Chet

~ Release by Chet Baker (see all versions of this release, 18 available)

Annotation

Record Store Day 2023 release limited to 10,000 copies worldwide (6525 copies in the U.S.). First mono reissue on vinyl in the US since the initial release.
Limited Edition 180-gram LP pressed on black vinyl at RTI.
Misprint on jacket lists third track on Side B, "You'd Be So Nice to Come Home To," as song number 2.

Comes with a "Craft Recordings" rice paper inner sleeve and has a "Record Store Day" hype sticker with barcode on the front of the shrink-wrap.

Back cover
℗2022 & ©1959 Craft Recordings.
Made in U.S.A.

Labels
℗ 2022 & © 1959 Craft Recordings.

Sticker
⋅ All-analog mastering from the original mono tapes by Kevin Gray at Cohearent Audio

Annotation last modified on 2023-05-02 03:09 UTC.

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Alone Together
recorded in:
New York, United States (on 1958-12-30) and New York, New York, United States (on 1958-12-30)
recording engineer and engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1958-12-30)
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1958-12-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-30) and Connie Kay (on 1958-12-30)
flute:
Herbie Mann (on 1958-12-30)
guitar:
Kenny Burrell (on 1958-12-30)
piano:
Bill Evans (pianist) (on 1958-12-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (from 2006 to present)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-30)
instrumental recording of:
Alone Together (on 1958-12-30)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
26:46
A2How High the Moon
recorded in:
New York, New York, United States (on 1958-12-30)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1958-12-30)
bass:
Paul Chambers (US jazz bassist) (on 1958-12-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-30) and Connie Kay (on 1958-12-30)
flute:
Herbie Mann (on 1958-12-30)
guitar:
Kenny Burrell (on 1958-12-30)
piano:
Bill Evans (pianist) (on 1958-12-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-30)
recording of:
How High the Moon (on 1958-12-30)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
23:31
A3It Never Entered My Mind
recorded in:
New York, New York, United States (on 1958-12-30)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1958-12-30)
bass:
Paul Chambers (US jazz bassist) (on 1958-12-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-30) and Connie Kay (on 1958-12-30)
flute:
Herbie Mann (on 1958-12-30)
guitar:
Kenny Burrell (on 1958-12-30)
piano:
Bill Evans (pianist) (on 1958-12-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-30)
recording of:
It Never Entered My Mind (on 1958-12-30)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
24:36
A4'Tis Autumn
recorded in:
New York, New York, United States (on 1959-01-19)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-01-19)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-01-19) and Connie Kay (on 1959-01-19)
flute:
Herbie Mann (on 1959-01-19)
guitar:
Kenny Burrell (on 1959-01-19)
piano:
Bill Evans (pianist) (on 1959-01-19)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1959-01-19)
instrumental recording of:
’Tis Autumn (on 1959-01-19)
lyricist and composer:
Henry Nemo
recording of:
’Tis Autumn
lyricist and composer:
Henry Nemo
25:12
B1If You Could See Me Now
recorded in:
New York, New York, United States (on 1958-12-30)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1958-12-30)
bass:
Paul Chambers (US jazz bassist) (on 1958-12-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-30) and Connie Kay (on 1958-12-30)
flute:
Herbie Mann (on 1958-12-30)
guitar:
Kenny Burrell (on 1958-12-30)
piano:
Bill Evans (pianist) (on 1958-12-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-30)
recording of:
If You Could See Me Now (jazz standard) (on 1958-12-30)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
25:11
B2September Song
recorded in:
New York, New York, United States (on 1958-12-30)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1958-12-30)
bass and double bass:
Paul Chambers (US jazz bassist) (on 1958-12-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-30) and Connie Kay (on 1958-12-30)
flute:
Herbie Mann (on 1958-12-30)
guitar:
Kenny Burrell (on 1958-12-30)
piano:
Bill Evans (pianist) (on 1958-12-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-30)
instrumental recording of:
September Song (catch-all for versions outside the theatrical context) (on 1958-12-30)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., DeSylva, Brown and Henderson, Inc., Hampshire House Publishing Corp., Kurt Weill Foundation for Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
arrangement of:
Knickerbocker Holiday: September Song
13:00
B3You'd Be So Nice to Come Home To
recorded in:
New York, New York, United States (on 1958-12-30)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1958-12-30)
bass:
Paul Chambers (US jazz bassist) (on 1958-12-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-30) and Connie Kay (on 1958-12-30)
flute:
Herbie Mann (on 1958-12-30)
guitar:
Kenny Burrell (on 1958-12-30)
piano:
Bill Evans (pianist) (on 1958-12-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-30)
recording of:
You’d Be So Nice to Come Home To (on 1958-12-30)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
24:38
B4Time on My Hands
recorded in:
New York, New York, United States (on 1959-01-19)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-01-19)
bass:
Paul Chambers (US jazz bassist) (on 1959-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-01-19) and Connie Kay (on 1959-01-19)
flute:
Herbie Mann (on 1959-01-19)
piano:
Bill Evans (pianist) (on 1959-01-19)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1959-01-19)
recording of:
Time on My Hands (on 1959-01-19)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
14:27
B5You and the Night and the Music
recorded in:
New York, New York, United States (on 1959-01-19)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-01-19)
bass:
Paul Chambers (US jazz bassist) (on 1959-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-01-19) and Connie Kay (on 1959-01-19)
flute:
Herbie Mann (on 1959-01-19)
guitar:
Kenny Burrell (on 1959-01-19)
piano:
Bill Evans (pianist) (on 1959-01-19)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1959-01-19)
recording of:
You and the Night and the Music (on 1959-01-19)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
13:50