Pathways of Baroque Music: Cathedrals and Chapels

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: A New Sacred Art: Masses and Motets at the Turn of the 17th Century

2▶CD: Cantata and Petit Motet: Sacred Concerts in Europe (1640-1740)

3▶CD: The French Grand Motet: A Century of Sacred Music at the French Court

4▼CD: The Golden Age of the Oratorio: The Dramatization of Religious Music
#	Title	Artist	Rating	Length
1	Oratorio Per La Settimana Santa (First Part): Introduzione	Luigi Rossi		0:42
2	Oratorio Per La Settimana Santa (First Part): Baraba a Noi Si Dia	Luigi Rossi		2:21
3	Oratorio Per La Settimana Santa (First Part): E di Gesù Che Fia	Luigi Rossi		1:42
4	Oratorio Per La Settimana Santa (First Part): Di Si Rigida Sentenza	Luigi Rossi		1:23
5	Oratorio Per La Settimana Santa (First Part): Troppo I Lumi	Luigi Rossi		1:26
6	Oratorio Per La Settimana Santa (First Part): Se Geleta Paura Il Cor T'Ingombra	Luigi Rossi		1:25
7	O Cecità Del Misero Mortale! (First Part): Introduzione	Luigi Rossi		0:55
8	O Cecità Del Misero Mortale! (First Part): O Cecita Del Misero Mortale!	Luigi Rossi		1:39
9	O Cecità Del Misero Mortale! (First Part): Piangerà	Luigi Rossi		2:53
10	Auferstehungs-Historie, SWV 50 [excerpt]: Die Auferstehung Unsers Herren Jesu recording of: Historia der Auferstehung Jesu Christi, SWV 50: Die Auferstehung unsers Herren composer: Heinrich Schütz (composer) part of: Historia der Auferstehung Jesu Christi, SWV 50	Heinrich Schütz		1:16
11	Auferstehungs-Historie, SWV 50 [excerpt]: Da Der Sabbath Vergangen War … recording of: Historia der Auferstehung Jesu Christi, SWV 50: Evangelium composer: Heinrich Schütz (composer) part of: Historia der Auferstehung Jesu Christi, SWV 50	Heinrich Schütz		2:43
12	Auferstehungs-Historie, SWV 50 [excerpt]: Wer Wälzet Uns Den Stein Von Des Grabes Tür? partial recording of: Historia der Auferstehung Jesu Christi, SWV 50 composer: Heinrich Schütz (composer) part of: Schütz-Werke-Verzeichnis (number: SWV 50)	Heinrich Schütz		0:24
13	Auferstehungs-Historie, SWV 50 [excerpt]: Maria Aber Stund Vor Dem Grabe Und Weinet Draußen partial recording of: Historia der Auferstehung Jesu Christi, SWV 50 composer: Heinrich Schütz (composer) part of: Schütz-Werke-Verzeichnis (number: SWV 50)	Heinrich Schütz		0:59
14	Auferstehungs-Historie, SWV 50 [excerpt]: Weib, Was Weinest Du partial recording of: Historia der Auferstehung Jesu Christi, SWV 50 composer: Heinrich Schütz (composer) part of: Schütz-Werke-Verzeichnis (number: SWV 50)	Heinrich Schütz		4:46
15	Weihnactts-Historie, SWV 435 [excerpt]: Die Geburt Unsres Herren Jesu Christi recorded in: Seewen, Solothurn (Canton of Solothurn), Switzerland (in 1989-09) choir vocals: Concerto Vocale (Belgian baroque/early music ensemble) conductor: René Jacobs (conductor) (in 1989-09) recording of: Weihnachts-Historie, SWV 435 - Sinfonia composer: Heinrich Schütz (composer) part of: Weihnachts-Historie, SWV 435 (Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo)	Heinrich Schütz		1:59
16	Weihnactts-Historie, SWV 435 [excerpt]: Fürchtet Euch Nicht recorded in: Seewen, Solothurn (Canton of Solothurn), Switzerland (in 1989-09) choir vocals: Concerto Vocale (Belgian baroque/early music ensemble) conductor: René Jacobs (conductor) (in 1989-09) recording of: Weihnachts-Historie, SWV 435 - Der Engel: Furchtet euch nicht composer: Heinrich Schütz (composer) part of: Weihnachts-Historie, SWV 435 (Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo)	Heinrich Schütz		3:20
17	Weihnactts-Historie, SWV 435 [excerpt]: Die Menge Der Engel recorded in: Seewen, Solothurn (Canton of Solothurn), Switzerland (in 1989-09) choir vocals: Concerto Vocale (Belgian baroque/early music ensemble) conductor: René Jacobs (conductor) (in 1989-09) recording of: Weihnachts-Historie, SWV 435 - Die Menge der Engel: Ehre sei Gott in der Hohe composer: Heinrich Schütz (composer) part of: Weihnachts-Historie, SWV 435 (Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo)	Heinrich Schütz		1:55
18	Weihnactts-Historie, SWV 435 [excerpt]: Und Sie Kamen Eilend / Weihnactts-Historie, SWV 435 [excerpt]: Da Nun Jesus Geboren recording of: Weihnachts-Historie, SWV 435 - Evangelist: Und sie kamen eilend composer: Heinrich Schütz (composer) part of: Weihnachts-Historie, SWV 435 (Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo)	Heinrich Schütz		1:18
19	Weihnactts-Historie, SWV 435 [excerpt]: Wo Ist Der Neugeborne König Der Juden? recording of: Weihnachts-Historie, SWV 435 - Die Weisen aus Morgenlande: Wo ist der neugeborne composer: Heinrich Schütz (composer) part of: Weihnachts-Historie, SWV 435 (Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo)	Heinrich Schütz		1:49
20	In Nativitatem Domini Canticum, H. 416 [excerpt]: First Part. Prelude recording of: In nativitatem Domini canticum, H. 416: Praeludium composer: Marc‐Antoine Charpentier (composer) part of: In nativitatem Domini canticum, H. 416 Première Partie	Marc‐Antoine Charpentier		1:35
21	In Nativitatem Domini Canticum, H. 416 [excerpt]: Usque Quo Avertis Faciem / Memorare Testamenti partial recording of: In nativitatem Domini canticum, H. 416 composer: Marc‐Antoine Charpentier (composer) part of: Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 416)	Marc‐Antoine Charpentier		3:23
22	In Nativitatem Domini Canticum, H. 416 [excerpt]: Second Part. Night recording of: In nativitatem Domini canticum, H. 416 La Nuit composer: Marc‐Antoine Charpentier (composer) part of: In nativitatem Domini canticum, H. 416	Marc‐Antoine Charpentier		1:44
23	In Nativitatem Domini Canticum, H. 416 [excerpt]: Third Part. Shepherds' Awaking / Coeli Aperti Sunt recording of: In nativitatem Domini canticum, H. 416: Réveil des bergers composer: Marc‐Antoine Charpentier (composer) part of: In nativitatem Domini canticum, H. 416 Deuxième Partie	Marc‐Antoine Charpentier		5:31
24	Maddalena Ai Piedi di Cristo: In Lagrime Stemprato recording engineer: Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1995-01) producer: Thomas Drescher (German musicologist) soprano vocals [Maddalena]: María Cristina Kiehr (soprano) (in 1995-01) orchestra: Orchestre de la Schola Cantorum Basiliensis (in 1995-01) conductor: René Jacobs (conductor) (in 1995-01) partial recording of: Maddalena ai piedi di Cristo (in 1995-01) composer: Antonio Caldara (Italian composer)	Antonio Caldara		4:25
25	Maddalena Ai Piedi di Cristo: La Ragione, S'Un Alma Conseglia partial recording of: Maddalena ai piedi di Cristo composer: Antonio Caldara (Italian composer)	Antonio Caldara		2:54
26	Maddalena Ai Piedi di Cristo: Così Sciolta da'Lacci de' Sui Error partial recording of: Maddalena ai piedi di Cristo composer: Antonio Caldara (Italian composer)	Antonio Caldara		0:37
27	Maddalena Ai Piedi di Cristo: Alle Vittorie partial recording of: Maddalena ai piedi di Cristo composer: Antonio Caldara (Italian composer)	Antonio Caldara		0:36
28	La Giuditta: Alto Signore / Dalla Destra Omnipotente	Francisco António de Almeida		5:06
29	Messiah: Behold the Lamb of God conductor: William Christie (harpsichordist and conductor) performer: Les Arts Florissants (French baroque ensemble) recording of: Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:20
30	Messiah: Thus Saith the Lord of Hosts conductor: William Christie (harpsichordist and conductor) performer: Les Arts Florissants (French baroque ensemble) recording of: Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		1:40
31	Messiah: But Who May Abide the Day of His Coming? alto vocals: Andreas Scholl (countertenor) orchestra and performer: Les Arts Florissants (French baroque ensemble) conductor: William Christie (harpsichordist and conductor) recording of: Messiah, HWV 56: Part I, no. 6. Air “But who may abide” composer: George Frideric Handel (German‐British baroque composer) version of: Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		4:38
32	Messiah: And He Shall Purify the Sons of Levi conductor: William Christie (harpsichordist and conductor) performer: Les Arts Florissants (French baroque ensemble) recording of: Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		2:18
33	Messiah: Halleluja! orchestra: Les Arts Florissants (French baroque ensemble) conductor: William Christie (harpsichordist and conductor) recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	George Frideric Handel		3:20

5▶CD: The Sacred Music of J.S. Bach: Cantatas, Motets, Oratorios and Passions

Pathways of Baroque Music: Cathedrals and Chapels

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