The Carpenters Collection

~ Veröffentlichung von Carpenters (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1(They long to Be) Close to You
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer) (Aufgabe: original producer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Schlagzeug [drums]:
Hal Blaine (U.S. studio drummer and percussionist) und Mike Shapiro (drums)
Trompete [trumpts]:
Chuck Findley (trumpet, trombone, horn player)
Hintergrundgesang [Backing Vocals]:
Karen Carpenter und Richard Carpenter (The Carpenters)
Sologesang [Lead Vocal]:
Karen Carpenter
Orchester:
Royal Philharmonic Orchestra
conductor:
Richard Carpenter (The Carpenters)
arranger:
Richard Carpenter (The Carpenters)
cover recording of:
(They Long to Be) Close to You (am 1970-03-24)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Albert Music Publishing, Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Casa David LP, J. Albert & Son Pty. Ltd., Jac Music, Inc., New Hidden Valley Music Co., U.S. Songs, Inc., Universal/MCA Music Ltd. (not for release label use!), Windswept Music (London) Ltd. und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
33:40
2We've Only Just Begun
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Sologesang:
Karen Carpenter
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1970)
cover recording of:
We’ve Only Just Begun (am 1970-06-13)
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Irving Music (BMI)
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:04
3Top of the World
recording of:
Top of the World (am 1973-08-15)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc. und Rondor Music (London) Ltd.
2:56
4It's Going to Take Some Time
cover recording of:
It’s Going to Take Some Time
Texter und Komponist(in):
Carole King und Toni Stern
publisher:
Screen Gems–Columbia Music, Inc.
2:55
5Only Yesterday
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1975)
recording of:
Only Yesterday (am 1975-01-30)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc., Rondor Music (London) Ltd. und Sweet Harmony Music (US publisher)
3:48
6Jambalaya (On the Bayou)
Produzent(in):
Karen Carpenter und Richard Carpenter (The Carpenters)
Schlagzeug [drums]:
Hal Blaine (U.S. studio drummer and percussionist)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1973)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 29)
recording of:
Jambalaya (On the Bayou)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Fred Rose Music, Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1952-07-28)
3.53:40
7Because We Are in Love (The Wedding Song)
sonstige Unterstützung:
Ron Hicklin (Aufgabe: The O.K. Chorale Under the direction of)
assistierende(r) Techniker(in):
Dave Iveland (Music Engineer)
Techniker(in):
Roger Young (engineer)
Akustikgitarre:
Tim May (session/jazz guitarist)
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
Harfe:
Gayle Levant (American studio musician, harpist)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Perkussion:
Peter Limonick (Session Musician)
Schlagzeug [drums]:
Ron Tutt (drummer)
Chorgesang:
The O.K. Chorale (fictitious choral ensemble)
conductor:
Frank Pooler
arranger:
Richard Carpenter (The Carpenters)
Orchestrator(in):
Peter Knight (British arranger, conductor and composer)
concertmaster:
Jerry Vinci (American violinist and strings conductor)
recording of:
Because We are in Love (The Wedding Song)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
ALMO Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc., Sweet Harmony Music, Inc. (US publisher) und WC Music Corp.
35:00
8Touch Me When We're Dancing
assistierende(r) Techniker(in):
Dave Iveland (Music Engineer)
Techniker(in):
Roger Young (engineer)
Produzent(in):
Richard Carpenter (The Carpenters)
Akustikgitarre und E-Gitarre:
Tim May (session/jazz guitarist) und Tony Peluso (American writer, producer and multi-instrumentalist)
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
Harfe:
Gayle Levant (American studio musician, harpist)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Oboe:
Earl Dumler (multi-instrumentalist)
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Schlagzeug [drums]:
Larrie Londin
Tenorsaxophon [tenor sax]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Hintergrundgesang:
Karen Carpenter, Richard Carpenter (The Carpenters) und Carolyn Dennis (American singer)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
concertmaster:
Jimmy Getzoff (American concertmaster and violinist)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1981)
cover recording of:
Touch Me When We’re Dancing
Verfasser(in):
Ken Bell, Terry Nelson Skinner und J.L. Wallace (US songwriter and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und PolyGram Music Publishing Ltd.
33:14
9Sweet Sweet Smile
recording of:
Sweet, Sweet Smile
Verfasser(in):
Juice Newton (American pop and country singer, songwriter, and musician) und Otha Young
publisher:
Addison Street Music, BMG Gold Songs und Sterling Music Co. (Seperate entry from "The Sterling Music Co.")
2:57
10Please Mr. Postman
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1974)
cover recording of:
Please Mr. Postman (am 1974-07-22)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) und Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
42:50
11Sing
Produzent(in):
Karen Carpenter und Richard Carpenter (The Carpenters)
Chorgesang:
The Jimmy Joyce Children’s Chorus
cover recording of:
Sing
Texter und Komponist(in):
Joe Raposo (piano, composer, Sesame Street)
publisher:
Green Fox Music Inc., The Joe Raposo Music Group, Inc. und Jonico Music Inc. (in 1971)
recording of:
Sing
Texter und Komponist(in):
Joe Raposo (piano, composer, Sesame Street)
publisher:
Green Fox Music Inc., The Joe Raposo Music Group, Inc. und Jonico Music Inc. (in 1971)
recording of:
Sing (Japanese concert version)
Texter und Komponist(in):
Joe Raposo (piano, composer, Sesame Street)
Arrangement von:
Sing
43:16
12Yesterday Once More
Produzent(in):
Karen Carpenter und Richard Carpenter (The Carpenters)
recording of:
Yesterday Once More (am 1973-03-14)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Rondor Music (London) Ltd., Almo Music (USA, affiliated with ASCAP) (in 1973), Hammer & Nails Music (in 1973) und Sweet Harmony Music (US publisher) (in 1973)
4.63:57
13There's a Kind of Hush
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
Gitarre [guitars]:
Tony Peluso (American writer, producer and multi-instrumentalist)
Harfe:
Gayle Levant (American studio musician, harpist)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Schlagzeug [drums]:
Jim Gordon (US drummer with Derek and the Dominos)
Tenorsaxophon [tenor sax]:
Bob Messenger (Woodwind and bass player)
cover recording of:
There’s a Kind of Hush
Texter und Komponist(in):
Les Reed und Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
43:01
14Our Day Will Come
cover recording of:
Our Day Will Come
Texter:
Bob Hilliard
Komponist(in):
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter, Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
32:03
15I Won't Last a Day Without You
cover recording of:
I Won’t Last a Day Without You
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Rondor Music (London) Ltd.
recording of:
I Won’t Last a Day Without You
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Rondor Music (London) Ltd.
3:44
16Superstar
cover recording of:
Superstar (in 1971-03)
Verfasser(in):
Bonnie Bramlett und Leon Russell
publisher:
Black Bull Music, Delbon Publishing Co., Embassy Music Corporation, Jobete Music (UK) Ltd., Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., Solo Copyright Bureau, Stuck On Music und Teddy Jack Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:46
17This Masquerade
cover recording of:
This Masquerade
Texter und Komponist(in):
Leon Russell
publisher:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Pathe Publications (Far East) Limited, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:49
18Ticket to Ride
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bass:
Bob Messenger (Woodwind and bass player) und Joe Osborn (American bass guitar player, session musician and songwriter)
Gitarre:
Gary Sims (vocalist, guitarist, songwriter)
Schlagzeug und Sologesang:
Karen Carpenter
Orchestrator(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1969)
cover recording of:
Ticket to Ride
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
übersetzte Version von:
Boleto para pasear
recording of:
Ticket to Ride
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
übersetzte Version von:
Boleto para pasear
3.54:09
19Goodbye to Love
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
E-Gitarre:
Tony Peluso (American writer, producer and multi-instrumentalist)
recording of:
Goodbye to Love
komponiert in:
London (Greater London), England, Vereinigtes Königreich (in 1971)
Texter:
John Bettis (in 1972)
Komponist(in):
Richard Carpenter (The Carpenters) (von 1971 bis 1972)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music und Rondor Music (London) Ltd.
4.53:50
20A Song for You
cover recording of:
A Song for You
Texter und Komponist(in):
Leon Russell
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:33