| # | Title | Artist | Rating | Length |
|---|
| 1 | Killer Queen- engineer:
- Kris Fredriksson, Justin Shirley‐Smith and Mike Stone
- producer:
- Roy Thomas Baker , Brian May , Queen and Roger Taylor
- bass guitar and keyboard:
- John Deacon
- drums (drum set), percussion, triangle and wind chime:
- Roger Taylor
- electric guitar:
- Brian May
- piano, tack piano and lead vocals:
- Freddie Mercury
- background vocals:
- Brian May , Freddie Mercury and Roger Taylor
- orchestrator:
- Brian May
- phonographic copyright (℗) by:
- Queen (in 1974)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1974), Hollywood Records, Inc. (in 1974) and Queen Productions Ltd. (in 1974)
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom, Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom, Trident Studios in Soho, Westminster, London , England, United Kingdom and Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom
- music videos:
- Killer Queen by Queen
- recording of:
- Killer Queen
- lyricist and composer:
- Freddie Mercury
- publisher:
- B. Feldman & Co. Ltd. , EMI Music Ltd., EMI Music Publishing Ltd. , Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- included in:
- We Will Rock You
| Queen | 4 | 3:00 |
| 2 | One | U2 | 4.2 | 4:34 |
| 3 | God Only Knows | The Beach Boys | | 2:50 |
| 4 | Hurricane | Bob Dylan | | 8:33 |
| 5 | Waterloo Sunset- assistant engineer:
- Alan O’Duffy
- engineer:
- Alan McKenzie
- producer:
- Ray Davies
- background vocals:
- Rasa Davies (in 1967-04)
- phonographic copyright (℗) by:
- Sanctuary Records Group Ltd. (in 1967)
- recorded at:
- Pye Studios, Studio 2 in London , England, United Kingdom (in 1967-04)
- recording of:
- Waterloo Sunset (in 1967-04)
- lyricist and composer:
- Ray Davies
- publisher:
- ABKCO Music, Inc. , Carlin Music Corporation, Davray Music Ltd., Hi-Count Music, Noma Music, Noma Music Inc., Unichappell Music, Inc., Carlin (in 1967), Davray (in 1967) and And Son Music Ltd. (from 1980 to present)
| The Kinks | 4 | 3:16 |
| 6 | Into My Arms- assistant recording engineer:
- Paul Hicks and Paul Wright
- recording engineer:
- Paul Corkett
- producer:
- Nick Cave & the Bad Seeds and Flood
- assistant mixer:
- Chris Scard
- mixer:
- Flood
- bass:
- Martyn P. Casey
- piano:
- Nick Cave
- vocals:
- Nick Cave
- phonographic copyright (℗) by:
- Mute Records Ltd. (in 1997)
- additionally recorded at:
- Sarm West Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1996-07)
- mixed at:
- The Church Studios in London , England, United Kingdom (in 1996-09)
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 44)
- recording of:
- Into My Arms
- lyricist and composer:
- Nick Cave
- publisher:
- Mushroom Music Pty. Ltd., Mute Song and Mute Song Ltd.
| Nick Cave | 4.15 | 4:12 |
| 7 | Come Away With Me | Norah Jones | | 3:15 |
| 8 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
- recording of:
- (Sittin’ on) The Dock of the Bay
- composer:
- Steve Cropper and Otis Redding
- arranger:
- Oliver Lake
- arrangement of:
- (Sittin’ on) the Dock of the Bay
| Otis Redding | 4.3 | 2:38 |
| 9 | Son of a Preacher Man | Dusty Springfield | 4.45 | 2:26 |
| 10 | What’s Going On- producer:
- Marvin Gaye
- mixer:
- Lawrence Miles (on 1971-05-06)
- instruments:
- Detroit Symphony Orchestra (on 1971-05-06) and The Funk Brothers (on 1971-05-06)
- percussion [box drum], piano and lead vocals:
- Marvin Gaye (on 1971-05-06)
- background vocals:
- Lem Barney (on 1971-05-06), Mel Farr (on 1971-05-06) and Marvin Gaye (on 1971-05-06)
- conductor:
- David Van dePitte (on 1971-05-06)
- phonographic copyright (℗) by:
- Motown Records (in 1971)
- recorded at:
- Hitsville in Detroit, Michigan, United States (on 1971-05-06)
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 4), Rolling Stone: 500 Greatest Songs of All Time (number: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 6), Billboard: The 500 Best Pop Songs (number: 102) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- What’s Going On (on 1971-05-06)
- lyricist and composer:
- Renaldo Benson, Al Cleveland and Marvin Gaye
- publisher:
- EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
- sub-publisher:
- イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Marvin Gaye | 4.2 | 3:49 |
| 11 | Maggie May- recording of:
- Maggie May
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | | 3:54 |
| 12 | Friday I’m in Love- assistant engineer:
- Chris Bandy
- engineer:
- David M. Allen and Steve Whitfield
- producer:
- David M. Allen and The Cure
- assistant mixer:
- Andy Baker , Shaun De Feo, Bill Parry , Danton Supple and Mark Warner
- mixer:
- Mark Saunders
- bass guitar:
- Simon Gallup
- bass guitar [6-string bass]:
- Perry Bamonte
- drums (drum set) and percussion:
- Boris Williams
- guitar:
- Robert Smith and Porl Thompson
- keyboard:
- Perry Bamonte and Robert Smith
- lead vocals:
- Robert Smith
- phonographic copyright (℗) by:
- Fiction Records Ltd. (in 1992)
- recorded at:
- The Manor in Oxfordshire, England, United Kingdom
- mixed at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom
- music videos:
- Friday I’m in Love by The Cure
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 73)
- recording of:
- Friday I’m in Love
- lyricist:
- Robert J. Smith
- composer:
- Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith and Simon Gallup
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc. and Fiction Songs Ltd.
| The Cure | 4.6 | 3:32 |
| 13 | Rehab- assistant recording engineer:
- Jesse Gladstone and Mike Makowski
- recording engineer:
- Vaughan Merrick and Mark Ronson
- miscellaneous support:
- Isobel Griffiths (task: contractor / orchestra)
- engineer:
- Dom Morley
- producer:
- Mark Ronson
- assistant mixer:
- Matt Paul
- mixer:
- Tom Elmhirst
- alto saxophone:
- Chris Davies and Andy Mackintosh
- baritone saxophone:
- Dave Bishop and Ian Hendrickson-Smith
- bass guitar:
- Nick Movshon
- cello:
- John Heley , Joely Koos and Anthony Pleeth
- drums (drum set):
- Homer Steinweiss
- electric piano, handclaps and piano and piano:
- Victor Axelrod
- guitar:
- Thomas Brenneck and Binky Griptite
- handclaps:
- Vaughan Merrick and Mark Ronson
- harp:
- Helen Tunstall
- percussion:
- Frank Ricotti
- tenor saxophone:
- Mike Smith , Neal Sugarman and Jamie Talbot
- trombone:
- Richard Edwards
- trumpet:
- Dave Guy and Steve Sidwell
- viola:
- Rachel Bolt , Jonathan Thorne , Bruce White and Katie Wilkinson
- violin:
- Mark Berrow , Elizabeth Edwards , Peter Hanson , Boguslaw Kostecki , Perry Montague‐Mason , Everton Nelson , Tom Pigott‐Smith , Jonathan Rees, Chris Tombling and Warren Zielinski
- conductor:
- Chris Elliott
- strings arranger:
- Chris Elliott
- wind instruments arranger:
- Gabriel Roth and Mark Ronson
- arranger:
- Gabriel Roth
- recorded at:
- Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis in London , England, United Kingdom
- part of:
- Amazon – Best Songs of 2007: Editor Picks (number: 57), Billboard: The 500 Best Pop Songs (number: 73) and Indie 88: Top 500 Indie Rock Songs (number: 419)
- recording of:
- Rehab
- lyricist and composer:
- Amy Winehouse
- publisher:
- EMI Music Publishing
| Amy Winehouse | 4.1 | 3:33 |
| 14 | Nutbush City Limits- producer:
- Ike Turner
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1973), EMI Records USA (in 1973), United Artists (in 1973) and EMI Records Ltd. (in 2004)
- recording of:
- Nutbush City Limits
- lyricist and composer:
- Tina Turner
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing , EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
| Ike & Tina Turner | 3.75 | 2:57 |
| 15 | Bloodbuzz Ohio- additional recording engineer:
- Christian Biegai (lead vocals), Patrick Dillett and Peter Katis
- recording engineer:
- Aaron Dessner, Bryce Dessner , Peter Mavrogeorgis and Brandon Reid
- assistant engineer:
- Keith Nelson
- co-engineer and additional mixer:
- Greg Giorgio
- additional producer:
- Aaron Dessner, Bryce Dessner and Peter Katis
- producer:
- The National
- mixer:
- Peter Katis
- bass guitar:
- Scott Devendorf
- drums (drum set) and percussion:
- Bryan Devendorf
- electric guitar:
- Bryce Dessner
- vocals:
- Matt Berninger
- orchestrator:
- Bryce Dessner and Padma Newsome
- additionally recorded at:
- Kampo Studios in Manhattan, New York, New York, United States (from 2009-03 until 2010-01) and Tarquin Studios in Bridgeport, Connecticut, United States (from 2009-03 until 2010-01)
- recorded at:
- Aaron's garage (Brooklyn, NY) in Brooklyn, New York, New York, United States
- music videos:
- Bloodbuzz Ohio by The National
- part of:
- Paste: The 25 Best Songs About Ohio Ever Made (number: 9), Stereogum: The 200 Best Songs of the 2010s (number: 70), Pitchfork: The 200 Best Songs of the 2010s (number: 76) and Indie 88: Top 500 Indie Rock Songs (number: 182)
- recording of:
- Bloodbuzz Ohio
- lyricist:
- Matt Berninger
- composer:
- Aaron Dessner and Padma Newsome
- publisher:
- ABD 13 Music, Padma Music and Val Jester Music
| The National | 4 | 4:35 |
| 16 | Love Is the Drug (remastered)- producer:
- Chris Thomas
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1975), Virgin EG Records Ltd. (in 1975) and Virgin Records Ltd. (in 1975, in 1999)
- recording of:
- Love Is the Drug
- lyricist:
- Bryan Ferry
- composer:
- Andy Mackay
- publisher:
- BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control , E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs and E.G. Music Ltd. (in 1975)
| Roxy Music | 4.2 | 4:08 |
| 17 | Another Day | Buckshot LeFonque | | 3:33 |
| 18 | My Baby Just Cares for Me- double bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano and lead vocals:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- Bethlehem Records (in 1958)
- recorded at:
- Beltone Studios in New York, New York, United States (in 1957-12)
- edit of:
- My Baby Just Cares for Me (special extended version) by Nina Simone
- cover recording of:
- My Baby Just Cares for Me (in 1957-12)
- lyricist and composer:
- Walter Donaldson and Gus Kahn
- publisher:
- Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. , Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
| Nina Simone | 3.9 | 3:36 |
| 19 | You Do Something to Me | Paul Weller | 4 | 3:37 |
| 20 | A Whiter Shade of Pale | Procol Harum | 4.1 | 4:04 |
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