Hearts of Gold: The Pop Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

note. 16 tracks: Amazon has a 17 track version, according to the cover, including a Stevie B track

my cd’s a mispressing anyway (I only have the physical cd) with the label for Too Legit to Quit by MC Hammer

Anmerkung zuletzt geändert am 2020-04-03 17:18 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Release Me
recording of:
Release Me
Verfasser(in):
Chynna Phillips, Carnie Wilson und Wendy Wilson
publisher:
EMI Blackwood Music Inc., Smooshie Music und Willphill Music
Wilson Phillips3:52
2How Am I Supposed to Live Without You
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
How Am I Supposed to Live Without You
Verfasser(in):
Michael Bolton und Doug James (Songwriter / Composer / Keyboards)
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. und Is Hot Music Ltd.
sub-publisher:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Michael Bolton44:17
3Should’ve Known Better
Techniker(in), Produzent(in) und Mix:
Humberto Gatica
zusätzliche(r) Mix:
David Cole (US musician/producer, member of C+C Music Factory)
Bassgitarre [bass]:
John Pierce (US session bassist)
Gitarre:
Mike “Georgie” Landau
Keyboard:
Tom Keane (keyboards, of The Keane Brothers)
Schlagzeug:
Prairie Prince
Hintergrundgesang:
Richard Marx, Timothy B. Schmidt und Fee Waybill
Sologesang:
Richard Marx
arranger:
Tom Keane (keyboards, of The Keane Brothers) und Richard Marx
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1987) und Manhattan Records (EMI Music / Universal Music; 1984–1987, relaunched 2001) (in 1987)
produced for:
Hum Productions, Inc.
recording of:
Should’ve Known Better
Texter und Komponist(in):
Richard Marx
publisher:
BMG Monarch, EMI Songs Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und Chi‐Boy Music (in 1987)
Richard Marx4:09
4Opposites Attract
Musikvideo für:
Yakety Yak (Take It Back) (3:34) von Pat Benatar, Al B. Sure!, Tone‐Lōc, Ricky Van Shelton, Charlie Daniels, Brenda Russell (US singer-songwriter & keyboardist), Melba Moore, Quincy Jones, Lita Ford, Randy Newman (American singer‐songwriter and score composer), Queen Latifah, Ozzy Osbourne, Natalie Cole, Kenny Loggins, Stevie Wonder, MC Skat Kat and The Stray Mob, Bugs Bunny (Looney Tunes character), Jerry Leiber, Mike Stoller & Dr. John (New Orleans blues pianist, singer and songwriter)
recording of:
Opposites Attract
Texter und Komponist(in):
Oliver Leiber
Paula Abdul6:50
5Forever Young
Produzent(in):
Bernard Edwards (American bassist and record producer), Rod Stewart, Andy Taylor (of Duran Duran) und Andy Taylor (US producer)
Mix:
Bernard Edwards (American bassist and record producer) und Steve MacMillan
Akustikgitarre:
Jim Cregan (producer & member of Family)
Bass:
Bernard Edwards (American bassist and record producer)
Gitarre [guitars]:
Michael Landau und Andy Taylor (of Duran Duran)
Keyboard [keyboards]:
Kevin Savigar
Schlagzeug [drums]:
Tony Brock
Solo-Gitarre:
Andy Taylor (of Duran Duran)
aufgenommen bei und mixed at:
Record Plant Studios (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Forever Young (Rod Stewart arrangement)
Verfasser(in):
Jim Cregan (producer & member of Family), Bob Dylan, Kevin Savigar und Rod Stewart
publisher:
Cardinal Music Ltd., Kevin Savigar Music, Ram’s Horn Music, Rod Stewart (Publishing label; ASCAP-affiliated), Southern Music Pub. Co. Ltd., Special Rider Music und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Version von:
Forever Young (Bob Dylan song)
Rod Stewart54:06
6Praying for Time
Produzent(in):
George Michael
vocals:
George Michael
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1990)
recording of:
Praying for Time
Texter und Komponist(in):
George Michael
George Michael3.254:42
7Tom’s Diner
zusätzliche(r) Produzent(in):
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
vocals und Interpret(in):
Suzanne Vega (American singer-songwriter)
remixer:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (UK) (in 1990) und A&M Records (in 1991)
Samples:
Tom’s Diner von Suzanne Vega (American singer-songwriter)
recording of:
Tom’s Diner
Texter:
Suzanne Vega (American singer-songwriter)
Komponist(in):
Suzanne Vega (American singer-songwriter) (in 1982)
publisher:
Waifer Songs Ltd., Warner Chappell North America und WB Music Corp. (1929–2019)
DNA featuring Suzanne Vega3.83:51
8Dangerous
Programmierung:
Anders Herrlin und Clarence Öfwerman
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman und Alar Suurna
Bassgitarre:
Anders Herrlin (in 1988-05)
Gitarre:
Jonas Isacsson (in 1988-05)
Keyboard:
Clarence Öfwerman (in 1988-05)
klassiche Gitarre:
Erik Borelius (in 1988-05)
Mundharmonika:
Jalle Lorensson (in 1988-05)
Saxophon:
Erik Häusler (in 1988-05)
Schlagzeug:
Pelle Alsing (in 1988-05)
Slide-Gitarre:
Janne Oldaeus (in 1988-05)
Talkbox:
Henrik Janson (in 1988-05)
Hintergrundgesang:
Marie Fredriksson (in 1988-05), Per Gessle (Swedish singer and guitarist) (in 1988-05) und Clarence Öfwerman (in 1988-05)
Sologesang:
Marie Fredriksson (in 1988-05) und Per Gessle (Swedish singer and guitarist) (in 1988-05)
phonographisches Urheberrecht (℗) von:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) und EMI Svenska AB (not for release label use!) (in 1989)
aufgenommen bei:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1988-05)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Dangerous (in 1988-05)
Texter und Komponist(in):
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette33:52
9Love Will Lead You Back
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1989)
recording of:
Love Will Lead You Back (in 1989)
Verfasser(in):
Diane Warren (US songwriter)
Taylor Dayne4:39
10Here We Are
Programmierung:
Jorge Casas und Clay Ostwald
Techniker(in):
Eric Schilling
zusätzliche(r) assistierende(r) Techniker(in):
Carlos Nieto (engineer, mostly for Latin music)
Produzent(in):
Jorge Casas, Emilio Estefan, Jr. und Clay Ostwald
Mix:
Phil Ramone und Eric Schilling
Sologesang:
Gloria Estefan
arranger:
Jorge Casas, Gloria Estefan und Clay Ostwald
recording of:
Here We Are
Texter und Komponist(in):
Gloria Estefan
publisher:
EMI Songs Ltd., Foreign Imported Productions & Publishing, Inc., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
übersetzte Version von:
Si voy a perderte
Gloria Estefan3.54:46
11Oh Girl
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
Bassgitarre:
Pino Palladino
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1990) und Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Oh Girl (in 1990)
Texter und Komponist(in):
Eugene Record
publisher:
Unichappell Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
recording of:
Oh Women
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
Paul Young3:34
12Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
phonographisches Urheberrecht (℗) von:
The Bangles (in 1988)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Bangles3.753:58
13Don’t Know Much
recording engineer und Mix:
George Massenburg
Koproduzent(in):
Steve Tyrell (American producer and vocalist)
Produzent(in):
Peter Asher
Bassgitarre [bass]:
Leland Sklar (bassist, session musician)
E-Gitarre:
Mike Landau
Klavier:
Don Grolnick
Perkussion:
Mike Fisher (Percussionist)
Gast vocals:
Aaron Neville
vocals:
Linda Ronstadt
Orchester:
Skywalker Symphony Orchestra
Interpret(in):
Aaron Neville und Linda Ronstadt
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
cover recording of:
Don’t Know Much
Verfasser(in):
Barry Mann, Tom Snow (US keyboardist/songwriter) und Cynthia Weil
publisher:
ATV Music, Brain Tree Music, EMI Blackwood Music Inc., Mann and Weil Songs, Inc., MCA Music Ltd. und Snow Music
Linda Ronstadt featuring Aaron Neville33:34
14The Price of Love
recording of:
Price of Love
Komponist(in):
Jonathan Cain und John Waite
publisher:
Chappell & Co. (in 1990), Frisco Kid Music (publisher) (in 1990), Meibach & Epstein (publisher) (in 1990) und Wild Crusade (publisher) (in 1990)
Bad English4:43
15The Lover in Me
assistierende(r) Techniker(in):
Andy "Opie" Batwinas (Aufgabe: mixing), Don Sullivan (engineer), Toni Greene (engineer) und Fred Howard (engineer)
Techniker(in):
Jon Gass und Jon Gass (Aufgabe: mixing)
Produzent(in):
L.A. & Babyface (US R&B songwriting/production duo)
Mix:
Babyface (R&B musician Kenny Edmonds) und L.A. Reid
Keyboard [keyboards]:
Babyface (R&B musician Kenny Edmonds) und Kayo (Kevin Roberson)
Perkussion und Schlagzeug [drums]:
L.A. Reid
Solo-Saxophon:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Sheena Easton, Daryl Simmons und Karyn White
produced for:
La'Face, Inc. (production company)
aufgenommen bei:
Elumba Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Galaxy Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Sound (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten
remixed at:
Elumba Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
instrumental versions:
The Lover in Me (instrumental) von Sheena Easton, The Lover in Me (instrumental) von Sheena Easton und The Lover in Me (instrumental) von Sheena Easton
recording of:
The Lover in Me
Verfasser(in):
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) und Daryl Simmons
publisher:
Green Skirt Music (publisher), Hip Trip Music (publisher) und Kear Music (publisher)
Sheena Easton4:59
16Nothing Compares 2 U
Techniker(in):
Chris Birkett
Produzent(in):
Nellee Hooper und Sinéad O’Connor (Irish singer‐songwriter)
Mix:
Chris Birkett, Fachtna Ó Ceallaigh und Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) und Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
Musikvideos:
Nothing Compares 2 U (music video) von Sinéad O’Connor (Irish singer‐songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 184) und Indie 88: Top 500 Indie Rock Songs (Nummer: 413)
cover recording of:
Nothing Compares 2 U
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing und Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:09

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