The Vocal Works: Cantatas / Passions / Oratorios / Masses / Motets

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

1▶Hybrid SACD: The Sacred Cantatas disc 1
2▶Hybrid SACD: The Sacred Cantatas disc 2
3▶Hybrid SACD: The Sacred Cantatas disc 3
4▶Hybrid SACD: The Sacred Cantatas disc 4
5▶Hybrid SACD: The Sacred Cantatas disc 5
6▶Hybrid SACD: The Sacred Cantatas disc 6
7▶Hybrid SACD: The Sacred Cantatas disc 7
8▶Hybrid SACD: The Sacred Cantatas disc 8
9▶Hybrid SACD: The Sacred Cantatas disc 9
10▶Hybrid SACD: The Sacred Cantatas disc 10
11▶Hybrid SACD: The Sacred Cantatas disc 11
12▶Hybrid SACD: The Sacred Cantatas disc 12
13▶Hybrid SACD: The Sacred Cantatas disc 13
14▶Hybrid SACD: The Sacred Cantatas disc 14
15▶Hybrid SACD: The Sacred Cantatas disc 15
16▶Hybrid SACD: The Sacred Cantatas disc 16
17▶Hybrid SACD: The Sacred Cantatas disc 17
18▶Hybrid SACD: The Sacred Cantatas disc 18
19▶Hybrid SACD: The Sacred Cantatas disc 19
20▶Hybrid SACD: The Sacred Cantatas disc 20
21▶Hybrid SACD: The Sacred Cantatas disc 21
22▶Hybrid SACD: The Sacred Cantatas disc 22
23▶Hybrid SACD: The Sacred Cantatas disc 23
24▶Hybrid SACD: The Sacred Cantatas disc 24
25▶Hybrid SACD: The Sacred Cantatas disc 25
26▶Hybrid SACD: The Sacred Cantatas disc 26
27▶Hybrid SACD: The Sacred Cantatas disc 27
28▶Hybrid SACD: The Sacred Cantatas disc 28
29▶Hybrid SACD: The Sacred Cantatas disc 29
30▶Hybrid SACD: The Sacred Cantatas disc 30
31▶Hybrid SACD: The Sacred Cantatas disc 31
32▶Hybrid SACD: The Sacred Cantatas disc 32
33▶Hybrid SACD: The Sacred Cantatas disc 33
34▶Hybrid SACD: The Sacred Cantatas disc 34
35▶Hybrid SACD: The Sacred Cantatas disc 35
36▶Hybrid SACD: The Sacred Cantatas disc 36
37▶Hybrid SACD: The Sacred Cantatas disc 37
38▶Hybrid SACD: The Sacred Cantatas disc 38
39▶Hybrid SACD: The Sacred Cantatas disc 39
40▶Hybrid SACD: The Sacred Cantatas disc 40
41▶Hybrid SACD: The Sacred Cantatas disc 41
42▶Hybrid SACD: The Sacred Cantatas disc 42
43▶Hybrid SACD: The Sacred Cantatas disc 43
44▶Hybrid SACD: The Sacred Cantatas disc 44
45▶Hybrid SACD: The Sacred Cantatas disc 45
46▶Hybrid SACD: The Sacred Cantatas disc 46
47▶Hybrid SACD: The Sacred Cantatas disc 47
48▶Hybrid SACD: The Sacred Cantatas disc 48
49▶Hybrid SACD: The Sacred Cantatas disc 49
50▶Hybrid SACD: The Sacred Cantatas disc 50
51▶Hybrid SACD: The Sacred Cantatas disc 51
52▶Hybrid SACD: The Sacred Cantatas disc 52
53▶Hybrid SACD: The Sacred Cantatas disc 53
54▶Hybrid SACD: The Sacred Cantatas disc 54
55▶Hybrid SACD: The Sacred Cantatas disc 55
56▶Hybrid SACD: The Secular Cantatas disc 1
57▶Hybrid SACD: The Secular Cantatas disc 2
58▶Hybrid SACD: The Secular Cantatas disc 3
59▶Hybrid SACD: The Secular Cantatas disc 4
60▶Hybrid SACD: The Secular Cantatas disc 5
61▶Hybrid SACD: The Secular Cantatas disc 6
62▶Hybrid SACD: The Secular Cantatas disc 7
63▶Hybrid SACD: The Secular Cantatas disc 8
64▶Hybrid SACD: The Secular Cantatas disc 9
65▶Hybrid SACD: The Secular Cantatas disc 10
66▶Hybrid SACD: St. John Passion
67▶Hybrid SACD: St. John Passion
68▶Hybrid SACD: St. Matthew Passion
69▶Hybrid SACD: St. Matthew Passion
70▶Hybrid SACD: Weihnachts-Oratorium
71▶Hybrid SACD: Weihnachts-Oratorium
72▶Hybrid SACD: Mass in B minor
73▶Hybrid SACD: Mass in B minor
74▶Hybrid SACD: Lutheran Masses I
75▶Hybrid SACD: Lutheran Masses II
76▼Hybrid SACD: Easter Oratorio / Ascension Oratorio
#TitleArtistRatingLength
1Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 1. Sinfonia
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 2004-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:07
2Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 2. Adagio
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
engineered at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2004-05)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 2004-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach3:28
3Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 3. Chorus. Kommt, eilet und laufet, ihr flüchtigen Füß
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 2004-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:57
4Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 4. Recitative. O kalter Männer Sinn!
bass vocals:
Chiyuki Urano
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 2004-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:57
5Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 5. Aria. Seele, deine Spezerein
soprano vocals:
Yukari Nonoshita
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 2004-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach11:27
6Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 6. Recitative. Hier ist die Gruft
bass vocals:
Chiyuki Urano
countertenor vocals:
Patrick Van Goethem (Belgian countertenor, known for performing early music)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 2004-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:40
7Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 7. Aria. Sanfte soll mein Todeskummer
tenor vocals:
Jan Kobow (tenor)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 2004-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach6:15
8Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 8. Recitative. Indessen seufzen wir
countertenor vocals:
Patrick Van Goethem (Belgian countertenor, known for performing early music)
soprano vocals:
Yukari Nonoshita
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 2004-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:54
9Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 9. Aria. Saget, saget mir geschwinde
countertenor vocals:
Patrick Van Goethem (Belgian countertenor, known for performing early music)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach5:55
10Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 10. Recitative. Wir sind erfreut
bass vocals:
Chiyuki Urano
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 2004-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:35
11Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 11. Chorus. Preis und Dank
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 2004-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach2:16
12Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 1. Chorus. Lobet Gott in seinen Reichen
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:35
13Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 2. Recitative. Der Herr Jesus hub seine
tenor vocals:
Jan Kobow (tenor)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:29
14Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 3. Recitative. Ach, Jesu, ist dein Absc
bass vocals:
Chiyuki Urano
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:01
15Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 4. Aria. Ach, bleibe doch, mein liebste
countertenor vocals:
Patrick Van Goethem (Belgian countertenor, known for performing early music)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach7:13
16Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 5. Recitative. Und ward aufgehaben zuse
tenor vocals:
Jan Kobow (tenor)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:28
17Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 6. Choral. Nun lieget alles unter dir
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 2004-05)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:09
18Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 7. Recitative. Und da sie ihm nachsahen
bass vocals:
Chiyuki Urano
countertenor vocals:
Patrick Van Goethem (Belgian countertenor, known for performing early music)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach2:12
19Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 8. Aria. Jesu, deine Gnadenblicke
soprano vocals:
Yukari Nonoshita
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:27
20Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 9. Choral. Wenn soll es doch geschehen
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach3:52
21Der Herr ist König, TWV 8:6: 6. Aria. Prahlet, Ihr Völker
sound engineer:
Thore Brinkmann (in 2022-09)
producer, mixer and editor:
Thore Brinkmann
tenor vocals:
Shimon Yoshida (tenor) (in 2022-09)
orchestra:
Bach Collegium Japan (in 2022-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2022-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2022-09)
partial recording of:
Der Herr ist König, BWV Suppl 2, S. 652 (arr. of TWV 8:6) (in 2022-09)
composer:
Georg Philipp Telemann (composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/T/1) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 652)
Georg Philipp Telemann & Johann Sebastian Bach4:29
22Der Herr ist König, TWV 8:6: 5. Chorus. Die Töchter Zion sind fröhlich
sound engineer:
Thore Brinkmann (in 2022-09)
producer, mixer and editor:
Thore Brinkmann
choir vocals:
Bach Collegium Japan (in 2022-09)
orchestra:
Bach Collegium Japan (in 2022-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2022-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2022-09)
partial recording of:
Der Herr ist König, BWV Suppl 2, S. 652 (arr. of TWV 8:6) (in 2022-09)
composer:
Georg Philipp Telemann (composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/T/1) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 652)
Georg Philipp Telemann & Johann Sebastian Bach2:24
23Jauchzet dem Herrn alle Welt, BWV Anh. 160: 1. Chorus. Jauchzet dem Herrn, alle Welt
sound engineer:
Thore Brinkmann (in 2022-09)
producer, mixer and editor:
Thore Brinkmann
choir vocals:
Bach Collegium Japan (in 2022-09)
orchestra:
Bach Collegium Japan (in 2022-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2022-09)
partial recording of:
Motet, "Jauchzet, dem Herrn, alle Welt", TWV 8:10 (BWV Anh. 160) (in 2022-09)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB II/T/7), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. III 160), Telemann-Werke-Verzeichnis (number: TWV 8:10), Bach Compendium (number: BC C 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. 160), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 718) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 160)
Georg Philipp Telemann & Johann Sebastian Bach3:58
24Jauchzet dem Herrn alle Welt, BWV Anh. 160: 2. Chorale. Sei Lob und Preis mit Ehren
sound engineer:
Thore Brinkmann (in 2022-09)
producer, mixer and editor:
Thore Brinkmann
choir vocals:
Bach Collegium Japan (in 2022-09)
orchestra:
Bach Collegium Japan (in 2022-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2022-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2022-09)
partial recording of:
Motet, "Jauchzet, dem Herrn, alle Welt", TWV 8:10 (BWV Anh. 160) (in 2022-09)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB II/T/7), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. III 160), Telemann-Werke-Verzeichnis (number: TWV 8:10), Bach Compendium (number: BC C 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. 160), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 718) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 160)
Georg Philipp Telemann & Johann Sebastian Bach4:17
77▶Hybrid SACD: Motets
78▶Hybrid SACD: Various Vocal Works

Credits