Best of Artist of the Century

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1That's All Right
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Akustikgitarre:
Elvis Presley (“The King of Rock and Roll”)
Bass und Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 112)
cover recording of:
That’s All Right (am 1954-07-05)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
2.91:57
2Baby, Let's Play House
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1955-01-30 bis 1955-02-04)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1955-01-30 bis 1955-02-04)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1953, in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1955-01-30 bis 1955-02-04)
cover recording of:
Baby Let’s Play House (von 1955-01-30 bis 1955-02-04)
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
recording of:
Baby Let’s Play House
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
3.852:17
3Heartbreak Hotel
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-10)
Herausgeber:
Sony/ATV Songs LLC
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
recording of:
Heartbreak Hotel (am 1956-01-10)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3.652:10
4Hound Dog
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
cover recording of:
Hound Dog (am 1956-07-02)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
3.652:16
5Don't Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. und Williamson Music Company
3.82:03
6All Shook Up
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-12 bis 1957-01-13)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-12 bis 1957-01-13) und Elvis Presley (“The King of Rock and Roll”) (von 1957-01-12 bis 1957-01-13)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1957-01-12 bis 1957-01-13)
Schlagzeug:
D.J. Fontana (von 1957-01-12 bis 1957-01-13)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) und The Jordanaires (southern gospel group) (von 1957-01-12 bis 1957-01-13)
remixer:
Dennis Ferrante
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-01-12 bis 1957-01-13) und Bloch Arena in Honolulu, Hawaii, Vereinigte Staaten (am 1961-03-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 353)
cover recording of:
All Shook Up (am 1957-01-12)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) und Shalimar Music Corp.
3.651:58
7One Night
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-15 bis 1957-01-18)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-15 bis 1957-01-18) und Tiny Timbrell (von 1957-01-15 bis 1957-01-18)
Klavier:
Dudley Brooks (von 1957-01-15 bis 1957-01-18)
Schlagzeug:
D.J. Fontana (von 1957-01-15 bis 1957-01-18)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-02-23)
vocals:
The Jordanaires (southern gospel group) (von 1957-01-15 bis 1957-01-18)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957, in 1959) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Paramount Scoring Stage in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-15 bis 1957-01-18), Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-02-23) und Metropolitan Sports Center in Bloomington, Minnesota, Vereinigte Staaten (am 1976-10-17)
cover recording of:
One Night (von 1957-01-15 bis 1957-02-23)
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
live cover recording of:
One Night (am 1976-10-17)
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
recording of:
One Night
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
2.72:30
8Jailhouse Rock
E-Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-04-30)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-04-30)
Schlagzeug:
D.J. Fontana (am 1957-04-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
zusätzlich vocals:
The Jordanaires (southern gospel group) (am 1957-04-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957) und BMG Music (in 1957)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 67) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 216)
recording of:
Jailhouse Rock (am 1957-04-30)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
3.42:29
9Trouble
Techniker(in):
Thome Nogar
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1958-01-15)
zusätzlich vocals:
The Jordanaires (southern gospel group) (am 1958-01-15)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-01-15)
recording of:
Trouble (Elvis Presley) (am 1958-01-15)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Jerome Leiber Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Purple Starfish Music, Sony Songs und Sony/ATV Songs LLC
42:18
10It's Now or Never
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
cover recording of:
It’s Now or Never (am 1960-04-03)
Texter:
Wally Gold und Aaron Schroeder (1950s~1960s US songwriter)
Komponist(in):
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music und Williamson Music Company
Version von:
’O sole mio
3.753:18
11Are You Lonesome Tonight?
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960, in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 9)
cover recording of:
Are You Lonesome Tonight? (am 1960-04-03)
Texter:
Roy Turk
Komponist(in):
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music und Redwood Music Ltd. (Carlin)
3.13:07
12Reconsider Baby
recording engineer:
Bill Porter (engineer) (am 1960-04-04)
Produzent(in):
Chet Atkins und Steve Sholes
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Reconsider Baby (am 1960-04-03)
Texter und Komponist(in):
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
cover recording of:
Reconsider Baby (in 1960-04)
Texter und Komponist(in):
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2.53:40
13Can't Help Falling in Love
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1961-03-23)
Celesta [celeste]:
Dudley Brooks (am 1961-03-23)
Gitarre:
Hank Garland (am 1961-03-23), Scotty Moore (American guitarist and recording engineer) (am 1961-03-23) und Tiny Timbrell (am 1961-03-23)
Klavier:
Dudley Brooks (am 1961-03-23) und Floyd Cramer (am 1961-03-23)
Mundharmonika:
George Fields (am 1961-03-23)
Saxophon:
Boots Randolph (am 1961-03-23)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1961-03-23), D.J. Fontana (am 1961-03-23) und Bernie Mattinson (am 1961-03-23)
Steel-Gitarre:
Alvino Rey (am 1961-03-23)
Ukulele:
Bernie Lewis (am 1961-03-23) und Fred Tavares (am 1961-03-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1961-03-23)
vocals:
The Jordanaires (southern gospel group) (am 1961-03-23) und The Surfers (a.k.a. The Hawaiian Surfers) (am 1961-03-23)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1961-03-23)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1961), BMG Music (in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 137)
recording of:
Can’t Help Falling in Love (am 1961-03-23)
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
4.13:01
14Little Sister
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1961-06-25)
vocals:
Millie Kirkham (am 1961-06-25)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1961-06-25)
phonographisches Urheberrecht (℗) von:
BMG Music und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recording of:
Little Sister (am 1961-06-25)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
32:33
15Return to Sender
Produzent(in):
Hugo & Luigi (US producers Hugo Peretti & Luigi Creatore)
Bass:
Ray Siegel (am 1962-03-27)
Gitarre:
Barney Kessel (am 1962-03-27), Scotty Moore (American guitarist and recording engineer) (am 1962-03-27) und Tiny Timbrell (am 1962-03-27)
Klarinette und Saxophon:
Boots Randolph (am 1962-03-27)
Klavier:
Dudley Brooks (am 1962-03-27)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1962-03-27), D.J. Fontana (am 1962-03-27) und Bernie Mattinson (am 1962-03-27)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1962-03-27)
vocals:
The Jordanaires (southern gospel group) (am 1962-03-27)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1962) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1962-03-27)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 21)
recording of:
Return to Sender (am 1962-03-27)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Winfield Scott
Übersetzer:
Margot Borgström
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), The Manor Music Co. Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Carlin Music Corp. (in 1981)
Version von:
Verkeerd verbonden
cover recording of:
Return to Sender
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Winfield Scott
Übersetzer:
Margot Borgström
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), The Manor Music Co. Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Carlin Music Corp. (in 1981)
Version von:
Verkeerd verbonden
42:07
16(You're the) Devil in Disguise
Bass:
Bob Moore (U.S. bassist and bandleader) (von 1963-05-26 bis 1963-05-27)
Gitarre:
Harold Bradley (von 1963-05-26 bis 1963-05-27), Jerry Kennedy (von 1963-05-26 bis 1963-05-27), Grady Martin (country/rockabilly guitarist) (von 1963-05-26 bis 1963-05-27) und Scotty Moore (American guitarist and recording engineer) (von 1963-05-26 bis 1963-05-27)
Klavier:
Floyd Cramer (von 1963-05-26 bis 1963-05-27)
Saxophon, shakers und Vibraphon [vibes]:
Boots Randolph (von 1963-05-26 bis 1963-05-27)
Schlagzeug:
D.J. Fontana (von 1963-05-26 bis 1963-05-27) und Buddy Harman (Session drummer and songwriter) (von 1963-05-26 bis 1963-05-27)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1963-05-26)
vocals:
The Jordanaires (southern gospel group) (von 1963-05-26 bis 1963-05-27) und Millie Kirkham (von 1963-05-26 bis 1963-05-27)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1963), BMG Music (in 1963) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (von 1963-05-26 bis 1963-05-27)
cover recording of:
(You’re the) Devil in Disguise (von 1963-05-26 bis 1963-05-27)
Verfasser(in):
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) und Florence Kaye
publisher:
Carlin Music Corporation und R&H Music
2.752:22
17It Hurts Me
phonographisches Urheberrecht (℗) von:
BMG Music (in 1964)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1964-01-12)
recording of:
It Hurts Me (am 1964-01-12)
Verfasser(in):
Joy Byers und Charles Daniels (tenor)
publisher:
Elvis Presley Music Inc.
22:29
18Big Boss Man
Produzent(in):
Felton Jarvis
Bass:
Bob Moore (U.S. bassist and bandleader) (von 1967-09-10 bis 1967-09-11)
Gitarre:
Harold Bradley (von 1967-09-10 bis 1967-09-11), Charlie McCoy (white blues harmonica player, 1960s-present) (von 1967-09-10 bis 1967-09-11), Scotty Moore (American guitarist and recording engineer) (von 1967-09-10 bis 1967-09-11), Jerry Reed (von 1967-09-10 bis 1967-09-11) und Chip Young (American session guitarist, bassist, producer in the genre of country) (von 1967-09-10 bis 1967-09-11)
Klavier:
Floyd Cramer (von 1967-09-10 bis 1967-09-11)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (von 1967-09-10 bis 1967-09-11)
Orgel:
Hoyt Hawkins (von 1967-09-10 bis 1967-09-11) und Charlie McCoy (white blues harmonica player, 1960s-present) (von 1967-09-10 bis 1967-09-11)
Saxophon:
Boots Randolph (von 1967-09-10 bis 1967-09-11)
Schlagzeug:
D.J. Fontana (von 1967-09-10 bis 1967-09-11) und Buddy Harman (Session drummer and songwriter) (von 1967-09-10 bis 1967-09-11)
Steel-Gitarre:
Pete Drake (steel guitar player) (von 1967-09-10 bis 1967-09-11)
vocals:
The Jordanaires (southern gospel group) (von 1967-09-10 bis 1967-09-11) und Millie Kirkham (von 1967-09-10 bis 1967-09-11)
phonographisches Urheberrecht (℗) von:
BMG Music
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (von 1967-09-10 bis 1967-09-11)
cover recording of:
Big Boss Man (am 1967-09-10)
Verfasser(in):
Luther Dixon und Al Smith (US blues artist)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Conrad Publishing Co. Inc., EMI Unart Catalog Inc., EMI United Partnership Ltd., Mijac Music, Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC, Tristan Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
cover recording of:
Big Boss Man (von 1967-09-10 bis 1967-09-11)
Verfasser(in):
Luther Dixon und Al Smith (US blues artist)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Conrad Publishing Co. Inc., EMI Unart Catalog Inc., EMI United Partnership Ltd., Mijac Music, Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC, Tristan Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
42:51
19In the Ghetto
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jams und Chips Moman
Bass:
Tommy Cogbill (am 1969-01-21) und Mike Leech (Nashville session musician and arranger) (am 1969-01-21)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-21) und Reggie Young (guitarist and songwriter) (am 1969-01-21)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1969-01-21)
Mundharmonika:
Ed Kollis (am 1969-01-21)
Orgel:
Bobby Emmons (am 1969-01-21)
Posaune:
Jack Hale (trombone) (am 1969-01-21), Ed Logan (am 1969-01-21) und Gerald Richardson (am 1969-01-21)
Saxophon:
J.P. Luper (saxophonist) (am 1969-01-21) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (am 1969-01-21)
Schlagzeug:
Gene Chrisman (am 1969-01-21)
Steel-Gitarre:
John Hughey (am 1969-01-21)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1969-01-21), Dick Steff (am 1969-01-21) und R.F. Taylor (am 1969-01-21)
Waldhorn:
Tony Cason (am 1969-01-21) und Joe D'Gerolamo (am 1969-01-21)
vocals:
Joe Babcock (am 1969-01-21), Donna Thatcher (am 1969-01-21), Dolores Edgin (am 1969-01-21), Ginger Holladay (American singer-songwriter) (am 1969-01-21), Mary Holladay (am 1969-01-21), Millie Kirkham (am 1969-01-21), Mary (Jeannie) Green (am 1969-01-21), June Page (am 1969-01-21), Susan Pilkington (am 1969-01-21), Sandy Posey (am 1969-01-21) und Hurshel Wiginton (am 1969-01-21)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1969), BMG Music (in 1969) und RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969)
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1969-01-21)
Teil von:
SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 10)
recording of:
In the Ghetto (am 1969-01-21)
Texter und Komponist(in):
Mac Davis (US country singer, songwriter & actor)
publisher:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sony/ATV Songs LLC
4.352:47
20Suspicious Minds
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jarvis und Chips Moman
Bass:
Tommy Cogbill (am 1969-01-23) und Mike Leech (Nashville session musician and arranger) (am 1969-01-23)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-23) und Reggie Young (guitarist and songwriter) (am 1969-01-23)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1969-01-23)
Orgel:
Bobby Emmons (am 1969-01-23)
Schlagzeug:
Gene Chrisman (am 1969-01-23)
Steel-Gitarre:
John Hughey (am 1969-01-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations und Kathy Westmoreland
arranger:
Mike Leech (Nashville session musician and arranger) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1969-01-23) und United Recording Studios (Las Vegas) in Las Vegas, Nevada, Vereinigte Staaten (am 1969-08-07)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 363)
cover recording of:
Suspicious Minds (von 1969-01-23 bis 1969-08-07)
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
4.14:30
21Only the Strong Survive
cover recording of:
Only the Strong Survive (am 1969-02-19)
Verfasser(in):
Jerry Butler (soul singer), Leon Huff (Philly soul producer, of Gamble & Huff) und Kenny Gamble (songwriter for Philadelphia International)
publisher:
Blue Crest Music, Double Diamond Music, Downstairs Music, Ensign Music Corp., Parabut, Sony/ATV Melody und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
1.52:42
22Polk Salad Annie
cover recording of:
Polk Salad Annie
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Blackwood Music Inc.
4:44
23An American Trilogy
phonographisches Urheberrecht (℗) von:
BMG Music (in 1972)
cover recording of:
An American Trilogy
Texter und arranger:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Medley von:
Dixie
Medley von:
All My Trials
Medley von:
Battle Hymn of the Republic
24:32
24Burning Love
Produzent(in):
Felton Jarvis
Bass:
Emory Gordy (von 1972-02-27 bis 1972-02-29)
Gitarre:
Charlie Hodge (von 1972-02-27 bis 1972-02-29), Dennis Linde (von 1972-02-27 bis 1972-02-29), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (von 1972-02-27 bis 1972-02-29) und James Burton (guitarist) (von 1972-03-27 bis 1972-03-29)
Klavier:
Glen D. Hardin (von 1972-02-27 bis 1972-02-29)
Perkussion:
Jerry Carrigan (US drummer) (von 1972-02-27 bis 1972-02-29)
Schlagzeug:
Ronnie Tutt (drummer) (von 1972-02-27 bis 1972-02-29)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
J.D. Sumner & The Stamps (von 1972-02-27 bis 1972-02-29)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Victor, Studio C in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1972-03-27 bis 1972-03-29, am 1972-03-28)
cover recording of:
Burning Love (von 1972-02-27 bis 1972-02-29)
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
live cover recording of:
Burning Love (am 1972-03-28)
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
cover recording of:
Burning Love (am 1972-03-28)
Texter und Komponist(in):
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Sony/ATV Songs LLC
32:52
25Promised Land
cover recording of:
Promised Land
Texter:
Chuck Berry
Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Limited
basiert auf:
Wabash Cannonball
2:56