Bach (Weekend Classics)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Toccata & Fugue in D minor
organ:
Hannes Kästner (German organist and cembalist)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
9:27
2Concerto in D minor BWV 1043: 2nd movement. Largo
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
7:17
3Goldberg Variations: Aria, variations 1-4
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Variatio 2. a 1 Clav.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Variatio 3. Canone all Unisuono. a 1 Clav.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Variatio 4. a 1 Clav.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
8:57
4The Well-Tempered Clavier: Prelude & Fugue in E minor
piano:
Mieczysław Horszowski (pianist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855.2/855
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 855.2), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 855) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 855)
part of:
The Well-Tempered Clavier, Book I
revision of:
Præludium und Fughetta e-Moll, BWV 855.1/855a (Prelude and Fughetta in E minor, BWV 855.1//855a)
3:47
5Brandenburg Concerto 3: 3rd movement. Allegro assai
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
5:03
6Motet: Singet dem Herm ein neues Lied: Lobet den Hern. Halleluja
choir vocals:
Capella Fidicinia Leipzig
recording of:
Singet dem Herrn ein neues Lied, BWV 225: III. "Lobet den Herrn in seinen Taten"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
5:07
7Sheep May Safely Graze (from Cantata 208)
piano:
Gordon Fergus‐Thompson (pianist)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
5:31
8Orchestral Suite no. 3 in D (Air on a G String)
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
4:32
9Jesu, Joy of Man’s Desiring (from Cantata no. 147)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:41
10Orchestral Suite no. 2: Overture
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
6:42
11Wachet auf BWV 645
organ:
Hannes Kästner (German organist and cembalist)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
4:57

Credits

Release

part of:Weekend Classics (Release Serie, replacing the Release Group serie) (order: 7)
Discogs:https://www.discogs.com/release/11328660 [info]