Rhythm & Blues: 1965

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1I Got You (I Feel Good)
recorded in:
Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Produzent(in):
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (am 1965-05-06) und Maceo Parker (US funk/jazz saxophonist) (am 1965-05-06)
Bass:
Bernard Odum (am 1965-05-06)
Gitarre:
Alphonso "Country" Kellum (am 1965-05-06) und Jimmy Nolen (am 1965-05-06)
Orgel:
Nat Jones (Saxophonist and organist, worked with James Brown) (am 1965-05-06)
Posaune:
Levi Rasbury (am 1965-05-06)
Schlagzeug:
Melvin Parker (am 1965-05-06)
Tenorsaxophon:
Al "Brisco" Clark (am 1965-05-06), St. Clair Pinckney (am 1965-05-06) und Eldee Williams (am 1965-05-06)
Trompete:
Joe Dupars (am 1965-05-06), Mike Ridley (am 1965-05-06) und Ron Tooley (American trumpeter) (am 1965-05-06)
Sologesang:
James Brown (The Godfather of Soul) (am 1965-05-06)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) und PolyGram Inc. (1978–1990) (in 1988)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (am 1965-05-06)
Texter und Komponist(in):
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. und Try Me Inc.
James Brown4.552:47
2Rescue Me
Produzent(in):
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
Sologesang:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 31)
recording of:
Rescue Me
Verfasser(in):
Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (beendet), Chevis Music Publ. Corp. und Reservoir 416
Fontella Bass4.352:53
3In the Midnight Hour
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Memphis pianist) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 134) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 218)
recording of:
In the Midnight Hour (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
Wilson Pickett32:38
4We're Gonna Make It
vocals:
Little Milton (US blues singer and guitarist Milton Campbell)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten
cover recording of:
We’re Gonna Make It
Verfasser(in):
Gene Barge, Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp.
Little Milton32:39
5People Get Ready
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 122)
recording of:
People Get Ready
Texter und Komponist(in):
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:40
6The Tracks of My Tears
Produzent(in):
Bill “Smokey” Robinson
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 50) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 54)
recording of:
The Tracks of My Tears (am 1965-05-19)
Verfasser(in):
Warren “Pete” Moore, Smokey Robinson und Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
recording of:
The Tracks of My Tears (am 1971-05-06)
Verfasser(in):
Warren “Pete” Moore, Smokey Robinson und Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles4.252:56
7Stop! In the Name of Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (von 1965-01-05 bis 1965-01-11)
Hintergrundgesang:
The Andantes (von 1965-01-05 bis 1965-01-11), Florence Ballard (von 1965-01-05 bis 1965-01-11) und Mary Wilson (von 1965-01-05 bis 1965-01-11)
Sologesang:
Diana Ross (von 1965-01-05 bis 1965-01-11)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1965-01-05 bis 1965-01-11)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 13) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 254)
recording of:
Stop! In the Name of Love (von 1965-01-05 bis 1965-01-11)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes4.152:55
8Shotgun
recording engineer:
Lawrence T. Horn
Produzent(in):
Berry Gordy und Lawrence T. Horn
Bass:
James Jamerson (in 1964)
Gitarre:
Eddie Willis (in 1964) und Willie Woods (US guitarist & songwriter) (in 1964)
Hammond-Orgel [B-3]:
Johnny Griffith
membranophone:
Benny Benjamin (US drummer) (in 1964)
Orgel:
Vic Thomas (keyboard) und Victor Thomas (keyboardist) (in 1964)
Schlagzeug:
Benny Benjamin (US drummer)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1964)
Tenorsaxophon und Sologesang:
Junior Walker (in 1964)
Hintergrundgesang:
Willie Woods (US guitarist & songwriter) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 27)
recording of:
Shotgun (in 1964)
Verfasser(in):
Autry De Walt
Komponist(in):
Autry De Walt und Junior Walker
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK), Jobete Music Co. und What Does It Take Publishing (BMI-affiliated)
Jr. Walker & the All Stars3:05
9The "In" Crowd
Ramsey Lewis3:17
10Hold What You've Got
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1964-11-06)
recording engineer:
Tom Dowd
Produzent(in):
Buddy Killen
baritone saxophone:
Mack Williams (saxophone) (am 1964-11-06)
Bass:
Warren Jones (bass, Soul) (am 1964-11-06)
E-Bass [electric bass]:
Clarence Hadley (am 1964-11-06)
Gitarre:
Lee Royal Hadley (guitar, Soul) (am 1964-11-06)
Schlagzeug:
Clyde Williams (US drummer) (am 1964-11-06)
Tenorsaxophon:
Eddie Williams (saxophone) (am 1964-11-06)
vocals:
Joe Tex (American southern soul musician) (am 1964-11-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 26)
recording of:
Hold What You’ve Got (von 1964 bis 1964-11-06)
Texter und Komponist(in):
Joe Tex (American southern soul musician)
publisher:
Fort Knox Music Inc., Sony/ATV Tree Publishing und Trio Music Company
Joe Tex3:11
11Hurt So Bad
recording of:
Hurt So Bad
Verfasser(in):
Bobby Wilding (US songwriter), Bobby Hart und Teddy Randazzo
publisher:
Embassy Music Corporation, Songs of Universal, Inc. (BMI), Teddy Randazzo Music und Vogue Music
Little Anthony & the Imperials2:21
12Papa's Got a Brand New Bag
Produzent(in):
James Brown (The Godfather of Soul)
alto saxophone und Orgel:
Nat Jones (Saxophonist and organist, worked with James Brown) (in 1965-02)
baritone saxophone:
Maceo Parker (US funk/jazz saxophonist) (in 1965-02)
Bass:
Bernard Odum (in 1965-02) und Sam Thomas (US rockabilly artist) (in 1965-02)
Gitarre:
Jimmy Nolen (in 1965-02)
Posaune:
Wilmer Milton (in 1965-02) und Levi Rasbury (in 1965-02)
Schlagzeug:
Melvin Parker (in 1965-02)
Tenorsaxophon:
Al Brisco Clark (in 1965-02), Maceo Parker (US funk/jazz saxophonist) (in 1965-02), St. Clair Pinckney (in 1965-02) und Eldee Williams (in 1965-02)
Trompete:
Joe Dupars (in 1965-02) und Ron Tooley (American trumpeter) (in 1965-02)
Sologesang:
James Brown (The Godfather of Soul) (in 1965-02)
Interpret(in):
The James Brown Band (in 1965-02)
aufgenommen bei:
Arthur Smith Studios in Charlotte, North Carolina, Vereinigte Staaten (in 1965-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 34) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 72)
teilweise recording of:
Papa’s Got a Brand New Bag (in 1965-02)
Texter und Komponist(in):
James Brown (The Godfather of Soul)
Teil von:
MJ: The Musical
recording of:
Papa’s Got a Brand New Bag
Texter und Komponist(in):
James Brown (The Godfather of Soul)
Teil von:
MJ: The Musical
James Brown3.652:06
13Nowhere to Run
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 359)
recording of:
Nowhere to Run
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha and the Vandellas4.653:00
14I Can't Help Myself (Sugar Pie, Honey Bunch)
Four Tops2:44
15Ride Your Pony
Lee Dorsey2:52
16My Girl
Produzent(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
Bass:
James Jamerson (von 1964-09-25 bis 1964-11-17)
Gitarre:
Robert White (US funk/soul guitarist) (von 1964-09-25 bis 1964-11-17)
Instrumente:
The Funk Brothers (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente:
Detroit Symphony Orchestra (von 1964-09-25 bis 1964-11-17)
Schlagzeug:
Benny Benjamin (US drummer) (von 1964-09-25 bis 1964-11-17)
Hintergrundgesang:
Eddie Kendricks (von 1964-09-25 bis 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1964-09-25 bis 1964-11-17) und Paul Williams (member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Interpret(in):
The Temptations (Motown soul vocal group) (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1964-09-25 bis 1964-11-17)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 43) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 88)
recording of:
My Girl (von 1964-09-25 bis 1964-11-17)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations4.452:45
17Baby, I'm Yours
Produzent(in):
Bert Berns und Ollie McLaughlin
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1965-01-08)
Gitarre:
Bill Suyker (am 1965-01-08)
Klavier:
Paul Griffin (American pianist, session musician) (am 1965-01-08)
Kontrabass [bass]:
Jimmy Lewis (jazz bassist) (am 1965-01-08)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1965-01-08) und Tony Studd (am 1965-01-08)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1965-01-08)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1965-01-08)
Tenorsaxophon:
Charlie Brown (saxophonist) (am 1965-01-08)
Trompete:
Dud Bascomb (Sr., jazz trumpeter) (am 1965-01-08) und Clark Terry (American swing trumpeter) (am 1965-01-08)
Hintergrundgesang:
vocal group ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1965-01-08)
vocals:
Barbara Lewis (am 1965-01-08)
conductor:
Teacho Wiltshire (am 1965-01-08)
arranger:
Teacho Wiltshire
Remaster von:
Baby, I’m Yours von Barbara Lewis
Samples von:
Hello Stranger: The Best of Barbara Lewis von Barbara Lewis
recording of:
Baby, I’m Yours (am 1965-01-08)
Texter und Komponist(in):
Van McCoy
publisher:
EMI Blackwood Music Inc. und Van McCoy Music
Barbara Lewis2:35
18Ain't That Peculiar
Produzent(in):
Smokey Robinson
cover recording of:
Ain’t That Peculiar
Verfasser(in):
Marv Tarplin, Robert Rogers, Warren Moore und William Robinson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Marvin Gaye3.253:03
19Got to Get You Off My Mind
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-22)
Produzent(in):
Bert Berns und Jerry Wexler
baritone saxophone:
Seldon Powell (am 1965-01-22)
Bass:
David Adams (60's bassist) (am 1965-01-22)
Bassposaune:
Tony Studd (am 1965-01-22)
Gitarre:
Bill Suyker (am 1965-01-22), Bob Bushnell (am 1965-01-22) und Eric Gale (am 1965-01-22)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1965-01-22)
Schlagzeug [drums]:
Panama Francis (US swing jazz drummer) (am 1965-01-22)
Tenorsaxophon:
Charlie Brown (saxophonist) (am 1965-01-22) und Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1965-01-22)
Trompete:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (am 1965-01-22) und Ernie Royal (am 1965-01-22)
Hintergrundgesang:
Estelle Brown (am 1965-01-22), Cissy Houston (am 1965-01-22), Sylvia Shemwell (am 1965-01-22), The Sweet Inspirations (am 1965-01-22) und Dee Dee Warwick (am 1965-01-22)
vocals:
Solomon Burke (am 1965-01-22)
conductor:
Gene Page (conductor, composer, arranger and record producer) (am 1965-01-22)
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Got to Get You Off My Mind (Solomon Burke) (am 1965-01-22)
Verfasser(in):
Dolores Burke (songwriter), Solomon Burke, J.B. Moore (producer, composer) und Josephine Burke Moore
publisher:
Cotillion Music Inc. (BMI)
Solomon Burke42:35
20Oo Wee Baby, I Love You
recording of:
Oo Wee Baby, I Love You
Texter und Komponist(in):
Richard Parker (Soul and pop singer-songwriter and producer)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Fred Hughes2:25
21I Do Love You
recording of:
I Do Love You
Billy Stewart3:03
22I've Been Loving You Too Long (To Stop Now)
recording of:
I’ve Been Loving You Too Long
Verfasser(in):
Jerry Butler (soul singer) (in 1965) und Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) und Wildwood Music Ltd.
Otis Redding3:15

Nennungen

Veröffentlichungsgruppe

Teil von:Rhythm & Blues (Time-Life Music) (Nummer: 1965) (Reihenfolge: 12)