Classic 70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Feel's Like I'm in LoveKelly Marie3:19
2Help Me Make It Through the Night
diritti fonografici (℗) detenuti da:
Dominion Entertainment, Inc. (company credits only; file no releases here!) (nel 1971)
registrazione cover di:
Help Me Make It Through the Night (nel 1971)
paroliere e compositore:
Kris Kristofferson
editore:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. e KPM (music publisher)
sub-editore:
Air Music Scandinavia AB
Sammi Smith2:35
3The Night Chicago Died
co-produttore:
Peter Callander (dal 1974 a oggi) e Mitch Murray (dal 1974 a oggi)
basso :
Cliff Fish (bassist for Paper Lace) (nel 1974)
batteria e voce principale:
Phil Wright (Lead singer and drummer of Paper Lace) (dal 1974 a oggi)
chitarra :
Chris Morris (Member of Paper Lace) (nel 1974) e Mick Vaughan (nel 1974)
voce di accompagnamento:
Cliff Fish (bassist for Paper Lace) (nel 1974), Chris Morris (Member of Paper Lace) (nel 1974) e Mick Vaughan (nel 1974)
registrata presso:
Majestic Studios in Clapham, Lambeth, London (Greater London), England, Regno Unito (nel 1974)
registrazione di:
The Night Chicago Died
paroliere:
Peter Callander
compositore:
Mitch Murray
Paper Lace3:33
4Born to Be Alive
registrazione di:
Born to Be Alive
paroliere e compositore:
Patrick Hernandez
Patrick Hernandez3:20
5Move Close
registrazione di:
Move Closer
paroliere e compositore:
Phyllis Nelson (American singer)
editore:
IQ Music Ltd.
Phyllis Nelson3:50
6Emotion
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
sintetizzatore [synthesizers] :
James Newton Howard (American score composer)
voce:
Samantha Sang
voce di accompagnamento:
Barry Gibb e Robin Gibb
diritti fonografici (℗) detenuti da:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (nel 1977) e Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1978)
è stato produttore per:
CAM Productions (US)
registrata presso e remixata presso:
Criteria Sound in Miami, Florida, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 14)
registrazione cover di:
Emotion
autore:
Barry Gibb e Robin Gibb
editore:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia e Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang3.53:55
7Boom Boom (Let's Go Back to My Room)Paul Lekakis3:53
8In the Summertime
diritti fonografici (℗) detenuti da:
Fable Records (nel 1970)
registrazione cover di:
In the Summertime
paroliere e compositore:
Ray Dorset
editore:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
The Mixtures2:50
9Daddy Cool
registrazione cover di:
Daddy Cool
autore:
Bob Crewe e Frank Slay Jr.
editore:
Campbell Connelly
Drummond2:42
10Love Grows (Where My Rosemary Goes)
produttore:
Tony Macaulay
voce:
Tony Burrows (nel 1970)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1970) e Demon Music Group (nel 1970)
video musicali:
Love Grows (Where My Rosemary Goes) di Edison Lighthouse
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 40) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 416)
registrazione di:
Love Grows (Where My Rosemary Goes) (nel 1970)
autore:
Tony Macaulay e Barry Mason (English songwriter)
editore:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. e Universal Music Publishing MGB Australia
Edison Lighthouse3.82:50
11I Love You Love Me LoveGary Glitter3.53:12
12Up There Cazaly
registrazione di:
Up There Cazaly
autore:
Mike Brady (Australian musician)
The Two-Man Band2:47
13The Pushbike Song
diritti fonografici (℗) detenuti da:
The Image Music Group Pty. Ltd. (nel 1996)
registrazione di:
The Pushbike Song
autore:
Idris Lloyd Jones (The Mixtures) e James Evan Jones (The Mixtures)
editore:
PolyGram Music Publishing e Universal Publishing
The Mixtures2:33
14Have You Seen Her
diritti fonografici (℗) detenuti da:
Brunswick (Imprint of Brunswick Record Corporation) (nel 1971) e Brunswick Records Corp. (nel 1972)
parte di:
Mixtape – Game Soundtrack (numero: 7)
registrazione di:
Have You Seen Her
autore:
Barbara Acklin (singer and songwriter) e Eugene Record
editore:
Intersong Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites4.55:10
15Let's All Chant
registrazione di:
Let’s All Chant
autore:
Alvin Fields e Michael Zager
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Zager Band3:05
16Julie, Do Ya Love Me
diritti fonografici (℗) detenuti da:
Dominion Entertainment, Inc. (company credits only; file no releases here!) (nel 1970)
registrazione di:
Julie, Do Ya Love Me
paroliere e compositore:
Tom Bahler
editore:
Fable Music Pty. Ltd.
Bobby Sherman2:56
17Dreams Are Ten a Penny
Kincade2:42
18Ain't No Stoppin' Us Now
edit di:
Ain’t No Stoppin’ Us Now (LP version) di McFadden & Whitehead
registrazione di:
Ain’t No Stoppin’ Us Now
autore:
Jerry Cohen, Gene McFadden e John Whitehead
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead43:38