The Dream of Gerontius / Organ Sonata

~ Veröffentlichung von Elgar; Anthony Rolfe Johnson, Catherine Wyn-Rogers, Michael George, Royal Liverpool Philharmonic Orchestra, Royal Liverpool Philharmonic Choir, The Huddersfield Choral Society, Vernon Handley (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1The Dream of Gerontius, op. 38, Part 2: Introduction
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1993-01-16 bis 1993-01-17, am 1993-01-19)
Elgar2:06
2The Dream of Gerontius, op. 38, Part 2: I Went to Sleep (Soul of Gerontius)
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1993-01-16 bis 1993-01-17, am 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Elgar2:55
3The Dream of Gerontius, op. 38, Part 2: Another Marvel……My Work Is Done (Soul / Angel)
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1993-01-16 bis 1993-01-17, am 1993-01-19)
Elgar3:44
4The Dream of Gerontius, op. 38, Part 2: It Is a Member of That Family (Soul / Angel)
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1993-01-16 bis 1993-01-17, am 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Elgar5:56
5The Dream of Gerontius, op. 38, Part 2: But Hark!……Low‐born Clods of Brute Earth (Soul / Angel / Chorus)
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1993-01-16 bis 1993-01-17, am 1993-01-19)
Elgar1:34
6The Dream of Gerontius, op. 38, Part 2: Dispossessed, Aside Thrust (Chorus)
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1993-01-16 bis 1993-01-17, am 1993-01-19)
Elgar3:55
7The Dream of Gerontius, op. 38, Part 2: I See Not Those False Spirits (Soul / Angel)
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1993-01-16 bis 1993-01-17, am 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Elgar1:48
8The Dream of Gerontius, op. 38, Part 2: There Was a Mortal……Praise to the Holiest (Angel / Semi‐chorus / Chorus)
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1993-01-16 bis 1993-01-17, am 1993-01-19)
Elgar6:00
9The Dream of Gerontius, op. 38, Part 2: But Hark! A Grand Mysterious Harmony (Soul / Angel / Chorus)
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1993-01-16 bis 1993-01-17, am 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Elgar1:19
10The Dream of Gerontius, op. 38, Part 2: Praise to the Holiest (Chorus)
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1993-01-16 bis 1993-01-17, am 1993-01-19)
Elgar7:23
11The Dream of Gerontius, op. 38, Part 2: Thy Judgement Now Is Near (Angel / Soul)
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1993-01-16 bis 1993-01-17, am 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Elgar2:14
12The Dream of Gerontius, op. 38, Part 2: Jesu! By That Shudd’ring Dread (Angel of the Agony / Soul / Semi‐chorus / Chorus)
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1993-01-16 bis 1993-01-17, am 1993-01-19)
Elgar5:47
13The Dream of Gerontius, op. 38, Part 2: Praise to His Name!……Take Me Away (Angel / Soul / Chorus)
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (am 1993-01-16, am 1993-01-19)
Elgar5:20
14The Dream of Gerontius, op. 38, Part 2: Softly and Gently (Angel / Chorus / Semi‐chorus)
assistierende(r) Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orgel:
Stephen Disley
Bass-Gesang [The Angel of Agony]:
Michael George (operatic bass)
Chorgesang:
Huddersfield Choral Society und Royal Liverpool Philharmonic Choir
Mezzosoprangesang [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
Tenor-Gesang [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay und Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1993-01-16 bis 1993-01-17, am 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Elgar6:38

Nennungen

Veröffentlichung

gedruckt in:Vereinigtes Königreich
illustration:Giovanni Guercino
vertrieben von:EMI (EMI Records, or EMI Music only if there is no other imprint)
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
vermarkted von:EMI (EMI Records, or EMI Music only if there is no other imprint)
ASIN:UK: B000025XWS [Info]