Tracklist

1▶Hybrid SACD: The Sacred Cantatas disc 1
2▶Hybrid SACD: The Sacred Cantatas disc 2
3▶Hybrid SACD: The Sacred Cantatas disc 3
4▶Hybrid SACD: The Sacred Cantatas disc 4
5▶Hybrid SACD: The Sacred Cantatas disc 5
6▶Hybrid SACD: The Sacred Cantatas disc 6
7▶Hybrid SACD: The Sacred Cantatas disc 7
8▶Hybrid SACD: The Sacred Cantatas disc 8
9▶Hybrid SACD: The Sacred Cantatas disc 9
10▶Hybrid SACD: The Sacred Cantatas disc 10
11▶Hybrid SACD: The Sacred Cantatas disc 11
12▶Hybrid SACD: The Sacred Cantatas disc 12
13▶Hybrid SACD: The Sacred Cantatas disc 13
14▶Hybrid SACD: The Sacred Cantatas disc 14
15▶Hybrid SACD: The Sacred Cantatas disc 15
16▶Hybrid SACD: The Sacred Cantatas disc 16
17▶Hybrid SACD: The Sacred Cantatas disc 17
18▶Hybrid SACD: The Sacred Cantatas disc 18
19▶Hybrid SACD: The Sacred Cantatas disc 19
20▶Hybrid SACD: The Sacred Cantatas disc 20
21▶Hybrid SACD: The Sacred Cantatas disc 21
22▶Hybrid SACD: The Sacred Cantatas disc 22
23▶Hybrid SACD: The Sacred Cantatas disc 23
24▶Hybrid SACD: The Sacred Cantatas disc 24
25▶Hybrid SACD: The Sacred Cantatas disc 25
26▶Hybrid SACD: The Sacred Cantatas disc 26
27▶Hybrid SACD: The Sacred Cantatas disc 27
28▶Hybrid SACD: The Sacred Cantatas disc 28
29▶Hybrid SACD: The Sacred Cantatas disc 29
30▶Hybrid SACD: The Sacred Cantatas disc 30
31▶Hybrid SACD: The Sacred Cantatas disc 31
32▶Hybrid SACD: The Sacred Cantatas disc 32
33▶Hybrid SACD: The Sacred Cantatas disc 33
34▶Hybrid SACD: The Sacred Cantatas disc 34
35▶Hybrid SACD: The Sacred Cantatas disc 35
36▶Hybrid SACD: The Sacred Cantatas disc 36
37▶Hybrid SACD: The Sacred Cantatas disc 37
38▶Hybrid SACD: The Sacred Cantatas disc 38
39▶Hybrid SACD: The Sacred Cantatas disc 39
40▶Hybrid SACD: The Sacred Cantatas disc 40
41▶Hybrid SACD: The Sacred Cantatas disc 41
42▶Hybrid SACD: The Sacred Cantatas disc 42
43▶Hybrid SACD: The Sacred Cantatas disc 43
44▶Hybrid SACD: The Sacred Cantatas disc 44
45▶Hybrid SACD: The Sacred Cantatas disc 45
46▶Hybrid SACD: The Sacred Cantatas disc 46
47▶Hybrid SACD: The Sacred Cantatas disc 47
48▶Hybrid SACD: The Sacred Cantatas disc 48
49▼Hybrid SACD: The Sacred Cantatas disc 49
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1Ich habe meine Zuversicht, BWV 188: I. Sinfonia
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": I. Sinfonia (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: III. Allegro
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach7:54
2Ich habe meine Zuversicht, BWV 188: II. Aria "Ich habe meine Zuversicht " (Tenore)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
tenor vocals:
Gerd Türk (German tenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": II. Aria (Tenor) "Ich habe meine Zuversicht" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach6:42
3Ich habe meine Zuversicht, BWV 188: III. Recitativo "Gott meint es gut mit jedermann" (Basso)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": III. Recitativo (Bass) "Gott meint es gut mit jedermann" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach2:01
4Ich habe meine Zuversicht, BWV 188: IV. Aria "Unerforschlich ist die Weise" (Alto)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
countertenor vocals:
Robin Blaze (countertenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": IV. Aria (Alt) "Unerforschlich ist die Weise" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach6:08
5Ich habe meine Zuversicht, BWV 188: V. Recitativo "Die Macht der Welt verlieret sich" (Soprano)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
soprano vocals:
Rachel Nicholls (soprano) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": V. Recitativo (Sopran) "Die Macht der Welt verlieret sich" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach0:46
6Ich habe meine Zuversicht, BWV 188: VI. Choral "Auf meinen lieben Gott "
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": VI. Choral "Auf meinen lieben Gott" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 25)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach1:03
7Ich steh mit einem Fuß im Grabe, BWV 156: I. Sinfonia
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
oboe:
Masamitsu San'nomiya (in 2010-09)
orchestra:
Bach Collegium Japan (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach2:50
8Ich steh mit einem Fuß im Grabe, BWV 156: II. Aria "Ich steh mit einem Fuß im Grabe" (Tenore, Soprano)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
soprano vocals:
Rachel Nicholls (soprano) (in 2010-09)
tenor vocals:
Gerd Türk (German tenor) (in 2010-09)
orchestra:
Bach Collegium Japan (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": II. Aria (Tenor) con Choral (Sopran) "Ich steh mit einem Fuß im Grabe" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johann Hermann Schein (composer) (in 1628)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach6:14
9Ich steh mit einem Fuß im Grabe, BWV 156: III. Recitativo "Mein Angst und Not" (Basso)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": III. Recitativo (Bass) "Mein Angst und Not" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach1:34
10Ich steh mit einem Fuß im Grabe, BWV 156: IV. Aria "Herr, was du willt, soll mir gefallen" (Alto)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
countertenor vocals:
Robin Blaze (countertenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": IV. Aria (Alt) "Herr, was du willst, soll mir gefallen" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach4:02
11Ich steh mit einem Fuß im Grabe, BWV 156: V. Recitativo "Und willst du, dass ich nicht soll kranken" (Basso)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": V. Recitativo (Bass) "Und willst du, daß ich nicht soll kranken" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach1:06
12Ich steh mit einem Fuß im Grabe, BWV 156: VI. Choral "Herr, wie du willt, so schicks mit mir"
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": VI. Choral "Herr, wie du willst, so schicks mir mit" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Kaspar Bienemann (in 1582)
part of:
Breitkopf 389 Choralgesänge (number: 150)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach1:14
13Sehet, wir gehn hinauf gen Jerusalem, BWV 159: I. Arioso e Recitativo "Sehet / Komm, schaue doch" (Basso, Alto)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-09)
countertenor vocals:
Robin Blaze (countertenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso e recitativo (Alt, Bass) "Sehet, wir gehn hinauf gen Jerusalem" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach2:37
14Sehet, wir gehn hinauf gen Jerusalem, BWV 159: II. Duetto "Ich folge dir nach" (Alto, Soprano)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
countertenor vocals:
Robin Blaze (countertenor) (in 2010-09)
soprano vocals:
Rachel Nicholls (soprano) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1656)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach4:19
15Sehet, wir gehn hinauf gen Jerusalem, BWV 159: III. Recitativo "Nun will ich mich" (Tenore)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
tenor vocals:
Gerd Türk (German tenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach0:58
16Sehet, wir gehn hinauf gen Jerusalem, BWV 159: IV. Aria "Es ist vollbracht" (Basso)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach5:52
17Sehet, wir gehn hinauf gen Jerusalem, BWV 159: V. Choral "Jesu, deine Passion"
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Stockmann (in 1633)
part of:
Breitkopf 389 Choralgesänge (number: 194)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach1:29
18Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: I. Chorus "Gott, wie dein Name"
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach2:00
19Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: II. Aria "Herr, so weit die Wolken gehen" (Tenore)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
tenor vocals:
Gerd Türk (German tenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": II. Aria (Tenor) "Herr, so weit die Wolken gehen" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach3:55
20Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: III. Recitativo "Du süßer Jesus-Name du" (Alto)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
countertenor vocals:
Robin Blaze (countertenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": III. Recitativo (Alt) "Du süßer Jesus-Name du" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach1:02
21Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: IV. Aria "Jesus soll mein erstes Wort" (Soprano)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
soprano vocals:
Rachel Nicholls (soprano) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Sopran) "Jesus soll mein erstes Wort" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach4:08
22Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: V. Recitativo "Und da du, Herr, gesagt" (Basso)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Bass) "Und da du, Herr, gesagt" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach1:45
23Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: VI. Choral "Lass uns das Jahr vollbringen"
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": VI. Choral "Laß uns das Jahr vollbringen" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johannes Herman (in 1593)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach2:29
50▶Hybrid SACD: The Sacred Cantatas disc 50
51▶Hybrid SACD: The Sacred Cantatas disc 51
52▶Hybrid SACD: The Sacred Cantatas disc 52
53▶Hybrid SACD: The Sacred Cantatas disc 53
54▶Hybrid SACD: The Sacred Cantatas disc 54
55▶Hybrid SACD: The Sacred Cantatas disc 55
56▶Hybrid SACD: The Secular Cantatas disc 1
57▶Hybrid SACD: The Secular Cantatas disc 2
58▶Hybrid SACD: The Secular Cantatas disc 3
59▶Hybrid SACD: The Secular Cantatas disc 4
60▶Hybrid SACD: The Secular Cantatas disc 5
61▶Hybrid SACD: The Secular Cantatas disc 6
62▶Hybrid SACD: The Secular Cantatas disc 7
63▶Hybrid SACD: The Secular Cantatas disc 8
64▶Hybrid SACD: The Secular Cantatas disc 9
65▶Hybrid SACD: The Secular Cantatas disc 10
66▶Hybrid SACD: St. John Passion
67▶Hybrid SACD: St. John Passion
68▶Hybrid SACD: St. Matthew Passion
69▶Hybrid SACD: St. Matthew Passion
70▶Hybrid SACD: Weihnachts-Oratorium
71▶Hybrid SACD: Weihnachts-Oratorium
72▶Hybrid SACD: Mass in B minor
73▶Hybrid SACD: Mass in B minor
74▶Hybrid SACD: Lutheran Masses I
75▶Hybrid SACD: Lutheran Masses II
76▶Hybrid SACD: Easter Oratorio / Ascension Oratorio
77▶Hybrid SACD: Motets
78▶Hybrid SACD: Various Vocal Works

Credits