100 Non Stop Party Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Individual barcodes // cat#:

CD 1: 0724348773722 // BX 877372
CD 2: 0724348773821 // BX 877382
CD 3: 0724348773920 // BX 877392
CD 4: 0724348774026 // BX 877402

Anmerkung zuletzt geändert am 2017-10-02 02:29 UTC.

Titelliste

1▶CD
2▶CD
3▶CD
4▼CD
Nr.TitelKünstlerBewertungLänge
1Summertime Blues
recording of:
Summertime Blues (in 1958-05)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran1:56
2Lay Your Love on Me
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), RAK Records (copyrights holder) (in 1978) und RAK (in 1979)
recording of:
Lay Your Love on Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music und Universal Music Publishing MGB Australia
Racey3:16
3Don’t Let Me Be Misunderstood
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 315)
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
The Animals4.32:27
4A World Without Love
recording of:
A World Without Love
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!) und Northern Songs Ltd.
Peter & Gordon32:39
5Baker Street
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
Gitarre [lead guitar]:
Hugh Burns (in 1977)
Gitarre [rhythm guitar]:
Nigel Jenkins (in 1977)
Keyboard:
Tommy Eyre (in 1977)
Perkussion:
Glen LeFleur (in 1977)
Saxophon:
Raphael Ravenscroft (in 1977)
Schlagzeug:
Henry Spinetti (in 1977)
Sologesang:
Gerry Rafferty (in 1977)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
Bearbeitung von:
Baker Street von Gerry Rafferty
recording of:
Baker Street (in 1977)
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:07
6Boogie Oogie Oogie
Produzent(in):
Fonce Mizell und Larry Mizell
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2002)
recording of:
Boogie Oogie Oogie
Verfasser(in):
Janice Marie Johnson (Member of "A Taste of Honey") und Perry L. Kibble
publisher:
Conducive Music, Inc. und On Time Music, Inc.
A Taste of Honey2.653:42
7Heaven Must Be Missing an Angel
recording of:
Heaven Must Be Missing an Angel
Verfasser(in):
Freddie Perren und Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares3:42
8Chequered Love
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981)
Gitarre:
Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Chris North (UK drummer of The Enid) (von 1980 bis 1981)
Hintergrundgesang:
Ricky Wilde (von 1980 bis 1981)
Sologesang:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Chequered Love (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde53:20
9Oh Boy
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1975)
cover recording of:
Oh, Boy!
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
Mud22:52
10Tom Tom Turn Around
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1971)
recording of:
Tom Tom Turnaround
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
Universal Music Publishing MGB Australia
New World3:17
11No Milk Today
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1966) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
No Milk Today (in 1966-10)
Texter und Komponist(in):
Graham Gouldman
publisher:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hournew Music Ltd.
Herman’s Hermits4.652:57
12Devil Gate Drive
recording of:
Devil Gate Drive
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
Suzi Quatro4.753:46
13Stuck With You
Techniker(in):
Jim Gaines und Robert Missbach
Produzent(in):
Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) und Chrysalis Records, Inc. (not for release label use!) (in 1986)
recording of:
Stuck with You
Texter und Komponist(in):
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hulex Music (publisher) (in 1986)
Huey Lewis & the News44:27
14Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
J.Geils Band43:37
15Stop Stop Stop
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-08-17)
recording of:
Stop Stop Stop (am 1966-08-17)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
publisher:
Gralto Music Ltd.
The Hollies3.652:48
16Freedom Come, Freedom Go
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971)
recording of:
Freedom Come, Freedom Go
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) und Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und PolyGram Music Publishing
Fortunes3:16
17You’ll Never Walk Alone
Interpret(in):
Gerry and the Pacemakers
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1963) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
You’ll Never Walk Alone (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:39
18I’m Telling You Now
recording of:
I'm Telling You Now
Verfasser(in):
Freddie Garrity und Mitch Murray
Freddie & the Dreamers2:05
19Seven Drunken Night
The Dubliners3:42
20Sloop John B.
Techniker(in):
Chuck Britz (am 1965-07-12)
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
bass saxophone:
Jack Nimitz (American saxophonist and clarinet player) (am 1965-07-12)
E-Bass:
Carol Kaye (am 1965-07-12)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (am 1965-07-12) und Jay Migliori (am 1965-07-12)
Gitarre:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (am 1965-07-12), Jerry Cole (am 1965-07-12) und Billy Strange (am 1965-07-12)
Glockenspiel:
Frank Capp (am 1965-07-12)
Kontrabass:
Lyle Ritz (am 1965-07-12)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1965-07-12)
tack piano:
Al De Lory (am 1965-07-12)
Templeblocks:
Steve Douglas (American saxophonist, flautist and clarinetist) (am 1965-07-12)
zwölfsaitige Gitarre [12-string electric guitar]:
Billy Strange (am 1965-12-29)
Sologesang:
Mike Love (Beach Boys) (von 1965-12-22 bis 1965-12-29) und Brian Wilson (Beach Boys co‐founder) (von 1965-12-22 bis 1965-12-29)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-07-12, am 1965-12-22, am 1965-12-29)
recording of:
Sloop John B (von 1965-07-12 bis 1965-12-29)
Texter und Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. und New Executive Music
Version von:
The John B. Sails
The Beach Boys3.92:56
21Oh Marie
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Oh Marie (am 1956-04-19)
Texter und Komponist(in):
Eduardo Di Capua
arranger:
Louis Prima
Louis Prima42:26
22If You Can’t Give Me Love
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980) und RAK Records Ltd. (in 1978)
produced for:
Chinnichap (production company and publisher)
recording of:
If You Can’t Give Me Love (in 1980)
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap (production company and publisher), Chinnichap Ltd. (production company), RAK Publishing Ltd. und Universal Music–MGB Songs
Suzi Quatro4.53:53
23Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:21
24Do You Want to Know a Secret
cover recording of:
Do You Want to Know a Secret
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Unart Catalog Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Metric Music Co (publisher), Northern Songs Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
Billy J. Kramer & The Dakotas32:02
25Thank U Very Much
recording of:
Thank U Very Much
Texter und Komponist(in):
Mike McGear (Paul McCartney’s brother)
Scaffold2:30

Nennungen

Veröffentlichung

ASIN:DE: B0000086PF [Info]