Capital Gold Jazz Legends

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1In the Mood
registrazione di:
In the Mood
paroliere:
Andy Razaf
compositore:
Wingy Manone
editore:
Shapiro Bernstein and Co. Limited e Shapiro, Bernstein & Co., Inc.
sub-editore:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
si basa su:
Tar Paper Stomp
parte di:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller3:31
2Choo Choo Ch’Boogie
Louis Jordan2:41
3Minnie the Moocher
Cab Calloway3:15
4That Ole Devil Called Love
registrazione di:
That Ole Devil Called Love
paroliere:
Doris Fisher (nel 1944)
compositore:
Allan Roberts (songwriter) (nel 1944)
editore:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:54
5Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:55
6Mad About the Boy
registrata a:
Chicago, Illinois, Stati Uniti (il 1961-12-04)
pianoforte :
Jack Wilson (jazz pianist) (il 1961-12-04)
tromba :
Joe Newman (US jazz trumpeter) (il 1961-12-04)
trombone :
Billy Byers (il 1961-12-04)
voce:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (il 1961-12-04)
arrangiatore:
Quincy Jones (il 1961-12-04)
registrazione cover di:
Mad About the Boy (nel 1961)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington52:47
7On the Sunny Side of the Street
registrazione di:
On the Sunny Side of the Street
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. e Vydia Music Publishing
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. e シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
parte di:
American Splendor
Lester Young with The Oscar Peterson Trio3:26
8I’ve Got You Under My Skin
tecnico:
Val Valentin (il 1956-02-09)
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1956-02-09)
chitarra :
Barney Kessel (il 1956-02-09)
contrabbasso :
Joe Mondragon (il 1956-02-09)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-02-09)
trombone :
Milt Bernhart (il 1956-02-09), Joe Howard (american trombone player) (il 1956-02-09) e Lloyd Ulyate (American trombonist (1927-2004)) (il 1956-02-09)
trombone basso :
George Roberts (american bass trombone) (il 1956-02-09)
voce principale:
Ella Fitzgerald (American jazz singer) (il 1956-02-09)
direttore d'orchestra:
Buddy Bregman (il 1956-02-09)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-02-09)
registrazione cover di:
I’ve Got You Under My Skin (il 1956-02-09)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Ella Fitzgerald2.252:43
9Let There Be Love
batteria :
Shelly Manne (US jazz drummer) (il 1961-12-20)
chitarra :
Al Hendrickson (il 1961-12-20)
contrabbasso :
Al McKibbon (double bassist) (il 1961-12-20)
contrabbasso [arco bass] :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (il 1961-12-20)
pianoforte :
George Shearing (British jazz pianist) (il 1961-12-20)
vibrafono :
Emil Richards (il 1961-12-20)
viola :
Joseph DiFiore (il 1961-12-20), Alvin Dinkin (il 1961-12-20), Allan Harshman (violist) (il 1961-12-20) e Paul Robyn (il 1961-12-20)
violino :
Victor Arno (il 1961-12-20), Emil Briano (Violinist) (il 1961-12-20), Jacques Gasselin (il 1961-12-20), James Getzoff (American concertmaster and violinist) (il 1961-12-20), Joseph Livoti (violinist) (il 1961-12-20), Dan Lube (il 1961-12-20), Erno Neufeld (il 1961-12-20), Isadore Roman (violin) (il 1961-12-20), Mischa Russell (violinist) (il 1961-12-20), Felix Slatkin (il 1961-12-20), Joseph Stepansky (il 1961-12-20) e Gerald Vinci (American violinist and strings conductor) (il 1961-12-20)
violoncello :
Hyman Gold (cellist) (il 1961-12-20), Armand Kaproff (il 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (il 1961-12-20) e William Vandenburg (Session Musician/Cello) (il 1961-12-20)
voce:
Nat King Cole (il 1961-12-20)
direttore d'orchestra:
Ralph Carmichael (il 1961-12-20)
arrangiatore:
Ralph Carmichael
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1962)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1961-12-20)
registrazione cover di:
Let There Be Love (il 1961-12-20)
paroliere:
Ian Grant (lyricist)
compositore:
Lionel Rand
editore:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole & The George Shearing Quintet1.22:45
10Chicago
produttore:
Teddy Reig
batteria :
Sonny Payne (nel 1959-01)
chitarra :
Freddie Green (nel 1959-01)
contrabbasso :
Eddie Jones (US jazz double bassist) (nel 1959-01)
pianoforte :
Ralph Sharon e Count Basie (pianist) (nel 1959-01)
sassofono baritono :
Charlie Fowlkes (baritone saxophonist) (nel 1959-01)
sassofono contralto :
Marshall Royal (nel 1959-01) e Frank Wess (nel 1959-01)
sassofono tenore :
Frank Foster (saxophonist) (nel 1959-01) e Billy Mitchell (US jazz saxophonist) (nel 1959-01)
tromba :
Wendell Culley (jazz trumpeter) (nel 1959-01), Thad Jones (American jazz trumpeter) (nel 1959-01), Joe Newman (US jazz trumpeter) (nel 1959-01) e Snooky Young (nel 1959-01)
trombone :
Henry Coker (jazz trombonist) (nel 1959-01), Al Grey (trombone) (nel 1959-01) e Benny Powell (jazz trombonist) (nel 1959-01)
voce:
Tony Bennett (US jazz/standards vocalist) (nel 1959-01)
esecutore:
Tony Bennett (US jazz/standards vocalist)
arrangiatore:
Ralph Sharon
registrazione dal vivo cover di:
Chicago (That Toddlin’ Town) (nel 1959-01)
paroliere e compositore:
Fred Fisher (nel 1922)
editore:
Fisher Music Corp. e Salabert
Tony Bennett42:07
11Desafinado
registrazione cover di:
Desafinado
paroliere:
Newton Mendonça
compositore:
Antônio Carlos Jobim
editore:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil e 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
registrazione di:
Desafinado
paroliere:
Newton Mendonça
compositore:
Antônio Carlos Jobim
editore:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil e 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Stan Getz & João Gilberto5:51
12Come Fly With Me
registrazione di:
Come Fly With Me
paroliere:
Sammy Cahn (nel 1957)
compositore:
Jimmy Van Heusen (nel 1957)
editore:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) e フジパシフィックミュージック (Fujipacific Music, Inc.)
Count Basie & His Orchestra2:44
13Take the Train
Dizzy Gillespie6:40
14What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e Project 3 Records Inc. (nel 1988)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong3.952:18
15Stranger on the Shore
diritti fonografici (℗) detenuti da:
Polydor Ltd. UK (not for release label use; fka Polydor Records Ltd.) (nel 1962) e K‐tel International (do not use as a release label! for copyrights/distributor use only) (nel 1984)
registrazione di:
Stranger on the Shore (original instrumental version)
compositore:
Acker Bilk
editore:
EMI Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated)
Acker Bilk2:57
16Misty
registrazione strumentale di:
Misty
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Erroll Garner
editore:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) e WB Music Corp. (1929–2019)
si basa su:
Misty (original instrumental work)
Erroll Garner2:50
17My Funny Valentine
basso :
Jimmy Bond
batteria :
Peter Littman, Lawrence Marable e Bob Neel (il 1954-02-15)
celesta :
Russ Freeman (pianist)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
registrazione di:
My Funny Valentine (from “Babes in Arms”) (il 1954-02-15)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Chet Baker2:20
18Mood Indigo
registrazione di:
Mood Indigo (1930 jazz composition and song)
paroliere:
Irving Mills (nel 1930)
compositore:
Barney Bigard (nel 1930) e Duke Ellington (US composer, pianist & jazz bandleader) (nel 1930)
editore:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (nel 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1930) e Lawrence Wright Music Co., Ltd. (nel 1930)
sub-editore:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong & His Orchestra3:59
19Summertime
voce:
Sarah Vaughan (il 1949-12-21)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1949)
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1949-12-21)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:14
20I Wish I Knew (How It Would Feel to Be Free)
Billy Taylor Trio3:41
2▶CD
3▶CD

Accreditamenti

Gruppo di pubblicazioni

parte di:Capital Gold Legends (numero: Jazz) (ordine: 11)