30 Greatest Hits

~ Veröffentlichung von Aretha Franklin (alle Versionen dieser Veröffentlichung ansehen, 9 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1I Never Loved a Man (the Way I Love You)
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-01-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-01-24) und Chips Moman (am 1967-01-24)
Klavier:
Aretha Franklin (am 1967-01-24) und Spooner Oldham (am 1967-01-24)
Posaune:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1967-01-24)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-01-24)
Tenorsaxophon:
Joe Arnold (am 1967-01-24) und Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-01-24)
Trompete:
Ken Laxton (am 1967-01-24)
vocals:
Aretha Franklin (am 1967-01-24)
conductor:
Tom Dowd (am 1967-01-24)
Horn arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1967-01-24)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 186)
recording of:
I Never Loved a Man (The Way I Love You) (am 1967-01-24)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und Pronto Music (publisher)
42:44
2Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
3.92:27
3Do Right Woman, Do Right Man
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-01-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-01-24)
Klavier:
Aretha Franklin (von 1967-01-24 bis 1967-01)
Orgel:
Spooner Oldham (am 1967-01-24)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-01-24)
Hintergrundgesang:
Carolyn Franklin (am 1967-01-24), Erma Franklin (am 1967-01-24) und Cissy Houston (am 1967-01-24)
vocals:
Aretha Franklin (von 1967-01-24 bis 1967-01)
conductor:
Tom Dowd (am 1967-01-24)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1967-01) und Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1967-01-24)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 473)
recording of:
Do Right Woman, Do Right Man (von 1967-01-24 bis 1967-01)
Verfasser(in):
Chips Moman und Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
53:17
4Dr. Feelgood (Love Is a Serious Business)
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-15)
Bassgitarre:
Tommy Cogbill (am 1967-02-15)
Klavier:
Aretha Franklin (am 1967-02-15)
Kornett:
Melvin Lastie (am 1967-02-15)
Orgel:
Spooner Oldham (am 1967-02-15)
Schlagzeug:
Gene Chrisman (am 1967-02-15)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-15) und King Curtis (saxophonist) (am 1967-02-15)
Trompete:
Ernie Royal (am 1967-02-15)
vocals:
Aretha Franklin (am 1967-02-15)
conductor:
Tom Dowd (am 1967-02-15)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-15)
recording of:
Dr. Feelgood (Love Is a Serious Business) (am 1967-02-15)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music und Pronto Music (publisher)
4.653:21
5Save Me
recording engineer:
Tom Dowd und Arif Mardin
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-08)
Bassgitarre:
Tommy Cogbill (am 1967-02-08)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-08) und Chips Moman (am 1967-02-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-08)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-08) und King Curtis (saxophonist) (am 1967-02-08)
Trompete:
Melvin Lastie (am 1967-02-08)
vocals:
Aretha Franklin (am 1967-02-08)
conductor:
Tom Dowd (am 1967-02-08)
arranger:
Tom Dowd
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recording of:
Save Me (Aretha Franklin song) (am 1967-02-08)
Verfasser(in):
Aretha Franklin, Carolyn Franklin und Curtis Ousley
publisher:
Kilynn Music und Pronto Music (publisher)
4.52:19
6Baby, I Love You
recording engineer:
Tom Dowd (am 1967-06-23) und Arif Mardin (am 1967-06-23)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-06-23)
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Bassposaune:
Tony Studd (am 1967-06-23)
E-Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano, Klavier und Orgel:
Spooner Oldham (am 1967-06-23) und Truman Thomas (am 1967-06-23)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-23)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-06-23) und King Kurtis (saxophonist) (am 1967-06-23)
Trompete:
Melvin Lastie (am 1967-06-23)
Vibraphon:
Ted Somers (vibes) (am 1967-06-23)
Chorgesang:
Aretha Franklin (am 1967-06-23), Carolyn Franklin (am 1967-06-23) und Irma Franklyn (am 1967-06-23)
Sologesang:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
recording of:
Baby I Love You (am 1967-06-23)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, Fourteenth Hour Music, Inc. und Pronto Music (publisher)
32:39
7(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (am 1967-02-16)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-02-16)
Klavier:
Spooner Oldham (am 1967-02-16)
Schlagzeug:
Gene Chrisman (am 1967-02-16)
Trompete:
Bernie Glow (am 1967-02-16), Melvin Lastie (am 1967-02-16) und Joe Newman (US jazz trumpeter) (am 1967-02-16)
Chorgesang:
Carolyn Franklin (am 1967-02-16), Erma Franklin (am 1967-02-16) und The Sweet Inspirations (am 1967-02-16)
vocals:
Aretha Franklin (am 1967-02-16)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-16)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 10) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (am 1967-02-16)
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
4.22:43
8Chain of Fools
recorded in:
New York, New York, Vereinigte Staaten
recording engineer und Mix:
Tom Dowd
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano:
Spooner Oldham (am 1967-06-23)
Klavier:
Aretha Franklin (am 1967-06-23)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-23)
Chorgesang:
Carolyn Franklin (am 1967-06-23), Erma Franklin (am 1967-06-23), Ellie Greenwich (am 1967-06-23) und The Sweet Inspirations (am 1967-06-23)
vocals:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 306)
recording of:
Chain of Fools (am 1967-06-23)
Texter und Komponist(in):
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptations:
Verlga norih
4.252:47
9(Sweet Sweet Baby) Since You’ve Been Gone
recorded in:
New York, New York, Vereinigte Staaten
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Henry Haywood (von 1967-12-16 bis 1967-12-17)
Bassgitarre:
Tommy Cogbill (von 1967-12-16 bis 1967-12-17)
Bassposaune:
Tony Studd (von 1967-12-16 bis 1967-12-17)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-12-16 bis 1967-12-17) und Bobby Womack (von 1967-12-16 bis 1967-12-17)
Hybrid-Piano:
Spooner Oldham (von 1967-12-16 bis 1967-12-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-12-16 bis 1967-12-17)
Tenorsaxophon:
King Curtis (saxophonist) (von 1967-12-16 bis 1967-12-17), Seldon Powell (von 1967-12-16 bis 1967-12-17) und Frank Wess (von 1967-12-16 bis 1967-12-17)
Trompete:
Bernie Glow (von 1967-12-16 bis 1967-12-17), Melvin Lastie (von 1967-12-16 bis 1967-12-17) und Joe Newman (US jazz trumpeter) (von 1967-12-16 bis 1967-12-17)
Chorgesang:
Carolyn Franklin (von 1967-12-16 bis 1967-12-17), Erma Franklin (von 1967-12-16 bis 1967-12-17) und The Sweet Inspirations (von 1967-12-16 bis 1967-12-17)
vocals:
Aretha Franklin (von 1967-12-16 bis 1967-12-17)
Horn arranger:
Arif Mardin
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-12-16 bis 1967-12-17)
cover recording of:
(Sweet, Sweet Baby) Since You’ve Been Gone (von 1967-12-16 bis 1967-12-17)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
4.352:25
10Ain’t No Way
recorded in:
New York, New York, Vereinigte Staaten
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Henry Haywood (von 1967-12-19 bis 1967-12-20)
Bassgitarre:
Tommy Cogbill (von 1967-12-19 bis 1967-12-20)
Bassposaune:
Tony Studd (von 1967-12-19 bis 1967-12-20)
flute:
Frank Wess (von 1967-12-19 bis 1967-12-20)
Klavier:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-12-19 bis 1967-12-20)
Tenorsaxophon:
King Curtis (saxophonist) (von 1967-12-19 bis 1967-12-20), Seldon Powell (von 1967-12-19 bis 1967-12-20) und Frank Wess (von 1967-12-19 bis 1967-12-20)
Trompete:
Bernie Glow (von 1967-12-19 bis 1967-12-20), Melvin Lastie (von 1967-12-19 bis 1967-12-20) und Joe Newman (US jazz trumpeter) (von 1967-12-19 bis 1967-12-20)
Vibraphon:
Warren Smith (jazz percussionist) (von 1967-12-19 bis 1967-12-20)
Chorgesang:
Carolyn Franklin (von 1967-12-19 bis 1967-12-20) und The Sweet Inspirations (von 1967-12-19 bis 1967-12-20)
Hintergrundgesang:
Cissy Houston (von 1967-12-19 bis 1967-12-20)
vocals:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
Horn arranger und Saiteninstrumente arranger:
Arif Mardin
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-12-19 bis 1967-12-20)
recording of:
Ain’t No Way (von 1967-12-19 bis 1967-12-20)
Texter und Komponist(in):
Carolyn Franklin
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), Fourteenth Hour Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
54:12
11Think
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-15) und Floyd Newman (am 1968-04-15)
Bassgitarre:
Jerry Jemmott (am 1968-04-15)
Gitarre:
Tommy Cogbill (am 1968-04-15) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-15)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-15)
Orgel:
Spooner Oldham (am 1968-04-15)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-15)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-15) und Andrew Love (am 1968-04-15)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-15)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-15)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-15)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 10)
recording of:
Think (am 1968-04-15)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
3.652:18
12I Say a Little Prayer
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 117)
cover recording of:
I Say a Little Prayer (am 1968-04-17)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.33:33
13The House That Jack Built
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bassgitarre:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Orgel:
Spooner Oldham (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
The House That Jack Built (am 1968-04-17)
Verfasser(in):
Bob Lance und Fran Robins
publisher:
Cotillion und Warner Chappell Music Ltd. (no slash; used 1988–1996)
52:21
14See Saw
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-16) und Floyd Newman (am 1968-04-16)
Bassgitarre:
Jerry Jemmott (am 1968-04-16)
Gitarre:
Tommy Cogbill (am 1968-04-16) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-16)
Hybrid-Piano:
Spooner Oldham (am 1968-04-16)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-16)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-16)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-16) und Andrew Love (am 1968-04-16)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-16)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-16)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-16)
cover recording of:
See Saw (am 1968-04-16)
Verfasser(in):
Don Covay und Steve Cropper
publisher:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3.52:43
15The Weight
Techniker(in):
Tom Dowd, Jerome Gasper und Lew Hahn
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-01-08)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-01-08)
Keyboard [electric piano, organ]:
Barry Beckett (am 1969-01-08)
Klavier:
Aretha Franklin (am 1969-01-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-01-08)
Slide-Gitarre:
Duane Allman (am 1969-01-08)
Tenorsaxophon:
King Curtis (saxophonist) (am 1969-01-08)
vocals:
Aretha Franklin (am 1969-01-08)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1969-01-08)
cover recording of:
The Weight (am 1969-01-08)
Texter und Komponist(in):
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
42:58
16Share Your Love With Me
recorded in:
New York, Vereinigte Staaten (am 1969-01-08)
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-01-08)
Keyboard [electric piano, organ]:
Barry Beckett (am 1969-01-08)
Klavier:
Aretha Franklin (am 1969-01-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-01-08)
Tenorsaxophon:
King Curtis (saxophonist) (am 1969-01-08)
vocals:
Aretha Franklin (am 1969-01-08)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
cover recording of:
Share Your Love With Me (am 1969-01-08)
Verfasser(in):
Alfred Braggs und Deadric Malone
publisher:
Don Music Co., Leeds Music Ltd., Songs of Universal, Inc. (BMI) und Universal/MCA Music Ltd. (not for release label use!)
43:20
17Eleanor Rigby
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-10-03)
Gitarre:
Eddie Hinton (am 1969-10-03) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-10-03)
Keyboard [electric piano, organ]:
Barry Beckett (am 1969-10-03)
Klavier:
Aretha Franklin (am 1969-10-03)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-10-03)
vocals:
Aretha Franklin (am 1969-10-03)
aufgenommen bei:
Criteria Recording Studios in Miami, Florida, Vereinigte Staaten (am 1969-10-03)
cover recording of:
Eleanor Rigby (am 1969-10-03)
geschrieben in:
London (Greater London), England, Vereinigtes Königreich (in 1965) und Weybridge, Surrey, England, Vereinigtes Königreich (von 1965 bis 1966)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
geschrieben bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1966)
2:33
18Call Me
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-10-03)
Gitarre:
Eddie Hinton (am 1969-10-03) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-10-03)
Keyboard [electric piano, organ]:
Barry Beckett (am 1969-10-03)
Klavier:
Aretha Franklin (am 1969-10-03)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-10-03)
Hintergrundgesang:
Brenda Bryant (am 1969-10-03), Cissy Houston (am 1969-10-03) und Pat Lewis (am 1969-10-03)
vocals:
Aretha Franklin (am 1969-10-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Criteria Recording Studios in Miami, Florida, Vereinigte Staaten (am 1969-10-03)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 100)
recording of:
Call Me (am 1969-10-03)
Texter und Komponist(in):
Aretha Franklin
publisher:
R.S.O. Publishing Ltd. und Springtime Music, Inc.
4.53:54
19Spirit in the Dark
Techniker(in):
Ron Albert, Chuck Kirkpatrick und Lewis Hahn
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Tom Dowd
Bass:
Tommy McClure (am 1970-03-10)
Gitarre:
Charlie Freeman (am 1970-03-10)
Keyboard:
Jim Dickinson (am 1970-03-10)
Klavier:
Aretha Franklin (am 1970-03-10)
Schlagzeug:
Sammy Creason (am 1970-03-10)
vocals:
Aretha Franklin (am 1970-03-10)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-03-10)
recording of:
Spirit in the Dark (am 1970-03-10)
Texter und Komponist(in):
Aretha Franklin
publisher:
Springtime Music, Inc.
3.54:03
20Don’t Play That Song
recording engineer:
Ron Albert und Chuck Kirkpatrick
Techniker(in):
Ron Albert, Chuck Kirkpatrick und Lewis Hahn
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Tommy McClure (am 1970-03-10)
Gitarre:
Charlie Freeman (am 1970-03-10)
Keyboard:
Jim Dickinson (am 1970-03-10)
Klavier:
Aretha Franklin (am 1970-03-10)
Schlagzeug:
Sammy Creason (am 1970-03-10)
Hintergrundgesang:
Margaret Branch (am 1970-03-10), Brenda Bryant (am 1970-03-10) und Almeda Lattimore (am 1970-03-10)
vocals:
Aretha Franklin (am 1970-03-10)
Horn arranger:
Tom Dowd
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-03-10)
cover recording of:
Don’t Play That Song (You Lied) (am 1970-03-10)
Verfasser(in):
Ahmet Ertegun (US songwriter/producer) und Betty Nelson
publisher:
Carlin Music Corporation und Unichappell Music, Inc.
42:59
21You’re All I Need to Get By
recording engineer und Techniker(in):
Gene Paul
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
You’re All I Need to Get By
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
3.53:36
22Bridge Over Troubled Water
Techniker(in):
Gene Paul
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Tom Dowd
E-Bass:
Chuck Rainey (American bassist) (am 1970-08-13)
Gitarre:
Cornell Dupree (am 1970-08-13)
Klavier:
Aretha Franklin (am 1970-08-13)
Orgel:
Billy Preston (am 1970-08-13)
Schlagzeug:
Ray Lucas (am 1970-08-13)
Tenorsaxophon:
King Curtis (saxophonist) (am 1970-08-13)
Hintergrundgesang:
Cissy Houston (am 1970-08-13), The Sweet Inspirations (am 1970-08-13) und The Sweethearts of Soul (am 1970-08-13)
vocals:
Aretha Franklin (am 1970-08-13)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Bridge Over Troubled Water (am 1970-08-13)
Texter:
Paul Simon (of Simon & Garfunkel)
Komponist(in):
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:31
23Spanish Harlem
recording engineer:
Ron Albert (am 1971-02-16) und Chuck Kirkpatrick (am 1971-02-16)
Techniker(in):
Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Hybrid-Piano und Orgel:
Donny Hathaway (am 1971-02-16)
Klavier:
Aretha Franklin (am 1971-02-16)
Schlagzeug:
Bernard Purdie (am 1971-02-16)
Hintergrundgesang:
Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und The Sweethearts of Soul (am 1971-02-16)
vocals:
Aretha Franklin (am 1971-02-16)
flute arranger, Horn arranger, Saiteninstrumente arranger und Hintergrundgesang arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
cover recording of:
Spanish Harlem (am 1971-02-16)
Texter:
Jerry Leiber
Komponist(in):
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
23:30
24Rock Steady
recording engineer:
Ron Albert (am 1971-02-16)
Techniker(in):
Howard Albert, Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Klavier und Sologesang:
Aretha Franklin (am 1971-02-16)
Orgel:
Donny Hathaway (am 1971-02-16)
Perkussion:
Mac Rebennack (New Orleans blues pianist, singer and songwriter) (am 1971-02-16) und Robert Popwell (am 1971-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1971-02-16)
Tenorsaxophon:
Andrew Love (am 1971-02-16)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1971-02-16)
Hintergrundgesang:
Margaret Branch (am 1971-02-16), Ann S. Clark (am 1971-02-16), Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und Pat Smith (soul vocalist) (am 1971-02-16)
Horn arranger:
Tom Dowd
Saiteninstrumente und Holzblasinstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971, in 1972) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
recording of:
Rock Steady (am 1971-02-16)
Texter und Komponist(in):
Aretha Franklin (von 1970 bis 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc und Springtime Music, Inc.
3.753:14
25Oh Me Oh My (I’m a Fool for You Baby)
recording engineer:
Gene Paul (am 1970-11-02)
Techniker(in):
Gene Paul
Produzent(in):
Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bassgitarre:
Eric Gale (am 1970-11-02)
Gitarre:
Hugh McCracken (am 1970-11-02)
Klavier und Sologesang:
Aretha Franklin (am 1970-11-02)
Orgel:
Donny Hathaway (am 1970-11-02)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1970-11-02)
Hintergrundgesang:
The Sweet Inspirations (am 1970-11-02)
Horn, Saiteninstrumente und Holzblasinstrumente arranger:
Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1970-11-02)
cover recording of:
Oh Me Oh My (I’m a Fool for You Baby) (am 1970-11-02)
Texter und Komponist(in):
Jim Doris (in 1969)
publisher:
Abesongs Ltd (PRS), Noo Trac Ltd. und Origin Network Pty Ltd
3:42
26Day Dreaming
recording engineer:
Ron Albert (am 1971-02-16)
Techniker(in):
Howard Albert, Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Akustikgitarre:
Don Arnone (am 1971-02-16)
Altflöte:
Hubert Laws (am 1971-02-16)
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Hybrid-Piano:
Donny Hathaway (am 1971-02-16)
Klavier und Sologesang:
Aretha Franklin (am 1971-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1971-02-16)
Hintergrundgesang:
Margaret Branch (am 1971-02-16), Ann S. Clark (am 1971-02-16), Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und Pat Smith (soul vocalist) (am 1971-02-16)
Horn arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
recording of:
Day Dreaming (Aretha Franklin song) (am 1971-02-16)
Texter und Komponist(in):
Aretha Franklin (von 1970 bis 1971)
publisher:
Carlin Music Corporation und Pundit Music, Inc
4.53:59
27Wholy Holy
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
cover recording of:
Wholy Holy
Komponist(in):
Renaldo Benson, Al Cleveland (songwriter 1930-1996) und Marvin Gaye
35:34
28Angel
recording engineer:
Phil Schier (in 1972-04)
Produzent(in):
Aretha Franklin und Quincy Jones
Mix:
Phil Schier
Tenorsaxophon:
Joe Farrell (in 1972-04)
remixer:
Quincy Jones und Phil Schier
arranger:
Aretha Franklin und Quincy Jones
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Angel (in 1972-04)
Verfasser(in):
Carolyn Franklin und Sonny Sanders
publisher:
Carlin Music Corporation und Springtime Music, Inc.
44:29
29Until You Come Back to Me (That’s What I’m Gonna Do)
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-flute:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau und Stone Agate Music
4.353:27
30I’m in Love
Techniker(in):
Phil Ramone
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Stanley Clarke (am 1973-04-10)
Gitarre:
Cornell Dupree (am 1973-04-10) und David Spinozza (am 1973-04-10)
Klavier:
Donny Hathaway (am 1973-04-10)
Perkussion:
Ralph MacDonald (am 1973-04-10)
Schlagzeug:
Rick Marotta (US drummer/percussionist) (am 1973-04-10)
Hintergrundgesang:
Judy Clay (American soul and gospel singer) (am 1973-04-10), Gwen Guthrie (US singer, songwriter & pianist) (am 1973-04-10), Cissy Houston (am 1973-04-10) und Deidre Tuck (am 1973-04-10)
Sologesang:
Aretha Franklin (am 1973-04-10)
arranger:
William Eaton (US producer & arranger)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1973-04-10)
cover recording of:
I’m in Love (am 1973-04-10)
Texter und Komponist(in):
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) und Tracebob Music Co.
2:49

Nennungen

Veröffentlichung

hergestellt von und vermarkted von:Rhino Entertainment Company (not for release label use!)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1985)
zum Herunterladen kaufen:https://itunes.apple.com/us/album/id284618098 [Info]
https://play.google.com/store/music/album?id=Bjn3cx4qwbdrkpjvsq6gdbedbt4 [Info] (bis 2020-10-12)
ASIN:US: B07VYP65F8 [Info]
kostenlos streamen:https://open.spotify.com/album/5guQPUTJAINiFb4Sm0kLuV [Info]
https://www.deezer.com/album/108829 [Info]
Streaming-Seite:Amazon Music US [Info]
https://tidal.com/album/71636882 [Info]
https://us.napster.com/artist/aretha-franklin/album/30-greatest-hits [Info] (bis 2022-06-08)

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/78185 [Info]