Friday Office Music

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-03-17).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy)
  • Western Europe: 🇦🇹 Austria (at) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇪🇸 Spain (es)
  • Eastern Asia: 🇰🇷 Korea (kr)
  • Oceania: 🇦🇺 Australia (au)
Annotazione modificata l'ultima volta il 2020-03-17 22:05 UTC.

Elenco tracce

1Supporto digitale
#TitoloArtistaValutazioneDurata
1Karma Chameleon
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club3.754:02
2Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.94:01
3The Way I Are
tecnico di registrazione:
Demacio "Demo" Castellon
co-produttore:
Danja (US producer Nate Hills)
produttore:
Timbaland
tecnico di missaggio:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
editor:
Ron Taylor (audio editing)
membranofono :
Danja (US producer Nate Hills) e Timbaland
tastiera :
Danja (US producer Nate Hills)
voce:
D.O.E. (US rapper)
voce ospite:
Keri Hilson
esecutore ospite:
D.O.E. (US rapper) e Keri Hilson
registrata presso:
Thomas Crown Studio in Virginia Beach, Virginia, Stati Uniti
mixata presso:
Pacifique Recording Studios (Burbank) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
The Way I Are
autore:
Garland Mosley (US rapper Garland Mosley, brother of Timbaland), Keri Hilson, John Maultsby (US rapper), Balewa Muhammad, Nate Hills (US producer Nate Hills), Candice Nelson e Timothy Mosley
editore:
Boootleggerstop, Danjahandz Muzik, Jerry Lee Publishing, Keriokey Music, Universal Music Publishing (Belgium), Virginia Beach Music e Warner Chappell Publishing
Timbaland feat. Keri Hilson & D.O.E.4.32:59
4Promiscuous
tecnico di registrazione e tecnico di missaggio:
Demacio "Demo" Castellon
tecnico di registrazione aggiunto:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
programmazione aggiuntiva:
Demacio "Demo" Castellon
tecnico:
Vadim Chislov, Demacio "Demo" Castellon, Ben Jost (engineer), James Roach (engineer) e Kobla Tetey
produttore:
Jim Beanz (voce principale), Danja (US producer Nate Hills) e Timbaland
batteria [drums] e tastiera [keyboards] :
Danja (US producer Nate Hills) e Timbaland
voce di accompagnamento:
Nelly Furtado
voce di accompagnamento aggiuntiva:
Jim Beanz
voce ospite:
Timbaland
diritti fonografici (℗) detenuti da:
Mosley Music Group LLC (Do not use as a release company, use Mosley Music Group instead) e Geffen Records (nel 2006)
mixata per:
Storm Circle Entertainment
è stato produttore per:
Danja Handz Productions, Pettaway Music, Sunset Entertainment e Timbaland Productions
registrata presso:
The Hit Factory Miami in Miami, Florida, Stati Uniti
mixata presso:
Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 456)
registrazione di:
Promiscuous
paroliere:
Attitude (US rapper/producer Tim Clayton), Nelly Furtado e Timbaland
compositore:
Timothy Clayton, Nelly Furtado, Nate Hills (US producer Nate Hills) e Timothy Mosley
Nelly Furtado feat. Timbaland3.854:02
5Lights Out, Words Gone
tecnico:
Ian Dowling
produttore:
Jim Abbiss, Craig Silvey e Jack Steadman (London-based musician, Bombay Bicycle Club frontman)
assistente tecnico di missaggio:
Bryan Wilson (mixer)
tecnico di missaggio:
Craig Silvey
batteria :
Suren de Saram
chitarra :
Jamie MacColl e Jack Steadman (London-based musician, Bombay Bicycle Club frontman)
chitarra basso :
Ed Nash
voce:
Jack Steadman (London-based musician, Bombay Bicycle Club frontman)
diritti fonografici (℗) detenuti da:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25)
registrazione di:
Lights Out, Words Gone
autore:
Jack Steadman (London-based musician, Bombay Bicycle Club frontman)
Bombay Bicycle Club5:01
6Master Blaster (Jammin’)
assistente tecnico:
Bob Harlan
tecnico e tecnico di missaggio:
Gary Olazabal
produttore:
Stevie Wonder
basso :
Nathan Watts
batteria :
Dennis Davis (drummer)
chitarra :
Ben Bridges e Rick Zunigar
clavinet e piano Rhodes :
Stevie Wonder
organo :
Isaiah Sanders
percussione :
Earl DeRouen (percussionist, composer)
sassofono :
Hank Redd
tromba :
Larry Gittens
voce di accompagnamento:
Shirley Brewer, Alex Brown (US soul vocalist, member of Raelets), Marva Holcolm e Angela Winbush
arrangiatore:
Stevie Wonder
registrata presso e mixata presso:
Wonderland Studios in Los Angeles, California, Stati Uniti
registrazione di:
Master Blaster (Jammin’)
compositore:
Stevie Wonder
editore:
Black Bull Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e Jobete Music Co., Inc.
Stevie Wonder4.85:08
7Chelsea Dagger
tecnico:
Todd Burke e Tony Hoffer
produttore e tecnico di missaggio:
Tony Hoffer
registrazione di:
Chelsea Dagger
paroliere e compositore:
Jon Fratelli
The Fratellis4.153:35
8Easy
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1977), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1977), Motown Records (not for label use; use “Motown” instead) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 2009)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 93)
registrazione di:
Easy
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores3.754:16
9Peg
tecnico esecutivo:
Roger Nichols (US mastering, recording engineer and producer)
produttore:
Gary Katz
batteria :
Rick Marotta (US drummer/percussionist)
chitarra :
Steve Kahn e Steve Khan
chitarra basso :
Chuck Rainey (American bassist)
chitarra solista :
Jay Graydon
clavinet :
Don Grolnick
lyricon :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
percussione :
Gary Coleman (US percussionist) e Victor Feldman (jazz musician)
piano Rhodes [Fender Rhodes] e pianoforte elettrico :
Paul Griffin (American pianist, session musician)
voce di accompagnamento:
Paul Griffin (American pianist, session musician) e Michael McDonald (R&B & soul singer)
voce principale:
Donald Fagen
diritti fonografici (℗) detenuti da:
ABC Records, Inc (nel 1977), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1977) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 62)
registrazione di:
Peg
paroliere e compositore:
Walter Becker e Donald Fagen
editore:
MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!), ABC/Dunhill Music, Inc. (nel 1977) e Anchor Music Ltd. (nel 1977)
Steely Dan4.24:00
10I Want You Back
produttore:
The Corporation (Motown songwriters)
batteria :
Gene Pello e Johnny Jackson (drummer for Jackson 5) (nel 1969-07)
chitarra :
Donald Peake, David T. Walker e Tito Jackson (nel 1969-07)
chitarra [lead guitar] :
Louis Shelton (nel 1969-07)
chitarra basso :
Wilton Felder (nel 1969-07)
percussione :
Sandra Crouch e Marlon Jackson (nel 1969-07)
pianoforte :
Fonce Mizell, Freddie Perren, Joe Sample e Ronnie Rancifer (nel 1969-07)
tastiera :
Clarence McDonald e Ronnie Rancifer (nel 1969-07)
voce:
Jackie Jackson (member of the Jackson 5) (nel 1969-07)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1969-07), Marlon Jackson (nel 1969-07) e Tito Jackson (nel 1969-07)
voce principale:
Michael Jackson (“King of Pop”) (nel 1969-07)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
The Sound Factory West in West Hollywood, California, Stati Uniti (nel 1969-07, dal 1969-07 al 1969-09)
video musicali:
I Want You Back di The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 23), Billboard Year-End Hot 100 singles of 1970 (numero: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 104) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 120)
registrazione di:
I Want You Back (nel 1969-07)
paroliere e compositore:
The Corporation (Motown songwriters)
editore:
EMI April Music Inc. e Jobete Music Co., Inc.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
The Jackson 54.152:58
11Escape (The Piña Colada Song)
tecnico e tecnico di missaggio:
Jim Boyer (producer/engineer)
produttore:
Jim Boyer (producer/engineer) e Rupert Holmes
basso [electric bass] :
Frank Gravis
batteria :
Leo Adamian
diritti fonografici (℗) detenuti da:
Geffen Records, Infinity Records Inc. e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1979)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti
mixata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti
registrazione di:
Escape (The Piña Colada Song)
paroliere e compositore:
Rupert Holmes
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes3.554:36
12Ain’t No Mountain High Enough (mono version)
voce:
Marvin Gaye e Tammi Terrell
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 37)
registrazione di:
Ain’t No Mountain High Enough
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
sub-editore:
EMI Songs Australia Pty. Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell4.72:32
13Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.94:11
14Walking on Sunshine
registrata a:
England, Regno Unito
assistente tecnico:
Jon Goldberger (engineer)
tecnico e tecnico di missaggio:
Scott Litt (producer and engineer)
produttore:
Pat Collier e Katrina and the Waves (British‐American rock band)
produttore aggiunto:
Scott Litt (producer and engineer)
batteria e percussione :
Alex Cooper (drummer, member of “Katrina and the Waves”)
chitarra [lead guitar] :
Kimberley Rew
chitarra [rhythm guitar] e voce principale:
Katrina Leskanich
chitarra basso :
Vince de la Cruz
organo ospite :
Nick Glennie‐Smith
ottoni [Rumour Brass Section] ospite :
Ray Beavis, Dick Hanson e John "Irish" Earl (Irish saxophonist)
voce di accompagnamento:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz e Kimberley Rew
arrangiatore ottoni :
Eamon Fitzpatrick
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1985)
registrata presso:
Alaska Studios in London (Greater London), England, Regno Unito e Greenhouse Studio (London) in London (Greater London), England, Regno Unito
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1984-12 al 1985-03)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 378)
registrazione di:
Walking on Sunshine
paroliere:
Kimberley Rew (nel 1983)
compositore:
Kimberley Rew
editore:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.954:01
15Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974), Universal Music (plain logo: “Universal Music”) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-07)
parte di:
Billboard Hot 100: 2026-07-18 (numero: 31), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:44
16Superstition (single version)
programmazione degli strumenti e produttore associato:
Malcolm Cecil e Robert Margouleff
tecnico:
Malcolm Cecil e Robert Margouleff
produttore:
Stevie Wonder
voce principale:
Stevie Wonder
registrazione di:
Superstition
paroliere e compositore:
Stevie Wonder
editore:
Black Bull Music, 大洋音楽 (Taiyō Music), Jobete Music Co., Inc. (nel 1972) e Stein & Van Stock, Inc. (nel 1972)
Stevie Wonder4.654:01
17Red Red Wine (7″ version)
produttore:
Ray “Pablo” Falconer e UB40
arrangiatore:
UB40
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983) e DEP International (UB40) (nel 1983)
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB403.83:04
18Every Breath You Take
tecnico:
Hugh Padgham
produttore:
Hugh Padgham e The Police (British rock band)
basso elettrico e voce principale:
Sting (singer, songwriter & member of The Police) (nel 1983)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer) (nel 1983)
chitarra elettrica :
Andy Summers (nel 1983)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1981, nel 2003), A&M Records (nel 1983, nel 2016), A&M Records Limited (nel 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1983) e A&M Records, Inc. (nel 1997)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1983) e Le Studio in Morin‐Heights, Québec (Quebec), Canada (nel 1983)
video musicali:
Every Breath You Take di The Police (British rock band)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 287) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 305)
registrazione di:
Every Breath You Take (nel 1983)
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) e Virgin Music (Publishers) Ltd.
sub-editore:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Police4.054:14
19Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:34
20Pump It
programmazione degli strumenti:
will.i.am (American rapper and producer)
tecnico:
Tal Herzberg, Jason "Ill-Aroma" Villaroman e will.i.am (American rapper and producer)
produttore:
will.i.am (American rapper and producer)
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
basso e moog :
will.i.am (American rapper and producer)
chitarra :
George Pajon, Jr.
voce:
apl.de.ap, Fergie (American singer), Taboo (member of Black Eyed Peas) e will.i.am (American rapper and producer)
campionamenti:
Misirlou Twist di Dick Dale and His Del‐Tones
video musicali:
Pump It (video) di The Black Eyed Peas (US pop/hip hop group)
registrazione di:
Pump It
autore:
apl.de.ap, Fergie (American singer), Thomas van Musser, Nicholas Roubanis (Greek American musician) e will.i.am (American rapper and producer)
si basa su:
Miserlou
The Black Eyed Peas3.953:33
21All Night Long (All Night) (single version)
produttore:
James Anthony Carmichael e Lionel Richie
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983) e Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
All Night Long (All Night)
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Music e Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:20
22Get Down on It (single version)
diritti fonografici (℗) detenuti da:
De-Lite Recorded Sound Corp. (not for release) (nel 1981)
registrazione di:
Get Down on It
autore:
Ronald Bell, Kool & the Gang e James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
editore:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
Kool & the Gang4.53:35
23No Diggity
programmazione e produttore:
Teddy Riley (US R&B singer & producer) e William "Skylz" Stewart (US hip-hop producer)
strumenti:
Teddy Riley (US R&B singer & producer) e William "Skylz" Stewart (US hip-hop producer)
esecutore:
Blackstreet
esecutore ospite:
Dr. Dre (Andre Young, rap producer) e Queen Pen
arrangiatore:
Teddy Riley (US R&B singer & producer) e William "Skylz" Stewart (US hip-hop producer)
campionamenti:
Grandma’s Hands di Bill Withers
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 91) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 424)
registrazione di:
No Diggity
autore:
Andre Young (Dr. Dre, Andre Young, rap producer), Chauncey Hannibal, Lynise Walters, Richard Vick, Teddy Riley (US R&B singer & producer), William "Skylz" Stewart (US hip-hop producer) e Bill Withers
editore:
Ain't Nothin' Goin' But F...n' (aka Ain’t Nothin’ but F****n’ and other variations), Chauncey Black Music for Smokin' Sounds, City Housing Publishing, Donril Music, Interior Music Corp., Queen Pen Music (ASCAP), Sony Songs Inc., Universal Z Songs e Zomba Enterprises Inc.
cita la musica di:
Grandma’s Hands
Blackstreet feat. Dr. Dre4.25:05
24Video Killed the Radio Star
video musicali:
Video Killed the Radio Star di Buggles e Video Killed the Radio Star di Buggles
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 56)
registrazione di:
Video Killed the Radio Star
autore:
Geoff Downes (English keyboardist), Trevor Horn e Bruce Woolley
editore:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles4.64:14
25Summer of ’69
assistente tecnico:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov e Michael Sauvage
tecnico:
Bob Clearmountain (dal 1984-03-27 al 1984-09-22)
produttore:
Bryan Adams (Canadian singer/songwriter) e Bob Clearmountain
produttore associato:
Jim Vallance
tecnico di missaggio:
Bob Clearmountain (il 1984-09-22)
basso elettrico [bass] :
Dave (Bass player (Bryan Adams) and engineer) (dal 1984-03-27 al 1984-09-22)
batteria [drums] :
Pat (dal 1984-03-27 al 1984-09-22)
chitarra [lead guitar] :
Keith (Canadian guitarist) (dal 1984-03-27 al 1984-09-22)
chitarra [rhythm guitar] e voce di accompagnamento [harmony vocal]:
BA (Canadian singer/songwriter) (dal 1984-03-27 al 1984-09-22)
percussione :
Jim (dal 1984-03-27 al 1984-09-22)
voce principale:
Bryan Adams (Canadian singer/songwriter) (dal 1984-03-27 al 1984-09-22)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1984), A&M Records, Inc. (nel 1984, nel 1999) e Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (nel 1999)
registrata presso:
Little Mountain Sound in Vancouver, British Columbia (Columbia Britannica), Canada (dal 1984-03-27 al 1984-09-22)
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (il 1984-09-22)
parte di:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (numero: 3), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (numero: 3), SWR1 Hitparade 2007 (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 8), Huffington Post: 100 Best Canadian Songs Ever (numero: 9), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 10) e The Downloader’s Music Source Book (numero: 179)
registrazione di:
Summer of ’69 (dal 1984-03-27 al 1984-09-22)
scritta a:
Vancouver, British Columbia (Columbia Britannica), Canada (il 1984-01-25)
autore:
Bryan Adams (Canadian singer/songwriter) (il 1984-01-25) e Jim Vallance (il 1984-01-25)
editore:
Adams Communications Inc. (nel 1984), Almo Music Corp. (USA, affiliated with ASCAP) (nel 1984), Calypso Toonz (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984) e Testatyme Music (nel 1984)
Bryan Adams4.43:36
26All Star
supporto artisti & repertorio (A&R):
Tom Whalley
assistente tecnico:
Trevor Adkinson (engineer for Smash Mouth)
tecnico, produttore e tecnico di missaggio:
Eric Valentine (Eric Dodd, producer and instrumentalist)
editor aggiunto:
Jacquire King
batteria :
Kevin Coleman
chitarra :
Greg Camp
chitarra basso :
Paul De Lisle
strumenti elettronici :
Mark Camp (Smash Mouth collaborator) e Chris Racine
tastiera :
Michael Klooster
tastiera aggiunto:
Eric Valentine (Eric Dodd, producer and instrumentalist)
voce di accompagnamento:
Greg Camp e Paul De Lisle
voce principale:
Steve Harwell
video musicali:
All Star di Smash Mouth (US rock band from San Jose, CA)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 339)
registrazione di:
All Star
paroliere e compositore:
Greg Camp
editore:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Smash Mouth4.63:20
27Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:24
28I’m Coming Out
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
remixer:
Russ Terrana
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1980) e Motown Records (not for label use; use “Motown” instead) (nel 1980)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 385) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 436)
registrazione di:
I’m Coming Out
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Diana Ross3.95:23
29Could You Be Loved
assistente tecnico:
Chiao Ng (engineer)
tecnico:
Errol Brown (Jamaican engineer and dub producer)
produttore:
Bob Marley & The Wailers
produttore esecutivo:
Chris Blackwell (Island Records)
tecnico di missaggio:
Chris Blackwell (Island Records) e The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
batteria [1979 Yamaha 9000] :
Carlton “Carly” Barrett
chitarra basso [1972 Fender Jazz Bass] e pianoforte [Hamburg Steinway Piano] :
Aston “Family Man” Barrett
chitarra elettrica [1973 Gibson Les Paul Special] e voce principale:
Bob Marley (Jamaican reggae artist)
chitarra elettrica [1977 Gibson Les Paul Standard] :
Al Anderson (Bob Marley & The Wailers guitarist)
chitarra elettrica [1978 Gibson Les Paul Custom] :
Junior Marvin
clavinet [Hohner D6] e organo Hammond [B-3] :
Earl “Wya” Lindo
cuíca , legnetti , percussione , shaker e tamburello :
Alvin “Seeco” Patterson
strumenti:
Bob Marley & The Wailers
voce di accompagnamento:
Tyrone Downie, Marcia Griffiths (reggae singer from Jamaica), Rita Marley, Junior Marvin e Judy Mowatt
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1980)
registrata presso e mixata presso:
Tuff Gong Studios in Kingston (Kingston Parish), Giamaica
parte di:
BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 363)
registrazione di:
Could You Be Loved
paroliere e compositore:
Bob Marley (Jamaican reggae artist)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., Blue Mountain Music (nel 1980), Bob Marley Music Inc. (nel 1980), Fifty Six Hope Road Music Limited (nel 1980) e Odnil Music Ltd. (nel 1980)
Bob Marley & The Wailers4.13:57
30It Wasn’t Me
tecnico di registrazione e tecnico di missaggio:
Shaun Pizzonia
produttore:
Shaun Pizzonia e Sting International
chitarra :
R. Zapata
membranofono e percussione [drums] :
Shaun Pizzonia
ottoni :
Kevin Bachelor e Jerry Johnson (saxophonist with roots reggae band Steel Pulse)
tastiera :
Nigel Staff
violino :
Gwen Laster
voce e esecutore:
Ricardo “Rik Rok” Ducent
voce di accompagnamento:
Brian & Tony Gold e Shaun Pizzonia
voce principale:
Ricardo Ducent e Shaggy (Orville Richard Burrell, dancehall and reggae singer)
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 2000, nel 2001)
è stato produttore per:
Big Yard Music Group
registrata presso e mixata presso:
Ranch Recording Studio in New York, Stati Uniti
video musicali:
It Wasn't Me di Shaggy (Orville Richard Burrell, dancehall and reggae singer) featuring Ricardo “RikRok” Ducent
parte di:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 273)
registrazione di:
It Wasn’t Me
autore:
Brian Thompson, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia e Ricardo Ducent
editore:
Livingsting Music
si basa su:
Smile Happy
Shaggy3.553:48
31Blurred Lines (physical version)
produttore:
Pharrell Williams
campionamenti:
Got to Give It Up di Marvin Gaye
video musicali:
Blurred Lines di Robin Thicke feat. T.I. (Atlanta US rapper & producer Clifford Harris) & Pharrell Williams
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 2), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2014) e Billboard Year-End Hot 100 singles of 2014 (numero: 83)
registrazione di:
Blurred Lines
autore:
Marvin Gaye, T.I. (Atlanta US rapper & producer Clifford Harris), Robin Thicke e Pharrell Williams
editore:
Deyjah’s Daddy Muzik (conclusa), EMI April Music, Inc., I Like ’em Thicke Music e More Water From Nazareth
Robin Thicke feat. T.I. & Pharrell2.54:24
32Ride Wit Me
produttore:
City Spud
voce:
City Spud e Nelly (US rapper)
voce ospite:
City Spud
diritti fonografici (℗) detenuti da:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 2000)
registrazione di:
Ride Wit Me
autore:
Cornell Haynes, Jr. (US rapper), Eldra DeBarge (El DeBarge), Etterlene Jordan (R&B/soul singer/songwriter, a/k/a Etterlene Jordan), Jason Epperson, Levell Webb e William DeBarge
editore:
D2 Pro Publishing, Dynacom Publishing, Hipgnosis SFH I Limited, Jay E’s Basement (ASCAP), Jobete Music Co., Inc., Kobalt Songs Music Publishing (USA, ASCAP affiliated), Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music–MGB Songs
Nelly feat. City Spud3.94:52
33Roxanne
tecnico:
Chris Gray (UK engineer) e Nigel Gray (UK producer)
produttore:
The Police (British rock band)
basso elettrico :
Sting (singer, songwriter & member of The Police)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer)
chitarra elettrica :
Andy Summers
voce:
Sting (singer, songwriter & member of The Police)
arrangiatore:
The Police (British rock band)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1978), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1978), A&M Records, Inc. (nel 1997) e A&M Records, Ltd. (nel 2003)
registrata presso:
Surrey Sound Studios in Leatherhead, Surrey, England, Regno Unito
video musicali:
Roxanne (Music video) di The Police (British rock band)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 388)
registrazione di:
Roxanne
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
Mushroom Music (Mushroom label’s publishing company) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.33:12
34I Got You (I Feel Good) (1966 version)
registrata a:
Miami, Florida, Stati Uniti (il 1965-05-06)
produttore:
James Brown (The Godfather of Soul)
basso :
Bernard Odum (il 1965-05-06)
batteria :
Melvin Parker (il 1965-05-06)
chitarra :
Alphonso "Country" Kellum (il 1965-05-06) e Jimmy Nolen (il 1965-05-06)
organo :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06)
sassofono contralto :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06) e Maceo Parker (US funk/jazz saxophonist) (il 1965-05-06)
sassofono tenore :
Al "Brisco" Clark (il 1965-05-06), St. Clair Pinckney (il 1965-05-06) e Eldee Williams (il 1965-05-06)
tromba :
Joe Dupars (il 1965-05-06), Mike Ridley (il 1965-05-06) e Ron Tooley (American trumpeter) (il 1965-05-06)
trombone :
Levi Rasbury (il 1965-05-06)
voce principale:
James Brown (The Godfather of Soul) (il 1965-05-06)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1965) e PolyGram Inc. (1978–1990) (nel 1988)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1965-05-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 359)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good)) (il 1965-05-06)
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown4.552:47
35Learning to Fly
tecnico:
Richard Dodd (mastering engineer, producer and engineer)
produttore:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Jeff Lynne e Tom Petty
basso, chitarra e tastiera e voce di accompagnamento:
Jeff Lynne (nel 1991)
chitarra , percussione e voce di accompagnamento e voce principale:
Tom Petty (nel 1991)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1991) e Geffen Records (nel 2014)
registrata presso:
Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti (nel 1991)
registrazione di:
Learning to Fly (nel 1991)
autore:
Jeff Lynne e Tom Petty
editore:
EMI April Music Inc. e Gone Gator Music (ASCAP affiliated)
Tom Petty and the Heartbreakers4.454:02