Messiah

~ Release by Handel; Lynne Dawson, Catherine Denley, David James, Maldwyn Davies, Michael George, The Sixteen Choir and Orchestra, Harry Christophers (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Messiah: Part II, XXIV. Chorus "Surely He hath borne our griefs"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:53
2Messiah: Part II, XXV. Chorus "And with His stripes we are healed"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:39
3Messiah: Part II, XXVI. Chorus "All we like sheep have gone astray"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:53
4Messiah: Part II, XXVII. Tenor recitative "All they that see Him laugh Him to scorn"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:48
5Messiah: Part II, XXVIII. Chorus "He trusted in God"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:17
6Messiah: Part II, XXIX. Tenor recitative "Thy rebuke hath broken His heart"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:55
7Messiah: Part II, XXX. Tenor aria "Behold and see if there be any sorrow"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:27
8Messiah: Part II, XXXI. Tenor recitative "He was cut off out of the land"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:18
9Messiah: Part II, XXXII. Tenor aria "But Thou didst not leave His soul in hell"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:31
10Messiah: Part II, XXXIII. Chorus "Lift up your heads, O ye gates"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:57
11Messiah: Part II, XXXIV. Tenor recitative "Unto which of the angels said He"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:15
12Messiah: Part II, XXXV. Chorus "Let all the angels of God worship Him"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:24
13Messiah: Part II, XXXVI. Countertenor aria "Thou art gone up on high"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:24
14Messiah: Part II, XXXVII. Chorus "The Lord gave the word"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:02
15Messiah: Part II, XXXVIII. Soprano aria "How beautiful are the feet"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:26
16Messiah: Part II, XXXIX. Chorus "Their sound is gone out into all lands"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:21
17Messiah: Part II, XL. Bass aria "Why do the nations so furiously rage"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:51
18Messiah: Part II, XLI. Chorus "Let us break their bonds asunder"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:47
19Messiah: Part II, XLII. Tenor recitative "He that dwelleth in Heaven"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:14
20Messiah: Part II, XLIII. Tenor aria "Thou shalt break them with a rod of iron"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:13
21Messiah: Part II, XLIV. Chorus "Hallelujah"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:48
22Messiah: Part III, XLV. Soprano aria "I know that my Redeemer liveth"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel6:06
23Messiah: Part III, XLVI. Chorus "Since by man came death"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:13
24Messiah: Part III, XLVII. Bass recitative "Behold, I tell you a mystery"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:34
25Messiah: Part III, XLVIII. Bass aria "The trumpet shall sound"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel8:45
26Messiah: Part III, XLIX. Countertenor recitative "Then shall be brought to pass"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:16
27Messiah: Part III, L. Countertenor/tenor aria "O Death, where is thy sting?"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel1:17
28Messiah: Part III, LI. Chorus "But thanks be to God"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:18
29Messiah: Part III, LII. Soprano aria "If God be for us, who can be against us"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel4:44
30Messiah: Part III, LIIIa. Chorus "Worthy is the Lamb that was slain"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel3:25
31Messiah: Part III, LIIIb. Chorus "Amen"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel3:13