The Ultimate Jazz Archive, Set 28: Swing to Bebop, Modern Jazz

~ Release by J.J. Johnson, Gerry Mulligan, Sonny Rollins, Paul Quinichette (see all versions of this release, 44 available)

Tracklist

1▶CD: J. J. Johnson
2▶CD: Gerry Mulligan
3▼CD: Sonny Rollins
#TitleArtistRatingLength
1Scoops
recording of:
Scoops
composer:
Sonny Rollins (American saxophonist)
Sonny Rollins2:15
2With a Song in My Heart
Sonny Rollins3:08
3Newk’s Fadeaway
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
Sonny Rollins3:13
4Time on My Hands
Sonny Rollins2:42
5This Love of Mine
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
instrumental recording of:
This Love of Mine (on 1951-12-17)
lyricist:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
composer:
Sol Parker (songwriter) and Henry Sanicola
publisher:
Embassy Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Sonny Rollins2:25
6Shadrack
Sonny Rollins2:34
7On a Slow Boat to China
Sonny Rollins2:41
8Mambo Bounce
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
recording of:
Mambo Bounce (on 1951-12-17)
composer:
Sonny Rollins (American saxophonist)
Sonny Rollins2:23
9I Know
Sonny Rollins2:33
10Dig
recording engineer:
Rudy van Gelder (on 1951-10-05)
producer:
Bob Weinstock
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1951-10-05)
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1951-10-05)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-10-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) and Prestige (American jazz label)
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
recording of:
Dig (on 1951-10-05)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music and Second Floor Music
Miles Davis Sextet7:35
11It’s Only a Paper Moon
recording engineer:
Rudy van Gelder (on 1951-10-05)
producer:
Bob Weinstock
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1951-10-05)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-10-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) and Prestige (American jazz label)
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
instrumental recording of:
It’s Only a Paper Moon (on 1951-10-05)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
Miles Davis Sextet5:25
12Denial
Miles Davis Sextet5:40
13Out of the Blue
recording engineer:
Rudy van Gelder (on 1951-10-05)
producer:
Bob Weinstock
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1951-10-05)
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1951-10-05)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-10-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
recording of:
Out of the Blue (on 1951-10-05)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Red Mitchell (jazz double-bassist, composer and lyricist)
publisher:
Second Floor Music
Miles Davis Sextet6:16
14Almost Like Being in Love
recorded in:
New York, New York, United States (on 1953-10-07)
miscellaneous support:
Ira Gitler (task: supervised by)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Kenny Clarke (on 1953-10-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
instrumental recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1953-10-07)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
Modern Jazz Quartet and Sonny Rollins3:25
15In a Sentimental Mood
miscellaneous support:
Ira Gitler (task: supervised by)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Kenny Clarke (on 1953-10-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
In a Sentimental Mood (on 1953-10-07)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
instrumental recording of:
In a Sentimental Mood (on 1953-10-07)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
Modern Jazz Quartet and Sonny Rollins3:20
16No Moe
recorded in:
New York, New York, United States (on 1953-10-07)
miscellaneous support:
Ira Gitler (task: supervised by)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Kenny Clarke (on 1953-10-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
No Moe (on 1953-10-07)
composer:
Sonny Rollins (American saxophonist)
Modern Jazz Quartet and Sonny Rollins3:31
17The Stopper
miscellaneous support:
Ira Gitler (task: supervised by)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Kenny Clarke (on 1953-10-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
The Stopper (on 1953-10-07)
composer:
Sonny Rollins (American saxophonist)
Modern Jazz Quartet and Sonny Rollins2:58
18Friday the 13th
Modern Jazz Quartet and Sonny Rollins10:33
4▶CD: Paul Quinichette