part of the 1943 original "Black, Brown, and Beige" suite)
2:31
8The Blues
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
vocals:
Marie Ellington (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
recording of:
Black, Brown, and Beige: II. Brown: The Blues (am 1945-04-21)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Teil von:
Black, Brown, and Beige: II. Brown (part of the 1943 original "Black, Brown, and Beige" suite)
5:20
9Emancipation Celebration
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
recording of:
Black, Brown, and Beige: II. Brown: Emancipation Celebration (am 1945-04-21)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Teil von:
Black, Brown, and Beige: II. Brown (part of the 1943 original "Black, Brown, and Beige" suite)
2:52
10Sugar Hill Penthouse
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
recording of:
Black, Brown, and Beige: III. Beige: Sugar Hill Penthouse (am 1945-04-21)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Teil von:
Black, Brown, and Beige: III. Beige (part of the 1943 original "Black, Brown, and Beige" suite)
2:07
11Sentimental Lady
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
recording of:
Sentimental Lady (am 1945-04-21)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
0:27
12Stomp Look and Listen
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
recording of:
Stomp, Look and Listen (am 1945-04-21)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
4:49
13Frantic Fantasy
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
4:50
14It Don't Mean a Thing
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
vocals:
Taft Jordan (am 1945-04-21) und Ray Nance (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1945-04-21)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:36
15Sentimental Lady
alto saxophone:
Otto Hardwick (am 1945-04-21) und Johnny Hodges (am 1945-04-21)
Gitarre:
Fred Guy (am 1945-04-21)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1945-04-21) und Billy Strayhorn (am 1945-04-21)
Kontrabass:
Junior Raglin (bass) (am 1945-04-21)
Posaune:
Lawrence Brown (jazz trombonist) (am 1945-04-21) und Claude Jones (am 1945-04-21)
Rohrblattinstrumente:
Harry Carney (am 1945-04-21) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1945-04-21)
Schlagzeug:
Sonny Greer (am 1945-04-21)
Tenorsaxophon:
Al Sears (am 1945-04-21)
Trompete:
Cat Anderson (am 1945-04-21), Taft Jordan (am 1945-04-21), Ray Nance (am 1945-04-21), Shelton Hemphill (am 1945-04-21) und Rex Stewart (am 1945-04-21)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
aufgenommen bei:
400 Restaurant in New York, New York, Vereinigte Staaten (am 1945-04-21)
recording of:
Sentimental Lady (am 1945-04-21)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
1:05
16Any Bonds Today
alto saxophone:
Johnny Hodges
Gitarre:
Fred Guy
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
Kontrabass:
Junior Raglin (bass)
Rohrblattinstrumente:
Harry Carney und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
Trompete:
Taft Jordan, Ray Nance und Rex Stewart
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
recording of:
Any Bonds Today?
Verfasser(in):
Irving Berlin
0:56
17Take the A Train
alto saxophone:
Johnny Hodges
Gitarre:
Fred Guy
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
Kontrabass:
Junior Raglin (bass)
Posaune:
Juan Tizol
Rohrblattinstrumente:
Harry Carney und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
Schlagzeug:
Sonny Greer
Tenorsaxophon:
Ben Webster
Trompete:
Harold Baker, Taft Jordan, Ray Nance und Rex Stewart
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
0:22
18Tonight I Shall Sleep
alto saxophone:
Johnny Hodges
Gitarre:
Fred Guy
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
Kontrabass:
Junior Raglin (bass)
Posaune:
Juan Tizol
Rohrblattinstrumente:
Harry Carney und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
Schlagzeug:
Sonny Greer
Tenorsaxophon:
Ben Webster
Trompete:
Harold Baker, Taft Jordan, Ray Nance und Rex Stewart
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
recording of:
Tonight I Shall Sleep (With a Smile on My Face)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Irving Gordon (US songwriter)
2:13
19Go Away Blues
alto saxophone:
Johnny Hodges
Gitarre:
Fred Guy
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
Kontrabass:
Junior Raglin (bass)
Posaune:
Juan Tizol
Rohrblattinstrumente:
Harry Carney und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
Schlagzeug:
Sonny Greer
Tenorsaxophon:
Ben Webster
Trompete:
Harold Baker, Taft Jordan, Ray Nance und Rex Stewart
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
recording of:
Go Away Blues
Verfasser(in):
Edward Kennedy Ellington (Duke Ellington, US composer, pianist & jazz bandleader)
2:10
20Bond Promo
1:08
21Creole Love Song
alto saxophone:
Johnny Hodges
Gitarre:
Fred Guy
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
Kontrabass:
Junior Raglin (bass)
Posaune:
Juan Tizol
Rohrblattinstrumente:
Harry Carney und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
Schlagzeug:
Sonny Greer
Tenorsaxophon:
Ben Webster
Trompete:
Harold Baker, Taft Jordan, Ray Nance und Rex Stewart
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
recording of:
Creole Love Call
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
3:15
22Three Cent Stomp
alto saxophone:
Johnny Hodges
Gitarre:
Fred Guy
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
Kontrabass:
Junior Raglin (bass)
Posaune:
Juan Tizol
Rohrblattinstrumente:
Harry Carney und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
Schlagzeug:
Sonny Greer
Tenorsaxophon:
Ben Webster
Trompete:
Harold Baker, Taft Jordan, Ray Nance und Rex Stewart
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
3:42
23Any Bonds Today
alto saxophone:
Johnny Hodges
Gitarre:
Fred Guy
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
Kontrabass:
Junior Raglin (bass)
Rohrblattinstrumente:
Harry Carney und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
Trompete:
Taft Jordan, Ray Nance und Rex Stewart
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
recording of:
Any Bonds Today?
Verfasser(in):
Irving Berlin
1:09
2▶CD

Nennungen