Monster ’80s, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.94:13
2Miss Me Blind
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Miss Me Blind von Culture Club (English pop group)
recording of:
Miss Me Blind (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
Culture Club3.354:34
3Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.754:15
4I Ran (So Far Away)
recording engineer:
Mike Score
Techniker(in):
Mike Shipley (audio engineer, mixer, producer)
Produzent(in):
Mike Howlett
Bassgitarre und Hintergrundgesang:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) und Mike Score
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982), Zomba Productions Limited (in 1982) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Ran von A Flock of Seagulls
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 55)
recording of:
I Ran
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.255:06
5867-5309/Jenny
assistierende(r) Techniker(in):
Catharina "Mix" Masters (von 1981-07 bis 1981-08)
Techniker(in):
Toby Scott (von 1981-07 bis 1981-08)
Produzent(in):
Jim Keller (member of Tommy Tutone) und Chuck Plotkin
Bassgitarre [bass]:
Jon Lyons (von 1981-07 bis 1981-08)
Gitarre, Klavier und Sologesang:
Tommy Heath (von 1981-07 bis 1981-08)
Gitarre [lead guitar]:
Jim Keller (member of Tommy Tutone) (von 1981-07 bis 1981-08)
Keyboard [keyboards]:
Steve LeGassick (von 1981-07 bis 1981-08)
Perkussion und Hintergrundgesang [harmonies]:
John Cowsill (von 1981-07 bis 1981-08)
Schlagzeug [drums]:
Victor Carberry (von 1981-07 bis 1981-08)
vocals:
Jim Keller (member of Tommy Tutone) (von 1981-07 bis 1981-08)
aufgenommen bei:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1981-07 bis 1981-08)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 36) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 494)
recording of:
867‒5309/Jenny (von 1981-07 bis 1981-08)
Texter und Komponist(in):
Alex Call und Jim Keller (member of Tommy Tutone)
Tommy Tutone4.753:46
699 Luftballons
Techniker(in):
Imre Sereg (in 1982)
Produzent(in):
Reinhold Heil (in 1982) und Manfred Praeker (in 1982)
Mix:
Udo Arndt (in 1982)
E-Bass:
Jürgen Dehmel (in 1982)
E-Gitarre:
Carlo Karges (in 1982)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Schlagzeug:
Rolf Brendel (in 1982)
Sologesang:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983) und Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1983)
aufgenommen bei:
Spliff in Berlin, Deutschland (in 1982)
mixed at:
Audio-Studio in Berlin, Deutschland (in 1982)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 73) und Cachitos Nochevieja 2022 (Nummer: 105)
recording of:
99 Luftballons (in 1982)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Uwe Fahrenkrog-Petersen (in 1982)
publisher:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Musikverlag GmbH
sub-publisher:
EMI Songs France (27, rue de Berri)
Nena4.13:55
7What I Like About You
Produzent(in):
Peter Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) und Nemperor Records, Inc. (in 1979)
aufgenommen bei:
Coconut Recording in Miami, Florida, Vereinigte Staaten (in 1979-10)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 97) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 483)
recording of:
What I Like About You (in 1979-10)
Verfasser(in):
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) und Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. und EMI Music Publishing Australia Pty. Limited (not for release label use!)
Teil von:
Freaky Friday (2003)
The Romantics4.552:58
8Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:48
9Caribbean Queen (No More Love on the Run)
recording of:
Caribbean Queen
Verfasser(in):
Keith Diamond und Billy Ocean
Billy Ocean53:43
10One Thing Leads to Another
recording of:
One Thing Leads to Another (The Fixx song)
Verfasser(in) und Komponist(in):
Alfie Agius, Cy Curnin, Rupert Greenall, Jamie West‐Oram und Adam Woods (drummer)
The Fixx3:25
11Goody Two Shoes
Produzent(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
Akustikgitarre und Bassgitarre:
Adam Ant (English new wave singer and actor)
Saxophon:
Jeff Daly
Schlagzeug:
Bogdan Wiczling
Trompete:
Martin Drover
vocals:
Adam Ant (English new wave singer and actor)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1982-06)
remixed at:
Alchemy Studio (London studio owned by Kenny Jones) in London (Greater London), England, Vereinigtes Königreich (in 1982-06)
Musikvideos:
Goody Two Shoes von Adam Ant (English new wave singer and actor)
Teil von:
The Downloader’s Music Source Book (Nummer: 149)
recording of:
Goody Two Shoes
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited und EMI Music Publishing Ltd. (PRS‐affiliated) (in 1982)
Adam Ant2.353:32
12Voices Carry
assistierende(r) Techniker(in):
Jeff Lippay und Mike Krowiak
Techniker(in):
Domenic Maita
Produzent(in):
Mike Thorne (UK producer & keyboardist)
assistierende(r) Mix:
Moira Marquis
Mix:
Bob Clearmountain und Harvey Goldberg
Bassgitarre:
Aimee Mann
Gitarre:
Robert Holmes (guitarist, member of 'Til Tuesday)
Klavier und Synthesizer:
Joey Pesce
Perkussion und Schlagzeug:
Michael Hausman
vocals:
Aimee Mann, Joey Pesce und Robert Holmes (guitarist, member of 'Til Tuesday)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
aufgenommen bei:
RPM Studios in New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 56)
recording of:
Voices Carry
Texter:
Aimee Mann
Komponist(in):
Michael Hausman, Robert Holmes (guitarist, member of 'Til Tuesday), Aimee Mann und Joey Pesce
publisher:
'til tunes associates und Intersong U.S.A. (publisher)
’Til Tuesday4.554:22
13Working for the Weekend
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer) und Rob Porter
Techniker(in):
Bob Rock und Keith Stein
Produzent(in):
Paul Dean (Canadian guitarist) und Bruce Fairbairn
Bassgitarre:
Scott Smith (Canadian bassist for Loverboy)
Gitarre und Hintergrundgesang:
Paul Dean (Canadian guitarist)
Keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
Schlagzeug:
Matt Frenette
Sologesang:
Mike Reno
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
aufgenommen bei:
Mushroom Studios in Vancouver, British Columbia, Kanada
mixed at:
Little Mountain Sound in Vancouver, British Columbia, Kanada
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 100)
recording of:
Working for the Weekend
Verfasser(in):
Paul Dean (Canadian guitarist), Matt Frenette und Mike Reno
Loverboy4.23:43
14You Spin Me ’Round (Like a Record)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 19)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive44:29
15Safety Dance
Produzent(in):
Marc Durand (Canadian producer)
phonographisches Urheberrecht (℗) von:
Statik Records (in 1982) und Marc Durand Production (in 1983)
Bearbeitung von:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Musikvideos:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 39) und Huffington Post: 100 Best Canadian Songs Ever (Nummer: 48)
recording of:
The Safety Dance (von 1982-01 bis 1982-03)
Texter und Komponist(in):
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) und Wintrup Musik (in 1982)
Men Without Hats3.82:47
16The Warrior
Techniker(in):
William Wittman
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Interpret(in):
Patty Smyth
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982)
recording of:
The Warrior
Verfasser(in):
Nick Gilder und Holly Knight
publisher:
712 Stone Avenue Music, All Nations Music, Chrysalis Songs, Hebbes Music Group Pty. Ltd., Kobalt Music Publishing Ltd. (UK), Mike Chapman Publishing Enterprises, Music & Media International, Inc. und Red Admiral Music Inc. (publisher)
Scandal feat. Patty Smyth4.53:53
17Missing You
assistierende(r) Techniker(in):
Ken Stiger (engineer)
Techniker(in):
Gary Hellman
Produzent(in):
Gary Gersh, David Thoener und John Waite
Mix und Editing:
John Luongo
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite54:00

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